Italian Cinema Today

Alida Valli was born Alida Maria Laura Altenburger von Marckenstein-Frauenberg in Pola, Istria, on April 29, 1921. Christened a baroness, she became a movie star at 15. Valli made her screen debut as a lead in Mario Bonnard’s 1937 comedy “Il feroce Saladino.”  In an interview featured in Mimmo Verdesca's 2020 documentary, “Alida Valli: In Her Own Words,” she explained how her last name was changed to Valli. “The writer Amedeo Castellazzi and the director Mario Bonnard found it (Valli) in the phone book. Because Altenburger was a foreign name, it was a bit too long, and so Alida Altenburger didn’t sound right,” she explained. Valli entered the film industry during a period when Italy’s Fascist government was constructing Cinecittà while producing its own propaganda films. Known as Telefoni Bianchi (White Telephones), the films of this era imitated American comedies and featured upper-class families, opulent Art Deco sets, and the namesake telephones, which symbolized the well-to-do...

Join me in beginning the Lenten season with my favorite adaptation of one of the Gospels-  Pier Paolo Pasolini's  1964 “Il Vangolo Secondo Matteo" (The Gospel According to St. Matthew) and a few classics that I recently discovered.  Considered by the Vatican to be among the best film adaptations of the Gospels, Pasolini's film was shot in the regions of Basilicata and Calabria. He cast his mother as Mary and many locals as extras. Spanish actor Enrique Irazoqui was cast in the role of Jesus. He was just 18-years-old when he landed the part. He had been in Rome at the time of casting and auditioned for the role. I contacted Irazoqui around this time last year to ask him about his experience making the film. He suggested that we have a conversation via Skype. Although the connection wasn’t very good, it was thrilling to talk directly with this actor whose film I had been watching for at least 20 years. He was very friendly and nostalgic in his recollections espe...

The beauty of Italian cinema is that its past continues to flourish while new filmmakers emerge creating their own masterpieces. When I talk to contemporary filmmakers, they give credit to their predecessors, acknowledging and respecting the foundation those maestros painstakingly built. This weekend, two beautiful stories have come out of Italy paying tribute to two icons of the past and the really special part of this is that both filmmakers are still living and very involved with the new generation of Italian filmmakers. The 2015 Masters of Light at TDC is celebrating legendary cinematographer Giuseppe Rotunno with screenings of five of his films "illustrating his artistry and genius" .. and the announcement of a museum dedicated to the work of Franco Zeffirelli was just made in his hometown of Florence. Giuseppe Rotunno Rotunno is one of the most prominent cinematographers of all time. Throughout the decades, he has collaborated on great masterpieces o...