32nd Venice International Film Critics’ Week | 32. Settimana Internazionale della Critica
Venice, 30 August – 9 September, 2017
Dear Jeannine GUILYARD,
We are pleased to inform you that the 74th edition of the Venice International Film Festival will be held at Venice Lido from 30th August to 9th September 2017, directed by Alberto Barbera and organised by the Venice Biennale, chaired by Paolo Baratta.
We confirm your accreditation...
It is always nice to find this confirmation letter in my Inbox every year. Although I haven't attended the Venice Film Festival since the 59th edition when I presented my own short film, Gelsomina, in the Screenings Program, I still follow the festival and see as many films as I can on the web platform, Film Scope.
Here is some early news regarding this year's lineup...
THE LINEUP OF THE 2017 VENICE INTERNATIONAL FILM CRITICS’ WEEK
The Venice International Film Critics’ Week (SIC) is an independent and parallel section organized by the National Union of Italian Film Critics (SNCCI) during the 74th Venice International Film Festival (30th August – 9th September, 2017). The programme includes a selection of seven debut films in competition and two special events out of competition, all presented in world premiere screenings. The selection is curated by the General Delegate of the Venice Critics’ Week Giona A. Nazzaro together with the members of the selection committee Luigi Abiusi, Alberto Anile, Beatrice Fiorentino and Massimo Tria. The 2017 official selection includes:
IL CRATERE | CRATER
by Luca Bellino, Silvia Luzi (Italy)
by Helena Wittmann (Germany)
LES GARÇONS SAUVAGES| THE WILD BOYS
by Bertrand Mandico (France)
KÖRFEZ | THE GULF
by Emre Yeksan (Turkey, Germany, Greece)
SARAH JOUE UN LOUP GAROU | SARAH PLAYS A WEREWOLF
by Katharina Wyss (Switzerland, Germany)
by Annika Berg (Denmark)
TEMPORADA DE CAZA | HUNTING SEASON
by Natalia Garagiola (Argentina, USA, Germany, France, Qatar)
SPECIAL EVENTS - OUT OF COMPETITION
by Deborah Haywood (United Kingdom)
VELENO | POISON - THE LAND OF FIRES
by Diego Olivares (Italy)
Comic books artist Carmine Di Giandomenico creates the image for the 32nd Venice International Film Critics’ Week
The DC Comics and Marvel Comics illustrator designed a futuristic cinematic muse for the 32nd edition of the independent sidebar dedicated to debut feature films.
The Venice International Film Critics’ Week entrusted the creative genius of Italian writer, penciler, inker, colourist and cover artist Carmine Di Giandomenico with the creation of the image for the poster of its 32nd edition. An unusual and innovative choice for a sidebar that portrays today’s cinema, and through it, envisages its future, with a selection of debut films. In the cyber-fantasy style image created by Di Giandomenico – one of the few Italian artists who collaborated with two of the most important and active comics publishing houses, Marvel Comics and DC Comics - the muse of cinema glides over the lagoon, reflecting herself in the water, remindful of the past, but projected towards the future. “I wanted to create a feminine figure that would synthesize an idea of cinema that mirrors and filters everyday life turning it into fantasy – explains Di Giandomenico – Cinema as an art that can project narratives, uncovering how reality and dream are two souls that realize they are attracted to each other. Cinema that makes us glide through the present, heading for the future”.
The General Delegate of the Venice International Film Critics' Week, Giona A. Nazzaro explains: "Di Giandomenico is one of the few artists that managed to completely assimilate the pace of the American serial storytelling and to translate it through a European attitude and a specifically Italian one. This makes him a unique and outstanding artist. Therefore, we wanted to entrust him the image of this year's edition exactly because he can move towards the future, while preserving the artisanal knowledge of storytelling through images in his touch and gaze. This strategy is close to our sensibility and allows us to both interrogate the present and face the cinematic challenges of tomorrow: looking forward with confidence to new technologies and new languages”.