Skip to main content

Michel Petrucciani: His Artistic Legacy in our Shallow World


It seems lately that we are living in dark days. We turn on the computer or the news to hear political candidates saying the most cruel thing one can muster up. We are living in days of social media "friends" who in reality are not "friends" at all. People lie, cheat, steal, copy others and manipulate to get ahead. People bully on the internet, cowardly hiding behind a keyboard. Their little fingers clamoring away to compose a nasty tweet or message to make themselves feel more important. There is hate and rage and intolerance like we've never seen. There are people literally walking across continents because their homes were destroyed. I remember the Bosnian war in the 90's- the genocide, the mass graves, the heartbreaking images of elderly women walking ridiculous distances to find shelter and safety. It seems that history is repeating itself, but worse because the hatred and anger has spread via the internet, specifically social media, into our own houses. I find myself longing for simpler days.. days when we weren't so connected digitally and disconnected in reality.  


My old betacam editing days
I recently published my interview with director Paolo Genovese. It was one of the most moving interviews I've ever done because a few things he said to me really resonated. His strong eye contact and honest, direct answers made me confront a dream that I lost when I was young but his personal story of perseverance gave me hope that it's never too late. When we talked about music, he said "If you think about it, every one of us has a special song that we associate with a happy or sad moment of life." Today, as I longed for one of those happy moments of a simpler time, I thought back to the mid-90's when I worked as a video editor at CNN in San Francisco and then for ABC and CBS News in New York. It was a time of incredible discovery and fearless adventure.


I love art. I find it in just about everything.. from the cloud formation in the sky to the way my pasta water ferociously bubbles like lava when I add sea salt. In those mid-90's days, I searched for art through music and I found it so beautifully in a jazz musician named Michel Petrucciani.

One of the of the most extraordinary jazz musicians of our time, Petrucciani was born in 1966 to an Italo-French family- his grandfather was from Naples. He spent nearly his entire life immersed in music. Petrucciani's father was a jazz guitarist in his own right, so Michel grew up surrounded by harmonies. He fell in love with the piano after seeing Duke Ellington on TV at the age of four. He immediately took up the instrument and before long, a prodigy was born, although he attributed his success to hard work rather than genius. He performed his first concert with trumpeter Clark Terry at the age of 13.

Petrucciani suffered from a condition called, osteogenesis imperfecta, also known as "brittle bone disease". He grew to only three feet tall, and his fragile frame often caused his bones to break, sometimes even as he performed. That coupled with his wildly passionate style of playing was a constant physical challenge throughout his life. Although he may have been small in stature, his charismatic personality and talent for playing overshadowed any of his physical disabilities. He was known for getting lost in his electric piano solos and fierce improvisations as he shared the stage with some of the biggest names in the business including Charles Lloyd, Lee Konitz, Stéphane Grappelli and legendary drummer, Steve Gadd.


Petrucciani was in demand all over the world and enjoyed a prolific transatlantic career. Success also had its downfalls for the pianist and led to excessive drinking and drug use. He was always open about his tendency to overdo things and many people close to him have suggested that those wild ways led to his untimely death in 1999 at just 36-years-old.


A few years ago, I saw a documentary film made by Il Postino director Michael Radford. Body and Soul was a "Special Screenings" selection of the 2011 Cannes Film Festival. Described as "a non-judgmental portrait of an artist as a permanent young man", the documentary presents a down-to-earth artist with an absolute undeterred passion and enthusiasm for life. It also sheds light on the loves of his life and the many women he knew. In fact, several of his ex-girlfriends and wives are in the film and talk about his reputation for loving them and leaving them.
 
I found the film on YouTube and although much of the dialogue is in French, the images and music make the story easy to follow. Among the French dialogue is an explanation of his condition as we see x-rays showing the bone irregularitites. Then a voiceover explaining that while kids his age were playing sports, he was developing his talent and passion for music and would play all day long. I enjoyed Petrucciani's interviews and was especially impressed by his fluency in English and strong American accent. 


"Body and Soul" by Michel Redford..


If you watch the film on YouTube, I recommend watching these clips beforehand so that you will have a better idea of what he was all about. Therefore, you won't feel like you're missing too much if you don't understand French. I also recommend picking up your favorite bottle of wine and just losing yourself in his music and story. These days, signing off for a few hours with a little wine and jazz can do us all some good.  

Pre-doc clips to watch:
Interviews –


Michel Petrucciani performs "Take the A Train" –



Piano Solo in Barcelona, 1989 (52 minutes)

Comments

Popular posts from this blog

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

Model/Actress Anna Falchi

Anna Falchi was born Anna Kristiina Palomaki, on April 22, 1972, in Tampere, Finland. Her mother, Kaarina Palomaki Sisko, is Finnish, while her father, Benito "Tito" Falchi, is from Romagna, Italy. Growing up in Italy, Anna was a tomboy, and had a fervent imagination. She is known mostly for her prolific career in modelling. However, she tried her hand at acting and landed a role in one of my favorite Italian comedies, Nessun messaggio in segreteria . I consider it my one of my favorites because it brought together so many amazing, talented filmmakers during a time when they were all just starting out. Those filmmakers, Pierfrancesco Favino, Valerio Mastandrea, Luca Miniero and Paolo Genovese are now huge names in contemporary Italian cinema, so it's great to look back and see their work in a low-profile film completely different from the bigger-budget stardom they now know.   Watch the trailer . Anna Falchi started her career as a...

Iconic scenes from 'Totò, Peppino e la malafemmina' highlight Italy's North-South divide

If you’re in the mood for a quintessential old-school Italian comedy, look no further than “Totò, Peppino e la malafemmina.” Directed in the mid-1950s by Camillo Mastrocinque, the film has stood the test of time. Starring two of Italy’s most beloved comic actors, Totò (Antonio De Curtis) and Peppino De Filippo, it is widely regarded as one of the country’s most iconic comedies, showcasing mid-century Neapolitan humor. The film also features a young Nino Manfredi at the beginning of his prolific six-decade career. “Totò, Peppino e la malafemmina” is the story of two simple, old-fashioned brothers from Naples, Antonio and Peppino Caponi (Totò and De Filippo respectively), who embark on a trip up north to check on their young nephew Gianni. Gianni has moved to Milan and fallen for a seductive nightclub dancer named Marisa (Maria Luisa Mangini, aka Dorian Gray), whom they refer to as a “malafemmina,” meaning a “bad woman” or femme fatale. Believing she is corrupting him, Totò and Peppino ...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...