Skip to main content

Galleria Marconi di Cupra Marittima presenta Equilibrismi


Franco Anzelmo's 
Equilibrismi (Acrobatics) 
Curated by Dario Ciferri


The third installment of the art expositions, Being twenty will open at Marconi Gallery in Cupra Marittima on February 28 at 6 p.m. The exhibition is organized by Marconi Gallery and Marche Centro d'Arte, and curated by Dario Ciferri, also author of the critical text.

Acrobatics is the third appointment of the series of exhibitions Being Twenty which will continue at Marconi Gallery through the entire 2014-2015 exposition season.

“Franco Anzelmo's figures are concentrated on a delicate, physical, psychological and or ideal acrobatics. Suspended and surprised in a moment of amazement, observation or research, they stand with the delicate balance between outside and inside, between earth and sky, in a complex but fascinating path. Anzelmo seems to be interested in the research of a center of gravity trying to tell the man and his variations. Acrobatics catches the eye and takes it to a dimension of wonder, where poetry and reflection come together.

It's an aesthetic research which doesn't limit itself in showing humanitry but goes deeper to the inwardness, digging, describing, laying it bare. It's perhaps for this reason that his works are nudes, because they can grasp the most intimate, delicate and fragile side of the human being. Nudity testifies all the innocence of man, the one we would like to see, which we know exists inside ourselves and would be nice if we could manifest”. (Dario Ciferri)

What does "Being Twenty" mean? 
It's the meeting between dreams and new perspectives, expectations that open, new directions you take, yet it's the time of life in which we encounter the real responsibilities and sorrow. It is the growth with a look to the past and an eye to the future, Once again Marconi Gallery tries to talk about art with the responsibility to know where it is and on what basis it should continue to grow. Reaching twenty isn't a small task and it isn't easy, yet it is a key point to continue to grow with one's dreams beyond the illusions. (http://youtu.be/Nvvu9fN9qeE)

  

-La Versione Italiana-
Alla Galleria Marconi di Cupra Marittima la rassegna Avere vent’anni arriva al suo terzo appuntamento. Sabato 28 febbraio alle 18 sarà inaugurata Equilibrismi, mostra personale di Franco Anzelmo. La mostra, organizzata dalla Galleria Marconie da Marche Centro d’Arte, è a cura di Dario Ciferri, che è anche autore del testo critico.

La Galleria Marconi si trova in c.so Vittorio Emanuele II n°70 a Cupra Marittima. La personale di Franco Anzelmo potrà essere visitata fino al 26 marzo 2014 con i seguenti orari: lunedì – sabato 16.30 - 19.30.


Equilibrismi è il terzo appuntamento del ciclo di mostre Avere vent’anni che accompagnerà la Galleria Marconi per tutta la stagione espositiva 2014/2015.

“Come fossero su un filo ideale le figure di Franco Anzelmo si concentrano su delicati equilibrismi, fisici, psicologici e/o ideali. Sospese e sorprese in un attimo di stupore, di osservazione o di ricerca, si reggono sul delicato equilibrio tra esterno ed interno, tra terra e cielo, in un percorso complesso ma suggestivo. La ricerca di un baricentro sembra essere l’interesse di Anzelmo nel tentativo di raccontare l’uomo e le sue infinite declinazioni. Gli equilibrismi insomma catturano lo sguardo e lo portano in una dimensione di stupore, dove poesia e riflessione si incontrano e dialogano al di sopra della materia ma con la forza della materia.


È una ricerca estetica che non si limita a mostrare l’umanità ma si addentra nell’interiorità, la scava, la descrive, la mette a nudo. E forse è proprio per questo motivo che le sue opere sono dei nudi, perché dell’essere umano sanno cogliere il lato più intimo, più delicato, più fragile. La nudità testimonia tutta l’innocenza dell’uomo quella che vorremmo vedere, che sappiamo esistere dentro noi, che sarebbe bello sapessimo manifestare.” (Dario Ciferri)


Cosa vuol dire avere vent’anni? In qualche modo rappresenta l’incontro tra i sogni e le nuove prospettive, aspettative che si aprono, nuove direzioni che si prendono, eppure è il momento nella vita in cui ci si imbatte nelle vere responsabilità, nel dolore. È la crescita con uno sguardo al passato e l’occhio al futuro. Ancora una volta la Galleria Marconi prova a parlare di arte, cercando di rinnovarsi e di innovare ma con la responsabilità di sapere dove si trova e su quali basi deve continuare a crescere. Arrivare a vent’anni non è poco e non è facile, eppure è un punto fondamentale per continuare a crescere con i propri sogni e al di là delle illusioni. (http://youtu.be/Nvvu9fN9qeE)

Curated by Dario Ciferri

Translation by Patrizia Isidori
Relazioni esterne e promozione delle attività/ external relationship and promotion of activities Nikla Cingolani
Fotografia/photography Stefano Capocasa
Riprese video/video shooting Stefano Abbadini
Allestimenti/preparation Andrea Fontana


orario: lunedì-sabato dalle 16 alle 19.30
opening time: Mon-Sat 4 to 7.30 p.m.


Con il supporto di Ostello degli Artisti:http://www.appartamenti-cupramarittima.com

Galleria Marconi di Franco Marconi

Comments

Popular posts from this blog

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

Ettore Scola explores enduring friendships and lost ideals in 'C’eravamo tanto amati'

A scene from "C'eravamo tanti amati" Mixing both tragedy and humor, Ettore Scola ’s 1974 film “C’eravamo tanto amati” (“We All Loved Each Other So Much”) follows 30 years in the lives of three men and the woman they each adore. By examining how his generation changed after the war, Scola makes a film that reflects its era. Scola explores the moral, political and emotional evolution of Italy’s postwar generation and, in doing so, creates a film that is a chronicle of its time and a love letter to cinema. The story begins in the aftermath of World War II. Three friends — Antonio ( Nino Manfredi ), Gianni (Vittorio Gassman) and Nicola (Stefano Satta Flores) — emerge from the Italian Resistance with a shared dream of justice, equality and social renewal. They are united by their hope that the sacrifices of war will lead to a better world. But the decades that follow prove to be challenging as Italy undergoes massive social changes, from the postwar economic boom to the politi...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

Model/Actress Anna Falchi

Anna Falchi was born Anna Kristiina Palomaki, on April 22, 1972, in Tampere, Finland. Her mother, Kaarina Palomaki Sisko, is Finnish, while her father, Benito "Tito" Falchi, is from Romagna, Italy. Growing up in Italy, Anna was a tomboy, and had a fervent imagination. She is known mostly for her prolific career in modelling. However, she tried her hand at acting and landed a role in one of my favorite Italian comedies, Nessun messaggio in segreteria . I consider it my one of my favorites because it brought together so many amazing, talented filmmakers during a time when they were all just starting out. Those filmmakers, Pierfrancesco Favino, Valerio Mastandrea, Luca Miniero and Paolo Genovese are now huge names in contemporary Italian cinema, so it's great to look back and see their work in a low-profile film completely different from the bigger-budget stardom they now know.   Watch the trailer . Anna Falchi started her career as a...