Abluka (Emin Alper)
Heart of a Dog (Laurie Anderson)
Sangue del mio Sangue (Marco Bellocchio)
Looking for Grace (Sue Brooks)
Equals (Drake Doremus)
Remember (Atom Egoyan)
Beasts of No Nation (Cary Fukunaga)
Per Amor Vostro (Giuseppe M. Gaudino)
Marguerite (Xavier Giannoli)
Robin, the Last Day (Amos Gitai)
A Bigger Splash (Luca Guadagnino)
The Endless River (Oliver Hermanus)
The Danish Girl (Tom Hooper)
Anomalisa (Duke Johnson, Charlie Kaufman)
L’attesa (Piero Messina)
11 minut (Jerzy Skolimowski)
Francofonia (Aleksandr Sokurov)
El Clan (Pablo Trapero)
Desde allá (Lorenzo Vigas)
L’hermine (Christian Vincent)
Behemoth (Liang Zhao)
The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's
June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

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