Skip to main content

Maratea's "Le Giornate del Cinema Lucano" to Showcase Regional Films

The complete lineup of Maratea's "Le Giornate del Cinema Lucano" was announced today at a press conference at the Port of Maratea. Mayor Domenico Cipolla along with Lucana Film Commission Director Paride Leporace, festival organizer Nicola Timpone and production administrator Elvira Marino announced the lineup to regional journalists.

The 2017 edition is chock full of locally-made films and national stars alike, such as Valerio Mastandrea, Valeria Golino, Carolina Crescentini, Sergio Castellitto, Margaret Mazzantini, Giovanni Anzaldo, Ornella Muti and Christian De Sica. 

For a Lucania film aficionado like me, the regional films are a special treat because they are quite hard to find, and this festival offers a rare opportunity to see many in one venue. Here is the complete list of films made in Basilicata that will be shown at  "Le Giornate del Cinema Lucano" ... along with the corresponding events and discussions..


Tuesday, 25 July

21:00           Robert Vignola e il muto in Basilicata (Teaser 6')

                    A conversation with Carmelo Marino, Mayor of Trivigno and filmmakers Sara Lorusso and Michele Scioscia of the production company Effenovesrl (producers of La ricerca della forma, Il genio di Sergio Musmeci)

23:00          L'utile meraviglia. Gli orti saraceni di Tricarico by Prospero Bentivenga 
                 

Wednesday, 26 July

20:30          Crabs (Trailer 2') by Giuseppe Marco Albano
                   Interno 8 by Dino Santoro
                   Paride by Carlos Solito
                   Un voto all'italiana by Paolo Sassanelli
                   -Q&A with filmmakers Nunzia Schiavo and Ernesto


Thursday, 27 July

20:00          A conversation about cinema made in Basilicata- the impact on the region's economy and tourism 

20:30          L'ultimo desiderio
                   Le ali velate by Nadia Kibout
                   A presentation of the trailer for Il Vangelo secondo Mattei by the directors and actors Antonio Andrisani and Pascal Zullino 

22:00          Lucana journalist Francesca Barra in conversation with Emilio Solfrizzi

                  Armando Lostaglio in conversation with director Cinzia Th Torrini and actors Elisabetta Pellini, Nando Irene, Pascal Zullino and Antonio Andrisani from the RAI fiction Le sorelle.. filmed entirely in Matera

                  Lucana Film Commission Director Paride Leporace in conversation with Sergio Castellitto and Margaret Mazzantini followed by a screening of their film Fortunata



Friday, 28 July

19:30          Da #Potenza a #Maratea per una Basilicata visibile.. A conversation with Sergio Ragone

20:30          Taranta on the road by Salvatore Allocca (Trailer 2')
                   Non gioco più by Sebastiano Luca Insinga
                   -Migrant Film Festival-
                   Video Mic and The Invisable Work Force

22:00          RAICom and the Region of Basilicata present New Years Eve 2017 (recorded live from Matera)

23:00          Lucana journalist and author Francesca Barra in conversation with Carolina Crescentini, Valeria Golino and Gaia Amara

23:30          Urli e risvegli by Nicola Ragone
                   Matera 15/19 - Episode 1 by Fabrizio Nucci, Nicola Ragone and Alessandro Nucci


Saturday, 29 July

15:00          Christian De Sica meets the young actors of Basilicata 

19:30          Ho scelto di essere libera by Rosmy
                   Franco Rina's promo video for Cinemadamare
                   8 Giugno by Gianni Saponara
                   Amore disperato by Paolo Sassanelli

23:30          Wonder Woman by Patty Jenkins (scenes shot in Basilicata)






Comments

Popular posts from this blog

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

The Timeless Vision of Pier Paolo Pasolini

Pondering his films and poetry, I wonder if the uniqueness of Pier Paolo Pasolini's films was rooted in his unconventional childhood. Born in Bologna in 1922, Pasolini's father was a lieutenant in the army, and his family was always moving. He grew up in various small towns in Northern Italy. After his parents separated, he spent most of his time in his mother's hometown of Casarsa, in the region of Friuli Venezia Giulia. There, he grew to respect the area's peasant culture and began to write poetry in the region's dialect. He studied literature and art history at the University of Bologna and was drafted into the army during World War II. The war proved to be especially tragic for his family as his younger brother was executed by Communist partisans. Following the war, he returned to Casarsa where he worked as a teacher and ironically became a leading member of the Communist party there. Pasolini was later expelled from the party due to allegations of homo...