The SIC (Short Italian Film) Lineup of the 32nd Venice International Film Critics’ Week is Announced

The second edition of SIC@SIC (Short Italian Cinema @ Settimana Internazionale della Critica) once again puts forth a selection of seven short films by Italian directors, and two special events, all screened in world premiere.

Le visite by Elio Di Pace

The short films program is part of the 32nd Venice International Film Critics’ Week, an independent and parallel section organized by the National Union of Italian Film Critics’ (SNCCI) during the 74th Venice International Film Festival (August 30 – September 9, 2017). The selection is curated by the General Delegate Giona A. Nazzaro with the members of the selection committee Luigi Abiusi, Alberto Anile, Beatrice Fiorentino and Massimo Tria. The program was created by the National Union of Italian Film Critics’ (SNCCI) and the Istituto Luce-Cinecittà as one of the initiatives supporting the development of the new Italian cinema and promoting young filmmakers.

SIC@SIC 2017
The Lineup

Adavede by Alain Parroni
Due (Two) by Riccardo Giacconi
Les fantômes de la veille (Ghosts of Yesterday) by Manuel Billi
Il legionario (The Legionnaire) by Hleb Papou
MalaMènti (MeanMinds) by Francesco Di Leva
Piccole italiane (Little Italian Girls) by Letizia Lamartire
Le visite (Visiting Day) by Elio Di Pace

Special event – Opening short film
Nausicaa - L’altra Odissea (Nausicaa – The Other Odyssey) by Bepi Vigna

Special event – Closing short film
L’ultimo miracolo (The Last Miracle) by Enrico Pau

Comments

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife). Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time. Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love. Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration. Nicknamed a “female Chaplin” and described by Chaplin himself as the actress who moved him most, Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times. Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann. Not only was Fellini directing the children, but he was also putting on shows and charging ...

A Conversation with Documentary Filmmaker Luigi Di Gianni

His documentary films have given voice to a people who would have otherwise been forgotten while preserving rituals and traditions no longer practiced. Visually stunning and emotionally moving, they reflect an Italy we’re not used to seeing in cinema. Born in Naples in 1926, Luigi Di Gianni captured a dimension of Italy that people outside the South didn’t even know existed. He began his career working in the region of Basilicata, which back then was referred to as Lucania. He first visited the region with his parents when he was a boy. His father, being from the Lucanian village of Pescopagano, wanted to show his son his homeland. That trip made an impression on the 9-year-old and created a deep affection that would one day inspire him to return. “I always remained very emotional about returning to this part of my homeland of Lucania,” he says. “It seemed like a different planet compared to Rome, where I lived. The tiring journey, the unpaved roads, the difficulti...

Model/Actress Anna Falchi

Anna Falchi was born Anna Kristiina Palomaki, on April 22, 1972, in Tampere, Finland. Her mother, Kaarina Palomaki Sisko, is Finnish, while her father, Benito "Tito" Falchi, is from Romagna, Italy. Growing up in Italy, Anna was a tomboy, and had a fervent imagination. She is known mostly for her prolific career in modelling. However, she tried her hand at acting and landed a role in one of my favorite Italian comedies, Nessun messaggio in segreteria . I consider it my one of my favorites because it brought together so many amazing, talented filmmakers during a time when they were all just starting out. Those filmmakers, Pierfrancesco Favino, Valerio Mastandrea, Luca Miniero and Paolo Genovese are now huge names in contemporary Italian cinema, so it's great to look back and see their work in a low-profile film completely different from the bigger-budget stardom they now know. Watch the trailer . Anna Falchi started her career as a...

Italian Cinema Today

Search This Blog