Skip to main content

Cinecittà Revival Underway in Basilicata


The magical atmosphere of the historic Cinecittà is making its way south to the Sassi of Matera, where Monday, February 2, will mark the first take of the remake of "Ben Hur." The event is drawing scores of tourists, students, and locals intrigued by the Hollywood crews. People are photographing the "work in progress" as the construction of sets transforms the Sassi into a great natural location.


This comes as Rome's Cinecittà Studios is reliving its glory days with a slew of Hollywood productions set to be filmed at the famed location, including the remake of Paramount and MGM's epic film, "Ben Hur." 

Three U.S. productions are currently underway at Cinecittà. "Christ the Lord: Out of Egypt" is based on Anne Rice's best-selling novel about young Jesus as he discovers his real identity. Directed by Cyrus Nowrasteh, the film is based at Cinecittà. It is also being shot on location as "Ben Hur" in the southern region of Basilicata, where Mel Gibson's "Passion of the Christ" was made. The other is the U.S. indie thriller "Voice From the Stone," starring Emilia Clarke of "Game of Thrones" fame. Some upcoming James Bond films are also among the high-profile movies scheduled to be shot in Rome early next year. 

Perhaps the most high-profile is the "Ben Hur" remake, which will begin shooting in February. The film will be directed by Timur Bekmambetov, with "Boardwalk Empire" star Jack Huston in the title role, which Charlton Heston originally played. According to a statement released by Cinecittà, the production designer Naomi Shohan will reconstruct ancient Jerusalem on the Cinecittà back lot for the four-month shoot. Morgan Freeman is also associated with the project. The script was co-written by Oscar-winning "12 Years a Slave" screenwriter John Ridley and Keith Clarke, who sold the original script to MGM. 

Plans for MGM's 24th James Bond include high-speed car chases through the streets of Rome and Bond parachuting down onto the ancient Ponte Sisto Bridge on the Tiber River. 

Comments

Popular posts from this blog

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

A Conversation with Documentary Filmmaker Luigi Di Gianni

His documentary films have given voice to a people who would have otherwise been forgotten while preserving rituals and traditions no longer practiced. Visually stunning and emotionally moving, they reflect an Italy we’re not used to seeing in cinema.   Born in Naples in 1926, Luigi Di Gianni captured a dimension of Italy that people outside the South didn’t even know existed. He began his career working in the region of Basilicata, which back then was referred to as Lucania. He first visited the region with his parents when he was a boy. His father, being from the Lucanian village of Pescopagano, wanted to show his son his homeland.    That trip made an impression on the 9-year-old and created a deep affection that would one day inspire him to return. “I always remained very emotional about returning to this part of my homeland of Lucania,” he says. “It seemed like a different planet compared to Rome, where I lived. The tiring journey, the unpaved roads, the difficulti...

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...