Skip to main content

Interview: Director Francesco Munzi of 'Anime nere'


"Anime Nere" is a dark tale set amidst organized crime in a small town in Calabria. The focus is on the rivalry between two families and the generations it has destroyed. Adaped from Gioacchino Criaco’s novel by the same name, the story is one of desperation in which characters are left with a complete void of hope for the future. The film is making its Chicago premiere this weekend at the 18th Annual European Union Film Festival. I caught up with its director, Francesco Munzi. 

The movies that you've made- "Il resto della notte," "Saimir" and now "Anime nere" speak of corruption, immigration and organized crime. What fascinates you about these themes in society?
I like speaking about minorities and immigration. The people of the south are also minorities, especially in this small mountain village. Often, the characters of the film spoke in dialect, and even the Italian version needed subtitles. When I speak of themes like crime and drug trafficking in my films, it's easier to demonstrate humanity where there is always a fight between good and evil. 

Why did you want to tell the story of "Anime nere?"
I read the book while I was working on another script. I loved the book so much, I stopped working on the other project and immediately got to work on "Anime nere."

What did you love about the book?
I love that it speaks of a wild, mysterious world where this Calabria mafia, 'Ndrangheta was born. It's a mafia with two faces- one in the agriculture of the mountains and the other in big city finance. I tried and succeeded to shoot the film in the real village, which is considered one of the most dangerous regions of Italy.

Did the locals give you any problems while you were shooting? 
No because they knew the author of the book, Gioacchino Criaco. He comes from that town, so everyone was supportive because they considered it our project, not just mine. And they understood that it was a fictional film, not a documentary, so they cooperated with us, and many locals appeared as extras in the film.

What was the reaction to the finished product?
We screened the film in the town and I was afraid of the reaction, but the mafia was silent. The rest of the population felt that we were doing something positive by making a film, so they were happy.

How have audiences outside Italy reacted to the film? Do they understand the severity of the story or do people see it as just another mafia movie?
For marketing reasons, the promoters speak generally of the mafia. But when the audience see the movie, they understand that it's not a gangster movie. I speak of the relationship between brothers and that within a crime family, not everyone is corrupt. It's a story of humanity and how a father wants a different life for his son.

The performances of your actors were outstanding. Tell me about Luigi. Marco Leonardi seemed to give the character a lightness and sense of humor even in the middle of conflict. Did you and the other writers create Luigi with this quality or is that something that came through Marco's interpretation of the character?
When an actor meets a character, something always changes. Marco was born in Calabria, so he knew the dialect and also knew the location. So he was great in the role of Luigi because I wanted to create a bad guy, but also someone that could be empathetic with the audience. I don't like when characters are all black or all white. I tend to change the script after the actor has been chosen for the role in order to find an equilibrium. It's important to find realism and truth on screen.

What is the message of this film?
Well I didn't put a character in the film that would resolve the problems, like someone from law enforcement or government. It was important to me to have that character come from within the family to fight against their own war. Luciano wanted his son to be different than his brothers but in the end, he didn't succeed, so he wants to cut the connection. I wanted to show the different shadows within a family. Just because the family is associated with organized crime, that doesn't mean that every family member is corrupt.

"Anime nere" is currently traveling the Midwestern European-themed festival circuit and will be released nationwide on April 10th. Listed below are some confirmed cities and theaters.. Check your local listings for a theater near you.

