|Alec Baldwin in a scene from Andron|
Andron is visually layered with a combination of scenes shot on the Mediterranean island of Malta and computer-generated imagery (CGI). The element I enjoyed the most though, was the exchange among the characters. The film features a crop of beautiful, young protagonists with some pretty sharp acting chops. There are some lines that I interpreted- as a way to slip in some comedy relief. For example, "Clearly, we're not in Kansas anymore." The script for this kind of film is not written for the way we talk in everyday life. So there is an element of fantasy just in watching the actors recite their lines. I enjoyed watching the scenes with Baldwin and his fellow veteran actor Danny Glover. Even if their lines were few, it was a pleasure to see these two American screen artisans work together.
|Francesco Cinquemani directing Alec Baldwin|
I had some questions about the making of Andron- the cast in particular, as well as a curiosity as to what goes into transitioning from journalist to sci-fi film director. So I took my questions right to the director, Francesco Cinquemani.
|Cinquemani with his producers Monika Bacardi and Andrea Iervolino|
I have always been fascinated by the fantasy genre. I was born in Rome and I live near the Colosseum. The gladiators have always fascinated me since childhood and that fascination was marked by old movies like Rollerball and The Tenth Victim (which is Italian). My background as a journalist led me to mix power, media manipulation, reality and gladiators in a vision of the future, even if it's slightly pessimistic. Andron began as a TV series. A pilot of the series was commissioned by RAI in 2011 and implemented in 2012. It was called The Place. I shot it in Italian with Italian actors. Then due to an excessively high budget for Italy, the series did not continue, but the pilot has been shown in several festivals. The recent success of The Hunger Games has brought this type of genre back into fashion and allowed my dream for this series to become reality. My producers, Andrea Iervolino and Monika Bacardi viewed The Place and they asked me to develop it as a film.
The cast is very impressive and quite diverse. Did you have the actors in mind while you were writing the screenplay?When I write, I hear the voices of the different characters. It's strange but true. For me, it’s as if they were alive and I see them and hear them. I never think of the actors first because it would influence and alter the characters. But there was an exception in Andron because I’ve known Gale Harold for years and I respect him as an actor, and as a friend, I readjusted the character I had created for the TV series to accommodate him.
Speaking to the effects, how did you create the city?
Through months and months of work by interacting with my VFX (Visual Effects) supervisor, Peter Nalli and his incredible team of special effects wizards. Everything was discussed and decided beforehand. It was planned, designed and modeled in 3D, made with the other elements, inserted in the actual scene and eventually animated. In the scene of the dolly in which we see the city appear behind Michelle Ryan, there are over a hundred moving elements incorporated that we discussed and decided on in post-production. From the shape of each individual in the building where the river would form the inlet, the quantity and quality of the powder that had to be suspended in the air. In the film, there are nearly a thousand VFX. In the first installment of The Matrix, there were just over 400.
What did you shoot in Malta?
All of the exterior scenes were shot in Malta. We shot most of the film in an underground power station located in Malta where there are several kilometers of studios. The rest was shot in Rome.
How did Alec Baldwin get involved?
He got involved thanks to Bruno Rosato, my casting director and to Danny Glover's conviction. I had already filmed the scenes with Danny and he spoke well of me as a director. Alec really liked the script and the character. He is a fan of science fiction. He understood all the irony that I had incorporated into the script. Andron for me is a bit of parody of this kind of movie where the hero always does well. The film tells the story of the bad guys. It starts with them and ends with them. For me it's the story of the rise to power of Adam (Alec Baldwin). There's a joke that he tells, pointing to the contestants: "You do not even understand the rules of the game." If a game like Andron existed in reality, competitors would not have any chance of escaping.
What was it like working with him?
He is a kind and extraordinary person with an exceptional talent. Baldwin is like a charge of nitroglycerin ready to explode. He likes to experiment and is wide open to improvisation. It's like having a Stradivarius in your hands, a tool with which you can play anything. He is always energetic and ready to go. Between takes and during down time, he doesn’t even sit because he doesn’t want to lose his energy.
Is Andron your first feature-length film?
It's my first feature-length fiction. Before, I had only made a documentary for an hour and twenty minutes, but when you are used to turn twenty-one episodes per year of a TV show, as I did from 2010 to 2012 when I had my own sitcom on RAI, it is not difficult to manage the timing of a film.
Tell me about your transition from journalist to filmmaker.
I wanted to be a director since I was six-years-old and saw The Thing and The Invasion of the Body Snatchers. Then as I grew up, I realized that it was difficult to find a job working in cinema in Italy. So, I abandoned my dream and I started to study electrical engineering. To pay for school, I started writing articles and was published right away. I was eighteen and this crazy 23-year-old publisher asked me to run his company. It went well. I ended up publishing 30 magazines and in the end, I never became an engineer. Years later, I received another offer and I switched to another publishing house. Things were going well until one morning when I looked into the mirror and saw my old dream. I said to myself: "You're getting old. Soon, you're not going to have a choice. You either try now or live with regret for the rest of your life." So, I went into work that morning and quit my job. Six months later, I had my first TV series on Sky Cinema.
So the moral of this story is- Follow your dreams before it's too late. Andron opened in 10 cities at the beginning of June and is available right now on VOD.