Italian Cinema Today

Lincoln Center described Pietro Marcello as “quietly redefining contemporary Italian cinema.” While the filmmaker says that the neorealist masterpieces of Vittorio De Sica have moved him to tears, he has charted a dramatically different course while drawing deeply from those cinematic roots. Born in 1976 in Caserta, Italy, Marcello attended Naples’ renowned Academy of Fine Arts, where he studied painting. Finding himself drawn to storytelling, he launched the radio program “Il tempo dei Magliari” and began experimenting with documentaries. “Carta” and “Scampia” were among his first short films.   In 2004, he completed the documentary “Il cantiere,” which was awarded the top prize at the 11th edition of the Libero Bizzarri Film Festival, a celebration of cinema named after the late journalist and screenwriter.     Marcello took it to the next level in 2007 when the Venice Film Festival premiered his documentary “Il Passaggio della Linea” (Crossing the Line). The poetic jo...

An icon of 1970s Italian cinema, he poured himself heart and soul into every part he played. One of the most masterful actors of his generation, Gian Maria Volonté was born in Milan in 1933. He studied his craft at Rome’s National Dramatic Arts Academy. Upon graduating in 1957,  he found work right away in theater and television, quickly earning acclaim for his skilled and passionate performances .  In one of his early roles, he played Ramón Rojo under the stage name Johnny Wells opposite Clint Eastwood in Sergio Leone’s 1964 Spaghetti Western, “A Fistful of Dollars.” A year later, he played the role of a Native American in Leone’s follow up, “A Few Dollars More.”   His breakout role came in Elio Petri’s 1970 “Indagine su un cittadino al di sopra di ogni sospetto” (Investigation Of a Citizen Above Suspicion) , a satirical film highlighting the corruption among officials in power.  After a newly promoted unnamed police chief (Volonté) murders his mistress (Florinda ...

Carlo Levi and Anna Magnani  Fondazione Carlo Levi, Rome In my ongoing quest to learn more about 20th century artist and writer, Carlo Levi , I recently discovered one of his most celebrated masterpieces,  Ritratto di Anna Magnani  (Portrait of Anna Magnani), an  oil on canvas,  which was created in 1954.  His close friendship with Anna Magnani was news to me but what I found most fascinating about this portrait is the presence of Levi’s post-1935 style, his new pictorial approach referred to by art critics as the "wavy" brushstroke. He developed this style during his political exile in Basilicata in 1935 when he spent much of his time there creating stunning portraits of the contadini (peasants) he befriended, who served as the inspiration behind his infamous novel, Christ Stopped at Eboli , which was later made into a movie by Francesco Rosi . It fascinates me because it's further proof how much of an impact that one year of exile in Basilicata had on hi...

Museo Italiano Audiovisivo and Cinema at Cinecittà Studios I arrived in Rome planning to check out a few premieres and film festivals, and ended up immersed in numerous breathtaking multi-media exhibits recounting Italian cinema of yesterday and today. Here is a recap.. Museo Italiano Audiovisivo e Cinema Cinecittà Studios There is a new interactive museum opening soon at Cinecittà Studios on via Tuscolana. It's offers a magnificent full-immersion exhibit that will take you through more than a century of cinema. I had the pleasure of a wonderful, private tour that presented me with testament to the pride that Italians have for the rich history and origins of their cinema. MIAC, which stands for Museo Italiano Audiovisivo and Cinema covers 120 years of Italian cinema from the silent era to the Golden Age to today, and focuses on many aspects, including the stars, soundtracks, maestri, history and dialogues. There is a cool interactive part, which features touch screens...

(Andate sotto per leggere la nostra intervista in Italiano) In Part Two of our series on the release of Francesco's Rosi's complete uncut version of Christ Stopped at Eboli, we are looking into a key scene in which Carlo Levi talks with Gagliano's mayor about the briganti freedom fighters and the peasants' never-ending struggles with red tape and government. He referenced the Siege of Melfi where he believes it all began, because up to that point, the region of Basilicata or the South for that matter had its own wealth. He went on to explain that the battle had a far-reaching effect on Lucania because not only were the riches taken and the city of Melfi destroyed, but the people were also killed. How does a culture recover when much of the population is wiped out? Today, when we speak of poverty in the South of Italy, it is worth noting that even though it was a few hundred years ago, the Siege of Melfi forever changed the region of Basilicata and impacted the...