Skip to main content

Gianni Amelio: An Iconic Filmmaker Inspired by Humble Beginnings

The films of this year’s edition of Open Roads: New Italian Cinema, the annual film series hosted by the Film Society of Lincoln Center in New York, reflect a country in crisis. Italians are facing unprecedented economic challenges right now with the loss of jobs and a political infrastructure lacking the stability needed to get the country back on track.

Each director featured in the Open Roads festival communicates that crisis in a uniquely different way; some with comedy, some with anger and resentment, and others with humble characters who will do just about anything to put food on the table. This brings me to veteran director, Gianni Amelio, and what a class act. I had the pleasure of talking with Amelio while he was in New York promoting two films included in this year’s edition of Open Roads- a documentary titled, "Happy to be Different," which explores gay life in Italy after the fall of fascism through the early '80s and "L’intrepido," the story of an everyday man just trying to make ends meet during Italy’s unemployment crisis.

"L'America"
Born in Calabria in 1945, Amelio’s career spans five decades with a body of work that speaks strongly to the cultural diversity of southern Italy and the relations between different generations of immigrants and natives living side by side. Amelio’s 1994 film, "L’America" was a huge international hit and had a successful run in the United States. "L'America" is a symbolic story, which takes place in poverty stricken Albania after the fall of its communist government. Enrico Lo Verso stars in the film alongside Michele Placido as Italian swindlers trying to make money from rebuilding the infrastructure of a collapsed country. Harsh circumstances and the tough reality of poverty lead to a spiritual transformation for the corrupt pair as they experience the sadness and desperation of a culture trying desperately to recover. The film is presented in the style of a documentary, and the symbolism for the title of "America" is revealed at the end of the film as we watch a ship full of immigrants leave the shores of Albania and head across the Adriatic Sea to the "Promised Land". The heartfelt performances by Lo Verso and Placido reveal the talent and unique vision of Gianni Amelio.

Before meeting Amelio, I imagined that he would be an intellectual character of few words. However, he is not like that at all. He was friendly and humble as he talked with me about his films with the enthusiasm and pride of a man who simply loves what he does and is grateful for the chance to live his dream. He genuinely loves talking about his work and sharing his inspiration with others.

"The First Man"
How has growing up in the south of Italy influenced you as a filmmaker; the stories you tell and the way in which you tell them?
There are two aspects. First, when you grow up in a small town, a small province, you are always looking for an escape whether it’s through music, movies, literature or through culture in general; all the things that come from outside. The first influence is something you never forget and for me, the top influence, even if you don’t really see it in my work, is American movies from the 1950s and '60s. To capture the second aspect, I would like to quote a line from one of my last films, "The First Man," where the son asks the mother, “Mom, who are the poor people?” and the mother answers, “We are.” I lived during a historic period in a region where everyone was poor, and this was my great school of life, and is the basis for what I did. It gave me the push to be here doing the work that I do and to realize this dream that might have seemed impossible.

L’America was very successful in the United States. What inspired you to tell that particular story of immigration and compare it to immigrants arriving in America?
The inspiration was my life, my family, my father, what happened to my father’s father. I come from a family of immigrants. My grandfather, my uncles and also my father immigrated to Argentina. My father stayed there for 15 or 16 years, and when, about 20 years ago, the Albanians came to Italy, I saw or I imagined that I saw the Italians immigrating to the Americas. The last scene of the film, where the elderly actor is on the boat with the other immigrants and says to them, “I’m tired but wake me up when we get to New York” because the ship that is filled with Albanians, he believes is traveling to the United States. I’d like to add a personal note. When I was location scouting, I met this Albanian family and I adopted a boy. I adopted him as my son. Since then, he is now married and has given my three grandchildren, and in a certain sense, the circle is closed.

So the making of this movie brought you a son, and brought this boy a family. Tell me about this boy and how his life turned out after you adopted him.
Yes, this experience was born directly from this film. His name is Luan Amelio. He’s now 38 years old. He’s gone on to a career in cinema as a cameraman, and he’s well known. He’s got a good career and he has made important films. For example, he’s worked on La grande bellezza and also on five other Sorrentino’s films, and is actually working with him now on his new project.

Antonio Albanese in a scene from "L'intrepido"
Most of the films in this edition of Open Roads reflect the current economic crisis facing Italians. Your film, "L’intrepido," is the story of a humble man, played by Antonio Albanese, who lives a tough life going from job to job as a temp, and is always in search of more work. Why did you choose to reflect Italy’s economic crisis with this story?
I think the crisis in this particular moment in history is so deep and so grave that it can only be addressed through sarcasm and through an attitude of rejection. It’s like when someone doesn’t believe in reality because you don’t want it to be true. So, I try to stylize these things that I show, and I was inspired by silent movies like, "The Little Tramp" by Charlie Chaplin. I was also inspired by Buster Keaton, who usually portrayed losers. But every time those characters fall down, they get up, dust themselves off and they’re ready to go at it again tomorrow. I think that every time I shot a piece of reality, I also wanted that piece of reality to seem like a dream, as something that wasn’t completely true or something for which there was never a solution, even an imaginary solution. It’s something that I, as a human being more than as a director, wanted to happen. So, I allow it to happen despite all the obstacles.

