Italian Cinema Today

A new exhibition in Cold Spring, New York, is bringing the luminous legacy of Murano glassmaking into focus through the work of Japanese artist Yoichi Ohira. “Yoichi Ohira: Japan in Murano” is on view at  Magazzino Italian Art  until February 2027. The exhibit showcases the work of Ohira, who became a leading figure in the design of Venetian glassworks on the island of Murano. The exhibition features works that highlight the uniqueness of Ohira’s art across the decades of his career. Ohira’s earliest Murano works blend Venetian glass techniques with his own style. These pieces show balanced shapes, clear surfaces, and striking color combinations. His Venezia e l’Oriente (Venice and the Orient) decanters reflect Venice’s ties to the East, creating vases inspired by Marco Polo’s tales with a modern twist. The exhibition shows Ohira’s respect for Murano’s glass masters, displaying objects alongside preparatory drawings that map ideas to the final works of art. It also explores ho...

Netflix photo A new Netflix series adaptation of “The Leopard,” based on Giuseppe Tomasi di Lampedusa’s seminal novel, is captivating audiences worldwide. Directed by British filmmaker Tom Shankland, the series revisits the iconic tale first brought to the screen by Luchino Visconti in 1963. Set against the backdrop of 1860s Sicily during the Risorgimento, the film follows Prince Fabrizio Salina (Kim Rossi Stuart), an aging aristocrat witnessing the decline of the Sicilian nobility and the rise of a new social order. As Garibaldi’s forces land in Sicily, the prince reflects on the now-fleeting aristocratic way of life. His nephew Tancredi (Saul Nanni) embraces the changes and aligns himself with the new order, famously stating, “If we want things to stay as they are, things will have to change.” Prince Fabrizio, once the epitome of male, moneyed privilege, finds himself grappling with a changing world where his way of life is becoming obsolete. He comes to realize that the aristocracy ...

Photo Courtesy of Oscilloscope Laboratories The 25th anniversary edition of Open Roads: New Italian Cinema is upon us, and it’s hard to believe that a quarter of a century has gone by since the first edition in 2001. This year’s lineup features 15 films that exemplify the richness and diversity of contemporary Italian cinema, from young filmmakers to veterans, from comedies to dramas to documentaries.  “It’s always a pleasure to bring the most exciting new films in Italian cinema to our audience here in New York, and this year’s edition of Open Roads should prove especially stimulating, spotlighting some of Italy’s greatest up-and-coming talent, but also paying tribute to Roberto Rossellini , an absolutely pivotal, paradigm-shifting figure in the history of world cinema,” said Film at Lincoln Center Programmer Dan Sullivan. “Taken as a whole, this lineup offers some interesting propositions about the present and future of Italian cinema, while also deeply engaging with its incompar...

Vittorio De Sica’s 1970 drama “Sunflower” (“I girasoli”) is an emotionally charged and ultimately heartbreaking meditation on the lasting effects of war. Co-written by Tonino Guerra and De Sica’s decades-long collaborator, Cesare Zavattini , the film tells a profoundly human tale that grapples with love, loss and difficult choices. Sophia Loren and Marcello Mastroianni star as Giovanna and Antonio, a young Italian couple who marry quickly during World War II in the hopes of delaying Antonio’s deployment. After only a few weeks together, Antonio is sent to the Russian front anyway. When he does not return after the war, Giovanna refuses to accept his presumed death. Her determination to uncover the truth leads her from Italy to the Soviet Union, where she traces his footsteps and discovers that her gut feeling was right. De Sica shows that war’s impact extends far beyond the battlefield. Antonio’s absence is a pain that never goes away, and Giovanna cannot make peace with it. Her des...

An Italian box office hit and winner of six David di Donatello awards, “C'è ancora domani” (“There’s Still Tomorrow”) is actress Paola Cortellesi ’s highly regarded directorial debut. Set in the aftermath of World War II, the film paints a vivid portrait of post-war Rome, where liberation contrasts with lingering hardship.   Cortellesi stars as Delia, a woman who lives within the strict confines of her role as wife and mother, dominated by her overbearing, abusive husband, Ivano ( Valerio Mastandrea ), and his demanding, bedridden father (Giorgio Colangeli). Her greatest hope rests on her daughter, Marcella (Romana Maggiora Vergano), whose engagement to the respectable Giulio (Francesco Centorame) seems, at first, like a possible escape from the cycle of female submission that comes with being on the brink of poverty. The story takes an emotional turn when a mysterious letter awakens Delia’s long-suppressed courage, pushing her to question the so-called traditional (gender) roles t...

The 2016 documentary, “Water and Sugar: Carlo Di Palma, The Colours of Life” is a portrait of an artist told through memory, sincere admiration, and respect. Directed by Kurdish-Iranian filmmaker Fariborz Kamkari, the film pays homage to Carlo Di Palma , one of Italy’s most influential and beloved cinematographers, whose work helped define photography in both European art cinema and American independent filmmaking. The documentary is deeply moving and thought provoking because rather than following a traditional style of biography, the story unfolds gently, almost conversationally, the viewer hears from the collaborators, friends and family that shaped Di Palma’s life and work. Kamkari structures the film around interviews with those who knew Di Palma best: directors, collaborators, friends, journalists, and, most poignantly, his wife, Adriana Chiesa Di Palma, who travels the world revisiting the landscapes of his career. Her conversations are unhurried, allowing reflections to emerge ...