Abluka (Emin Alper)
Heart of a Dog (Laurie Anderson)
Sangue del mio Sangue (Marco Bellocchio)
Looking for Grace (Sue Brooks)
Equals (Drake Doremus)
Remember (Atom Egoyan)
Beasts of No Nation (Cary Fukunaga)
Per Amor Vostro (Giuseppe M. Gaudino)
Marguerite (Xavier Giannoli)
Robin, the Last Day (Amos Gitai)
A Bigger Splash (Luca Guadagnino)
The Endless River (Oliver Hermanus)
The Danish Girl (Tom Hooper)
Anomalisa (Duke Johnson, Charlie Kaufman)
L’attesa (Piero Messina)
11 minut (Jerzy Skolimowski)
Francofonia (Aleksandr Sokurov)
El Clan (Pablo Trapero)
Desde allá (Lorenzo Vigas)
L’hermine (Christian Vincent)
Behemoth (Liang Zhao)
′′They will always judge you, whether you behave well or if you behave badly. So screw it and live as you want but above all don't listen to anyone.′′ - Alberto Sordi By giving his fellow Italians something to laugh about during tumultuous times, he emerged as his generation’s King of Comedy. One of Italy’s best-loved personalities, Alberto Sordi played a pivotal role in Italian cinema from the end of World War II to the postwar economic boom of the 1950s. During those tumultuous years, he gave his countrymen a hearty laugh when they might have otherwise cried. Former Italian President Carlo Azeglio Ciampi perhaps said it best: “Alberto Sordi interpreted the feelings of Italians, especially in their most difficult and tough moments.” Born in the Trastevere neighborhood of Rome in 1920, Sordi grew up in a creative household. His mother was an elementary school teacher and his father, a professional musician for the Rome Opera House. A young Sordi joined the children’s choir o...

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