Angelika NYC – 4/10
Angelika Mosaic – 4/17
Angelika Pop-Up – 4/17
Los Angeles Nuart Theatre - 4/24
Angelika Dallas – 4/24
Angelika Plano – 4/24
Tower – 4/24
Townsquare – 5/8
Gaslamp – 5/8
Kahala – 5/8

Comments

Popular posts from this blog

Actor Ivan Boragine on Gomorra, Growing up in Napoli and his Love for Theater

Neapolitan actor Ivan Boragine embraces everything that is Napoli. From his pride and passion to his nostalgia and sadness, Napoli is always in his heart. That is why his role in the popular Italian television series Gomorra has been the role of a lifetime. Not only has the worldwide   broadcast (64 countries) skyrocketed him to fame, it has given him a way to bring to light the problems and corruption of one generation so that the next could have a better chance. I met with Boragine recently while I was in Rome. I found him to be down-to-earth and honest about the pride and love he has for his culture and also for his art. We spoke a lot about his hometown of Napoli and the impact the Neapolitan theater has had on actors. We also talked about his role in Gomorra and how it fuels his love for acting.   Boragine got his start in acting a little over a decade ago when he landed a role in a local theater production of the Neapolitan classic, Miseria e Nobilità (Misery...

Italian Biblical Movies to Watch During Lent

Join me in beginning the Lenten season with my favorite adaptation of one of the Gospels-  Pier Paolo Pasolini's  1964 “Il Vangolo Secondo Matteo" (The Gospel According to St. Matthew) and a few classics that I recently discovered.  Considered by the Vatican to be among the best film adaptations of the Gospels, Pasolini's film was shot in the regions of Basilicata and Calabria. He cast his mother as Mary and many locals as extras. Spanish actor Enrique Irazoqui was cast in the role of Jesus. He was just 18-years-old when he landed the part. He had been in Rome at the time of casting and auditioned for the role. I contacted Irazoqui around this time last year to ask him about his experience making the film. He suggested that we have a conversation via Skype. Although the connection wasn’t very good, it was thrilling to talk directly with this actor whose film I had been watching for at least 20 years. He was very friendly and nostalgic in his recollections espe...

Interview: Cristina Scabbia of Italian Heavy Metal Band- Lacuna Coil

Photo by Jeremy Saffer ( http://store.jeremysaffer.com/collections/tenthirtyoneinc ) Lacuna Coil is a heavy metal band whose unique sound and creative music videos have catapulted them to international stardom. The band consists of Cristina Scabbia and Andrea Ferro on vocals, Marco Coti Zelati on bass, Cristiano Migliore and Marco 'Maus' Biazzi on guitars and Cristiano 'CriZ' Mozzati on drums.      All members hail from Milan and bring to the table their own signature talent. A few years ago, the internet buzz about Lacuna Coil's music videos prompted me to check them out on YouTube. I've been hooked ever since. Their videos are creative vignettes shot all over the world, directed by cutting edge filmmakers in Europe and the United States.   Although Lacuna coil is considered a heavy metal band, the unique melodies in their songs are rarely found in traditional heavy metal.   The range of the band is also something you rarely see in this genre of mus...

The Timeless Talent of Stefania Sandrelli

On screen since the age of 14, Stefania Sandrelli has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14, playing the angelic cousin of a love-stricken Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Sandrelli was born on June 5, 1946, in Viareggio, in the province of Lucca, in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country, and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s “Gioventù di notte,” Luciano Salce’s “The Fascist ,”  and Pietro Germi’s “Divorce Italian Style.” She instantly became a star and, before long, was a key figure in Italy’s legendary com...

Explore the Immense Historical Archives of Istituto Luce Cinecittà

The historical archives of Istituto Luce Cinecittà offers an extensive online collection of more than 70,000 archival videos dating back to the early 20th century and more than 430,000 photographs. The organization provides free access to the vast digital records of Italy's history and culture, which includes thousands of hours of footage.  Topics include cinema, arts, history, politics, sports and current affairs. Three hundred silent films spanning the years of 1927 – 1932 have just been added, some never seen before, with a section dedicated to world travel, entitled “Cinemobile.”  Go to  https://cinecitta.com  and click on “Esplora” on the menu bar and then choose “Archivio Cinematografico”  for film or "Archivio Fotografico" for still photos... and then explore! Click here to view one of my favorite film menus on the site... a treasure trove of documentaries made between the 1930s and 1960s. Click here to see gorgeous, rare photos of silent film...