Skip to main content

Revisiting my conversation with screenwriter Stefano Rulli about his film on Italian hero Giorgio Perlasca

The made for TV docu-drama is a popular genre of filmmaking that has immortalized some of the most influential people in Italian history. Most of these made-for- TV movies are shown throughout Italy on Rai Uno. However, some do reach beyond the border through Rai Italia, Italy's International network, to provide us with a fascinating look into Italian history. 

Stefano Rulli (far right) at the Festa del Cinema di Roma, 2016
With that said, enter Giorgio Perlasca, Stefano Rulli and Sandro Petraglia. Giorgio Perlasca has been described as a fascist who saved Jews. Stefano Rulli and Sandro Petraglia are the filmmakers who told his story. During the fall of Mussolini in 1943, Giorgio Perlasca was working for an Italian importer in Budapest, Hungary. When Italians residing in the country were urged home, Perlasca refused, on the grounds that he did not want to live under German occupation in Italy. He stayed in Budapest and found work at the Spanish envoy, Angel Sanz-Briz. He, along with other members of the diplomatic community, issued protective passes to Budapest Jews. In late 1944, Sanz-Briz left the country…but Perlasca stayed. He appointed himself in charge, changed his name from the Italian “Giorgio” to the Spanish “Jorge” and continued issuing protective passes. Between November 1944 and January 1945, Perlasca worked with officials from Sweden, the International Red Cross and the Vatican. Together, they saved about 3,500 Hungarian Jews.

In the spring of 2002, RAI Uno aired Perlasca - Un eroe italiano (Perlasca - An Italian Hero) a movie written by Stefano Rulli and Sandro Petraglia, which documented the extraordinary life of Giorgio Perlasca. I spoke with Stefano Rulli in New York during the 2005 edition of Open Roads: New Italian Cinema. He said that for 50 years, Perlasca’s heroism was virtually forgotten, perhaps because he doesn’t fit into the stereotype of a typical war hero. Perlasca could not accept that churches were burned and could not believe that people were killed only because they had different religious beliefs. He did what came natural to him, and saved people from what he believed to be senseless killings. Rulli stressed the importance of Perlasca’s role in Italian history and feels that he could be of great interest to Italian-Americans simply because he was a very likeable, brave person. His legacy offers a different perspective into one’s Italian origins.

Luca Zingaretti as Giorgio Prenasca in Perlasca: An Italian hero

Information about Perlasca can be found in books such as, L’impostore and El Schindler Italiano. In researching, Stefano Rulli found a biography written by Enrico Deaglio, a famous Italian journalist, who rediscovered Perlasca a few years before the film was made. The book is called The Banality of Goodness and is available in English. There is also an official website for Perlasca- www.giorgioperlasca.it. Another interesting article, The Story of Giorgio Perlasca (in Italian) can be found Rai.it

Click here to watch Perlasca: An Italian hero on Rai Play. Unfortunately, there are not English subtitles but I recommend giving it a try. The performances by Luca Zingaretti, Marco Bonini and Elena Arvigo in particular combined with Ennio Morricone's soundtrack make it a beautiful, moving film. 

Comments

Popular posts from this blog

Luminous Legacies: Yoichi Ohira’s Murano Glass at Magazzino Italian Art

A new exhibition in Cold Spring, New York, is bringing the luminous legacy of Murano glassmaking into focus through the work of Japanese artist Yoichi Ohira. “Yoichi Ohira: Japan in Murano” is on view at  Magazzino Italian Art  until February 2027. The exhibit showcases the work of Ohira, who became a leading figure in the design of Venetian glassworks on the island of Murano. The exhibition features works that highlight the uniqueness of Ohira’s art across the decades of his career. Ohira’s earliest Murano works blend Venetian glass techniques with his own style. These pieces show balanced shapes, clear surfaces, and striking color combinations. His Venezia e l’Oriente (Venice and the Orient) decanters reflect Venice’s ties to the East, creating vases inspired by Marco Polo’s tales with a modern twist. The exhibition shows Ohira’s respect for Murano’s glass masters, displaying objects alongside preparatory drawings that map ideas to the final works of art. It also explores ho...

The Legend of Alberto Sordi - Rome's Eternal Son

′′They will always judge you, whether you behave well or if you behave badly. So screw it and live as you want but above all don't listen to anyone.′′  - Alberto Sordi By giving his fellow Italians something to laugh about during tumultuous times, he emerged as his generation’s King of Comedy. One of Italy’s best-loved personalities, Alberto Sordi played a pivotal role in Italian cinema from the end of World War II to the postwar economic boom of the 1950s. During those tumultuous years, he gave his countrymen a hearty laugh when they might have otherwise cried. Former Italian President Carlo Azeglio Ciampi perhaps said it best: “Alberto Sordi interpreted the feelings of Italians, especially in their most difficult and tough moments.” Born in the Trastevere neighborhood of Rome in 1920, Sordi grew up in a creative household. His mother was an elementary school teacher and his father, a professional musician for the Rome Opera House. A young Sordi joined the children’s choir o...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Netflix's 'Il Gattopardo" — A classic reborn

Netflix photo A new Netflix series adaptation of “The Leopard,” based on Giuseppe Tomasi di Lampedusa’s seminal novel, is captivating audiences worldwide. Directed by British filmmaker Tom Shankland, the series revisits the iconic tale first brought to the screen by Luchino Visconti in 1963. Set against the backdrop of 1860s Sicily during the Risorgimento, the film follows Prince Fabrizio Salina (Kim Rossi Stuart), an aging aristocrat witnessing the decline of the Sicilian nobility and the rise of a new social order. As Garibaldi’s forces land in Sicily, the prince reflects on the now-fleeting aristocratic way of life. His nephew Tancredi (Saul Nanni) embraces the changes and aligns himself with the new order, famously stating, “If we want things to stay as they are, things will have to change.” Prince Fabrizio, once the epitome of male, moneyed privilege, finds himself grappling with a changing world where his way of life is becoming obsolete. He comes to realize that the aristocracy ...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...