Gianni Amelio explores the space between reality and imagination. The lives of his characters are tough and their roads are challenging and full of obstacles, so dreaming is often a method of survival. Several of Amelio’s films are available stateside through Amazon, including "L’America."

Comments

Popular posts from this blog

The Life and Work of Monica Bellucci

Monica Bellucci as Malèna Born in Umbria in 1964, Monica Bellucci is one of the most recognizable faces of international cinema. But she didn't always have her sights set on the spotlight. She went to college to study law and modeled to pay her tuition. Her success in the fashion world coupled with the offers that were pouring in to appear on the big screen eventually took over, changing her fate. Bellucci made her on-screen debut in the 1990 television movie, " Vita coi figli." Just two years later, she scored her first American role in Francis Ford Coppola's "Dracula."   In addition to her native language, she speaks fluent English and French, which has made for a smooth transition from Italian to international cinema. Stateside, she has acted in blockbusters such as "The Matrix-Reloaded,"     " The Passion of the Christ" and " The Sorcerer's Apprentice." She has also appeared in several French films, a

Mimmo Verdesca's Portrait of Alida Valli Streams One Day Only in the US

A new documentary about actress Alida Valli will be available in the United States on Sunday, March 21 through the virtual film festival, Filming Italy Los Angeles. Contemporary actress Giovanna Mezzogiorno is the voice of Alida Valli in Mimmo Verdesca's new film, “Alida” aka “Alida Valli: In Her Own Words” on the Italian icon whose influence reached far beyond Italian shores. The film consists of photos, 8mm home movies, archival video from Istituto Luce Cinecittà, Rai Teche, and Rome's film school Centro Sperimentale di Cinematografia as well as scenes from her most memorable films, which include Mario Soldati's "Little Ancient World," Alfred Hitchcock's "The Paradine Case," Carol Reed's "The Third Man" alongside Orson Wells, Luchino Visconti's "Senso" and Bernardo Bertolucci's "1900." The film also features testimonies of those who knew and loved her. From her family to her closest friends to the great art

Interview: Alessandro Borghi on Suburra, Italian Cinema Across the Globe and the Ties of Friendship

Actor Alessandro Borghi is emerging as one of contemporary Italian cinema’s great talents. Battling 4-for-4 in the hit film department with a whopping five projects currently in production, Borghi was born in Rome in 1986. He began his acting career 20 years later with the television show Distretto di polizia and went on to make numerous other appearances on popular TV series, including regular roles in the recent 2013 series L’Isola followed by the 2015 series Squadra Mobile .  The same year, he transitioned to film with Claudio Caligari’s posthumous hit Non essere cattivo (Don’t Be Bad), which was also Italy’s entry for Oscar consideration that year. Caligari’s tragic story of the bond of friendship between the two main characters, Vittorio and Cesare captivated American cinephiles when it premiered at Cinema Italian Style - an annual showcase of contemporary Italian cinema in Los Angeles. With Borghi as Vittorio and Luca Marinelli as Cesare, the two team up to explore a

The Many Faces of Isabella Rossellini

Photo by Georges Biard The daughter of two cinema icons, she’s led an extraordinary life as a model, actress, voice-over artist, writer, director and now organic farmer. Isabella Rossellini was born in 1952 to Swedish actress Ingrid Bergman and Italian director Roberto Rossellini . She has a twin sister named after her mother and an older brother, Robertino Ingmar, whom she often joins in retrospectives celebrating their legendary parents.  When she talks about her childhood, she does so with a wistful nostalgia. She fondly recalls time spent with them while acknowledging their long absences when their demanding careers required them to travel, leaving her and her siblings at home.  In the 1996 documentary “The Hollywood Collection: Ingrid Bergman Remembered,” Rossellini describes herself as a ball of energy. Her parents often had to tell her to quiet down because they were reading or working on a film project. When they’d leave, she enjoyed having the run of the house. Sadly, her par

The Extraordinary Career and Legacy of Dino De Laurentiis

Producer Dino De Laurentiis was one of the most prolific filmmakers ever, having produced or co-produced more than 600 films during a career that spanned seven decades. His legacy continues not only through the work of his children and grandchildren but also by a new generation of filmmakers in his Italian hometown. De Laurentiis was born in the shadow of Mount Vesuvius on Aug. 8, 1919, in the city of Torre Annunziata, located just minutes from the ruins of Pompeii. As a child, he worked at a local pasta factory owned and operated by his father. That experience had a profound effect on him, shaping a lifelong passion for food and an appreciation for business. At the age of 17, he decided to leave home for the big city. He arrived in Rome and enrolled in the prestigious film school, Centro Sperimentale di Cinematografia. After attending the school for about a year, he managed to produce one film in 1940, The Last Combat , before having to leave Rome temporarily for military d