Skip to main content

72nd Venice Film Festival: Interview- Actor Paolo Mazzarelli from 'Italian Gangsters'


Italian Gangsters - Like we’ve never seen them before

Whether it’s the Camorra of Naples, the ‛Ndrangheta of Calabria or Cosa Nostra of Sicily, we are accustomed to seeing cinematic stories of organized crime running rampant in the south of Italy. Director Renato De Maria changes things up and presents us with a highly entertaining account of organized crime that plagued Italy’s northern city of Milan during the difficult years following World War II. 

In a wildly creative, innovative film that the Hollywood Reporter describes as “Director Renato De Maria’s most entertaining film to date”, Italian Gangsters focuses on a group of notorious bandits and crime bosses that emerged from the rubble of post-war Italy, when Milan was just about leveled. These bandits came from struggling, working class families, many belonging to the Communist party, and openly opposed to the wartime fascist ideology.
Utilizing archival news footage, newspaper clippings, scenes from feature films by Marco Bellocchio and Michelangelo Antonioni, gripping music, reenactments and narratives by top Italian actors, Renato De Maria presents us with one of the most creative films I have ever seen. Even if you’re not a fan of gangster-themed films, the pace, the complexity and the underlying history of the film will keep you totally engaged and on the edge of your seat.

Actors Andrea Di Casa, Aldo Ottobrino, Francesco Sferrazza Papa, Sergio Romano, Paolo Mazzarelli and Luca Micheletti become the infamous gangesters- Horst Fantazzini, Pietro Cavallero , Enzo Barbieri, Paolo Casaroli, Luciano De Maria and Luciano Lutring. The characters were drawn from the actual writings and confessions of the gangsters themselves. Each actor puts his own twist on his character, creating six fascinating, charismatic protagonists.
I was especially moved by Paolo Mazzarelli’s interpretation of gangster, Luciano De Maria. The performance was very natural and Mazzarelli found the perfect balance of portraying De Maria while adding his own gestures and personality. In doing so, he humbled the character without taking away his bold, eccentric qualities. I also appreciated the story that he recounted- the robbery of via Osoppo in Milan. It was a carefully orchestrated robbery of an armored car that was carried out in the hustle and bustle of the city. It would go on to be one of the most-talked about, most-examined armed robberies in Italy’s history. However, it’s something that most Americans have never heard of, so for this reason, I found it interesting. In reading about the heist, I learned it was the inspiration behind two highly-acclaimed crime comedies- Mario Monicelli’s I soliti ignoti (The Big Deal on Madonna Street) and its sequel, Nanni Loy’s, Audace colpo dei soliti ignoti (Fiasco in Milan). Both films were huge commercial successes and starred iconic actors Vittorio Gassman, Claudia Cardinale, Marcello Mastroianni and Totò.

Paolo Mazzarelli as Luciano De Maria

Reading about the heist made me even more curious, so I contacted Paolo Mazzarelli, the actor that portrays this fascinating character, Luciano De Maria, and asked him to shed some light on De Maria and the robbery of via Osoppo.

Our interview was done in Italian, so I am including both versions.
What did you do to become Luciano de Maria? Tell me about your research.
There are not many written records on Luciano De Maria. So, I just tried to give life, humanity, rhythm and irony to the words the writers gave me for my character- words which alone created a varied and vivid portrait.
Che cosa hai fatto per diventare Luciano de Maria? Raccontami la tua ricerca.
Su Luciano De Maria non esistono moltissime testimonianze scritte. Ho cercato semplicemente di dare vita, umanità, ritmo, ironia alle parole che gli sceneggiatori mi hanno regalato per il mio personaggio, parole che da sole ne facevano un ritratto variegato e vivido.
What qualities of yourself did you give to this character?
I tried to give my bandit an irony and a boldness that, in part, are also characteristics of my own personality. De Maria, like the other bandits featured in the film, played around with his persona, giving it a fictionalized and romantic image. Today, that type of bandit no longer exists, so it was fun and exciting to enter this world and tiptoe around as an actor.
Quali sono le qualità di te stesso che hai dato a questo personaggio?
Ho cercato di dare al mio bandito una ironia e una sfrontatezza che, in parte, sono anche caratteristiche della mia personalità. De Maria, come altri banditi raccontati dal film, giocava col proprio personaggio, con una immagine romanzata e romantica di bandito che, oggi, non esiste più. E' stato divertente ed eccitante entrare nel suo mondo in punta di piedi, come attore.

Your character tells the story of the robbery of the armored vehicle on via Osoppo in Milan. It’s been referred to as "the most sensational robbery ever recorded in Milan". What made that robbery of 27 February 1958 so epic?
There are two things: the huge amount of money stolen, and the fact that the whole operation was carried out not only without hurting anyone, but without firing a single shot. From the point of view of a bandit, it was an absolutely perfect job. After all these years, and not only in Milan, people still remember that robbery. 
Il tuo personaggio ha raccontato la storia della rapina del camion porta valori di via Osoppo a Milano. E’ stata chiamata, “la più sensazionale rapina che mai la cronaca milanese abbia registrato”. Qual è il motivo, che ha reso quella rapina di 27 feb 1958 così epica?
Due cose: l'enorme quantità di denaro rubato, e il fatto che tutta l'operazione sia stata svolta non solo senza ferire nessuno, ma addirittura senza sparare un colpo. Dal punto di vista di un bandito, un lavoro assolutamente perfetto. Al punto che di quella rapina, a Milano e non solo, c'è ancora memoria a distanza di tanti anni.

At any time during his life, did Luciano de Maria express remorse for the crimes that he committed?
I don’t know if he ever really expressed remorse. Surely, the 20 years imprisonment that he served was a long period of reflection and perhaps then, he questioned his actions as a criminal. But there’s really no way of knowing if he traveled that path to clear his conscience.
In quale momento, durante la sua vita, Luciano De Maria ha espresso rimorso per i crimini che ha commesso?
Non lo so. Non so neanche se abbia mai davvero espresso rimorso. Sicuramente i 20 anni di carcere che si è fatto saranno stati un lungo periodo di riflessione e magari anche di messa in discussione del suo operato criminale, ma io non ho elementi per sapere che percorso abbia fatto la sua coscienza.
Italian Gangsters will be available online until September 8th through the Venice Film Festival’s Sala Web program. 

Comments

Popular posts from this blog

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew t...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...