Italian Cinema Today

August 23 marks the anniversary of two tragic events in Italian-American history... the untimely death of silent film star Rudolph Valentino in 1926 and one year later in 1927, the execution of Nicola Sacco and Bartolomeo Vanzetti. On August 23, 1926, Valentino passed away in New York City at the age of 31. He had been admitted to the hospital on August 15 after collapsing at Manhattan’s Hotel Ambassador. He was diagnosed with appendicitis and gastric ulcers. Three days later, after having surgery, he was on the mend but then developed peritonitis and in the days following, suffered inflammation in his lungs, causing his condition to take a turn for the worse. It is reported that he was conscious in the early hours of August 23 and even talked with his doctors before falling into a coma and then succumbing to his illness. Tens of thousands of hysterical fans took to the streets of New York upon hearing the news of his death. Sacco and Vanzetti came to America for the same reason ...

With Italy’s entry for the Oscars being Marco Bellocchio’s story of a Sicilian mafia informant, I thought I’d do a few posts about the genre of mafia films.  Have you ever thought about what started the craze for mafia-themed movies in America? That was one of the questions I explored in my 2018 documentary, Return to Lucania .. When I sat down with actor/director Pif on two occasions, he told me so much about the differences in how the Sicilian mafia (Cosa Nostra) is portrayed in American films versus how it was in real life.  Chatting with Pif at Lincoln Center's annual film series, Open Roads: New Italian Cinema In this clip from my documentary, Pif talks about how so many mafiosi ended up in America. I was initially asking him about the organized crime group Black Hand, which had a pretty strong presence here in Rochester, New York from 1910-ish through the '50s. They were known to level houses with bombs if they didn’t get their “protection money” and in on...