Skip to main content

Gabriele Salvatores launches "Italy in a Day"

Oscar-winning filmmaker, Gabriele Salvatores is set to begin production on his next film, "Life In a Day." The project is a take-off on Ridley Scott's 2010 "Britain in a Day." It will be the first collective film to be made by Italians.

The designated day is October 26, 2013, which the director calls, "a normal autumn Saturday.” Participants are invited to document their own day on video, showing an ordinary day in their lives. “We always say that cinema should tell the story of our own lives. For once, we are asking people to stop being directed and to tell who they are themselves,” explained Salvatores.  “It is an interesting challenge and a great responsibility,” Salvatores went on, “because here, the author is putting himself at the service of citizens’ emotions and thoughts. It's a project that is beyond cinema and documentary.”

The film, produced by Indiana Production and Rai Cinema, will be released in theaters and shown on the Rai network. The call for videos is underway with high profile sponsors, including Christian De Sica, Luciana Littizzetto and Micaela Ramazzotti.

For more information, visit the project's website at www.italyinaday.rai.it.


With Gabriele Salvatores in NYC, 2010
Gabriele Salvatores

Considered a maestro by peers and audience members alike, director Gabriele Salvatores continues to raise the bar for filmmakers around the world.

Born in Naples in 1950, Gabriele Salvatores spent nearly two decades working in theater, and continues to influence new generations.

Perhaps Salvatores’ greatest theatrical legacy is Milan’s Teatro dell’Elfo, which he founded in 1973. To this day, the Milanese theater serves as a popular venue for cultural events and avant-garde productions in the northern city.

Salvatores made his feature-film debut in 1989 with "Marrakech Express," which featured two of Italy’s most esteemed actors- Diego Abatantuono and Fabrizio Bentivoglio. Two years later, he made "Mediterraneo," the clever comedy that put him on the map and earned him an Academy Award.

"Nirvana," Salvatores’ 1997 sci-fi thriller about a video game character who develops thoughts and feelings, took his career in another direction. The film goes back and forth between reality and the virtual world. Solo, the video game character, pleads with his creator, Jimi, to destroy all copies of the game before its release to save him from reliving the same virtual pain over and over again. Against the wishes of his bosses, Jimi embarks on a journey to find the people he needs to get the job done. "Nirvana" is an innovative film that shows the connection between an artist and his subject. The film's style was an aberration for Salvatores whose films often mirror real-life social issues, sometimes taking a comedy turn, and other times, delving into the surreal.

Watch the Barilla spots directed by Gabriele Salvatores, starring Pierfrancesco Favino

He began his film career solely as a director but over time has also taken on the role of screenwriter. As a writer, Salvatores is deft in his ability to balance all the facets of his characters’ personalities. Most of his characters have keen senses of humor, even when they are less than admirable. They are complex and usually a little cynical about life, no matter what their age. Although his characters share many personality traits, the circumstances that surround them are dramatically different in each of his films.


A scene from "Io non ho paura"
Salvatores delivered a highly suspenseful and entertaining film with his 2003 release, "Io non ho paura." Based on kidnappings that took place in the 1980s, the story focuses on a group of poverty-stricken southerners who take the child of a wealthy family from the North hostage and hold him for ransom. The film radiates with the sweltering heat of the South, thanks to Salvatores’ directing and Italo Petriccione’s cinematography. The film was shot in Basilicata and used several regional actors.

With each new film, Salvatores reveals a greater depth of creativity. He is known for working with many of the same actors. In doing so, he adds a certain signature to his films while creating brand new works of art. And like an artist, he starts with a canvas of characters, gives them some drama, adds color where needed and laughter when necessary. In the end, we are presented with a one-of-a-kind masterpiece.

Purchase "Mediterraneo" on Amazon Prime...




Comments

Popular posts from this blog

Luisa Ranieri: A Contemporary Classic

Paolo Sorrentino’s “The Hand of God” has advanced to the short list in the 2022 Oscar race. The film is available stateside on Netflix. One of the stars of the film is actress Luisa Ranieri as the eccentric, troubled Aunt Patrizia. Luisa Ranieri Born in Naples in 1973, Ranieri hit the ground running, finding her break out film just two years after starting her acting career. That project, a made for television movie on the life of Maria Callas in which she played the starring role, immediately made her one of the country’s most popular actresses. After numerous supporting roles in both television and film, Ranieri scored the title role in Lodovico Gasparini’s 2016 miniseries “Luisa Spagnoli,” giving her another opportunity to portray a deeply complex character. The film follows the trailblazing entrepreneur who created the Perugina chocolate brand as well as a popular clothing line that still bears her name.  “I was born poor like you and know how hard life can be.” That inspirin...

Golden Age Masterpiece: Luchino Visconti’s 1957 “White Nights”

Photo Credit: Archivio Luce Cinecittà Luchino Visconti’s 1957 film, “White Nights” (“Le notti bianche”), offers a thoughtful and poignant exploration of themes such as loneliness, desire and emotional vulnerability. Based on Fyodor Dostoevsky’s novella of the same name, it transports the tale from 19th-century St. Petersburg to a dreamy mid-20th-century Italian setting. While Visconti remains largely faithful to Dostoevsky’s narrative, his characteristic style infuses the film with emotional depth, striking visuals, and a focus on class and societal constraints.   The story follows a young man named Matteo, played by Marcello Mastroianni, who lives a solitary life in a small Italian town. One evening, he encounters a beautiful young woman named Natalia, portrayed by Austrian-Swiss actress Maria Schell, who is also feeling isolated. Although she is initially reluctant, Natalia eventually confides in Matteo about her love for a man who has promised to return and marry her, but he ha...

A Conversation with Sergio Castellitto

Sergio Castellitto has made a profound impact on world cinema, both in front of and behind the camera. Born in Rome in 1953, Castellitto graduated from film school in 1978 and credits American cinema with pushing him toward a career in acting. His work has garnered numerous accolades, largely due to his immersive, original approach to projects in film, television and theatre. Castellitto is fluent in French and English, which has contributed mightily to his international stardom. But it's the actor's trademark brown eyes and charming everyman qualities that have lent his various characters -- even the ones that are rough around the edges -- an air of dignity that other actors might not have achieved. Sergio Castellitto and Margaret Mazzantini, 2005 Films such as "Paura e Amore," "L'uomo delle stelle," "Caterina va in città," and "Bella Martha" heralded Castellitto as a versatile artist with far-reaching abilities. But it ...

Alberto Sordi Like You've Never Seen Him..

Twenty two-year-old Alberto Sordi on the set of "I tre aquilotti" Directed by Mario Mattoli, the 1942 film"I tre aquilotti" (The Three Pilots) is set at the Royal Air Force Academy of Caserta where three students– Mario (Carlo Minello), Marco (Leonardo Cortese) and Filippo (Alberto Sordi) become close friends. Towards the end of his studies, Marco casually meets and falls in love with Mario's sister, Adriana (Michela Belmonte). Mario shows his opposition to Marco and this causes the end of their friendship. Due to an accident during a training flight, Marco is demoted from the sailors role to the service role, thus not getting the military pilot's license. After the end of the course, the three friends split up for various destinations but all three find themselves in Russia, with Mario and Filippo already decorated with medals of merit, while Marco is in charge of logistics services. During a war action Mario is hit in flight and is forced to land in en...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...