Italian Cinema Today

  Ettore Scola on the set of 'How Strange to Be Named Federico' A sentimental portrait for a friend, Ettore Scola’s 2013 “Che strano chiamarsi Federico” (“How Strange to Be Named Federico”) is both a tribute to Federico Fellini and a reflection on friendship, and an artist’s passion for filmmaking.  Scola created a personal and imaginative film that moves between documentary, fiction, memory, and fantasy, bringing to life important moments he shared with Fellini during their decades-long friendship as well as highlights from Fellini’s own life and career while showing how deeply Fellini influenced Scola himself. The result is an inviting, nostalgic, and at times playful portrait of one of Italy and the world’s most beloved filmmakers. The film opens on the beach where a figure depicting Fellini sits in a director’s chair and watches performers audition for him. The beach is likely symbolic of Fellini’s roots in the seaside town of Rimini and his beach-going days on the c...

A new exhibition in Cold Spring, New York, is bringing the luminous legacy of Murano glassmaking into focus through the work of Japanese artist Yoichi Ohira. “Yoichi Ohira: Japan in Murano” is on view at  Magazzino Italian Art  until February 2027. The exhibit showcases the work of Ohira, who became a leading figure in the design of Venetian glassworks on the island of Murano. The exhibition features works that highlight the uniqueness of Ohira’s art across the decades of his career. Ohira’s earliest Murano works blend Venetian glass techniques with his own style. These pieces show balanced shapes, clear surfaces, and striking color combinations. His Venezia e l’Oriente (Venice and the Orient) decanters reflect Venice’s ties to the East, creating vases inspired by Marco Polo’s tales with a modern twist. The exhibition shows Ohira’s respect for Murano’s glass masters, displaying objects alongside preparatory drawings that map ideas to the final works of art. It also explores ho...

Netflix photo A new Netflix series adaptation of “The Leopard,” based on Giuseppe Tomasi di Lampedusa’s seminal novel, is captivating audiences worldwide. Directed by British filmmaker Tom Shankland, the series revisits the iconic tale first brought to the screen by Luchino Visconti in 1963. Set against the backdrop of 1860s Sicily during the Risorgimento, the film follows Prince Fabrizio Salina (Kim Rossi Stuart), an aging aristocrat witnessing the decline of the Sicilian nobility and the rise of a new social order. As Garibaldi’s forces land in Sicily, the prince reflects on the now-fleeting aristocratic way of life. His nephew Tancredi (Saul Nanni) embraces the changes and aligns himself with the new order, famously stating, “If we want things to stay as they are, things will have to change.” Prince Fabrizio, once the epitome of male, moneyed privilege, finds himself grappling with a changing world where his way of life is becoming obsolete. He comes to realize that the aristocracy ...

Photo Courtesy of Oscilloscope Laboratories The 25th anniversary edition of Open Roads: New Italian Cinema is upon us, and it’s hard to believe that a quarter of a century has gone by since the first edition in 2001. This year’s lineup features 15 films that exemplify the richness and diversity of contemporary Italian cinema, from young filmmakers to veterans, from comedies to dramas to documentaries.  “It’s always a pleasure to bring the most exciting new films in Italian cinema to our audience here in New York, and this year’s edition of Open Roads should prove especially stimulating, spotlighting some of Italy’s greatest up-and-coming talent, but also paying tribute to Roberto Rossellini , an absolutely pivotal, paradigm-shifting figure in the history of world cinema,” said Film at Lincoln Center Programmer Dan Sullivan. “Taken as a whole, this lineup offers some interesting propositions about the present and future of Italian cinema, while also deeply engaging with its incompar...

Vittorio De Sica’s 1970 drama “Sunflower” (“I girasoli”) is an emotionally charged and ultimately heartbreaking meditation on the lasting effects of war. Co-written by Tonino Guerra and De Sica’s decades-long collaborator, Cesare Zavattini , the film tells a profoundly human tale that grapples with love, loss and difficult choices. Sophia Loren and Marcello Mastroianni star as Giovanna and Antonio, a young Italian couple who marry quickly during World War II in the hopes of delaying Antonio’s deployment. After only a few weeks together, Antonio is sent to the Russian front anyway. When he does not return after the war, Giovanna refuses to accept his presumed death. Her determination to uncover the truth leads her from Italy to the Soviet Union, where she traces his footsteps and discovers that her gut feeling was right. De Sica shows that war’s impact extends far beyond the battlefield. Antonio’s absence is a pain that never goes away, and Giovanna cannot make peace with it. Her des...

An Italian box office hit and winner of six David di Donatello awards, “C'è ancora domani” (“There’s Still Tomorrow”) is actress Paola Cortellesi ’s highly regarded directorial debut. Set in the aftermath of World War II, the film paints a vivid portrait of post-war Rome, where liberation contrasts with lingering hardship.   Cortellesi stars as Delia, a woman who lives within the strict confines of her role as wife and mother, dominated by her overbearing, abusive husband, Ivano ( Valerio Mastandrea ), and his demanding, bedridden father (Giorgio Colangeli). Her greatest hope rests on her daughter, Marcella (Romana Maggiora Vergano), whose engagement to the respectable Giulio (Francesco Centorame) seems, at first, like a possible escape from the cycle of female submission that comes with being on the brink of poverty. The story takes an emotional turn when a mysterious letter awakens Delia’s long-suppressed courage, pushing her to question the so-called traditional (gender) roles t...