Abluka (Emin Alper)
Heart of a Dog (Laurie Anderson)
Sangue del mio Sangue (Marco Bellocchio)
Looking for Grace (Sue Brooks)
Equals (Drake Doremus)
Remember (Atom Egoyan)
Beasts of No Nation (Cary Fukunaga)
Per Amor Vostro (Giuseppe M. Gaudino)
Marguerite (Xavier Giannoli)
Robin, the Last Day (Amos Gitai)
A Bigger Splash (Luca Guadagnino)
The Endless River (Oliver Hermanus)
The Danish Girl (Tom Hooper)
Anomalisa (Duke Johnson, Charlie Kaufman)
L’attesa (Piero Messina)
11 minut (Jerzy Skolimowski)
Francofonia (Aleksandr Sokurov)
El Clan (Pablo Trapero)
Desde allá (Lorenzo Vigas)
L’hermine (Christian Vincent)
Behemoth (Liang Zhao)
One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn
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