Skip to main content

Countdown to "Milionari" - Director Alessandro Piva

Every now and then, someone comes along and changes the way things are done.  They raise the bar to a higher standard and offer a different way of looking at life. In the case of Italian cinema, that person is Alessandro Piva. About 15 years ago, this unknown, aspiring filmmaker took his own money, recruited his brother and hired a number of local actors to make a small, experimental film called La CapaGira. The film tells the story of a group of guys doing what is necessary to make a living. Each journey is nearly the same and their conflicts in following the path are very real. There is no pretense, no glamour and no second-guessing. The intense honesty of the story and edgy style in which it was shot, went on to win the approval of audiences and critics all over Italy. Since the release of La CapaGira, the trends of Italian films shifted in a new direction. Italian filmmakers followed Piva’s lead in making smaller films throughout communities and regions outside of Rome’s Cinecittà, which resulted in a more realistic feeling and portrait of life as it actually plays out. I believe that Piva is responsible for the surge in popularity of Italian cinema outside of Italy. Independent filmmakers saw how well he did with La CapaGira, so they followed in his footsteps and today there are countless films that mirror the simplistic style of that landmark film. 

Alessandro Piva’s much anticipated follow-up film, Mio Cognato (My Brother In Law) was a huge success, further emphasizing his talent and originality as one of Italy’s most talented directors. The film co-stars two of Italy’s most versatile actors, Sergio Rubino and Luigi Lo Cascio. The chemistry between the two of them is so strong, it’s as if you are watching actual brothers-in-law interacting with each other. They are a couple of average-Joes, a little down on their luck, followed by a trail of unfortunate coincidences and shady hoodlums. The combination of Piva’s unique style of shooting, articulate direction and clever screenwriting will make you sympathize with the characters’ hardships. Furthermore, Mio Cognato has one of those shocking, unexpected endings that make you want to see the film again in order to re-connect the dots that led to such a surprise.  It is one roller coaster of a movie. You will laugh and you will cry. 

Mio Cognato and La Capagira were both made in the seaside town of Bari, located in the southern region of Puglia. They document everyday life and in some cases, the difficulty of living in the south: a consistent theme with today’s new batch of Italian filmmakers. Piva’s films succeed in doing this with a sharp sense of humor carried by characters who are endearingly flawed and a bit overwhelmed with life and all of its responsibilities. The powerful simplicity of his films will make you fall in love with his Bari; his Bari because Piva shoots the scenes in and around Bari with a sentimental eye that pays homage to this city that hosted his adolescence, and in doing so has captured the strong affection he has for the Pugliese town.  

His latest film, Milionari takes him to the streets of Naples to recount the life of one of the city's most notorious crime bosses. The film features a great cast of actors and is so far, getting great reviews from critics. The film will be in Italian theaters tomorrow. 

Comments

Popular posts from this blog

New faces of Italian cinema

Angelo Iannelli With the 2012 film festivals just about wrapped up, we saw a big emphasis this year on newly emerging and independent filmmakers. This was most notable in the Venice Film Festival's Horizon's program, which gave these filmmakers an unprecedented amount of visibility as the program reached out to people all over the world via the internet.  To mark this current trend, I recently caught up with two independent filmmakers in Rome: Angelo Iannelli and Vito Napolitano. Each filmmaker has experience on both sides of the camera. Their origins are based in the south of Italy but they are now living in Rome. Angelo Iannelli was born in Benevento in the region of Campania, while Vito Napolitano is from Lecce in Puglia. What I enjoyed the most about our conversation is the passion with which the two young filmmakers speak about cinema. They are so enthusiastic and about their craft, they reel you right into their dreams. The three of us recently met up at the Li

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew that I would have to find out mor

Review: Francesco Rosi's 1967 'More Than a Miracle' starring Sophia Loren and Omar Sharif

Sophia Loren and Omar Sharif give extraordinary performances during the prime of their careers in Francesco Rosi’s “C’era una volta” (“More than a Miracle”). A delightful, whimsical film that transports you to another time, this enchanting 1967 period piece tells the tale of Rodrigo (Sharif), a Spanish prince initially opposed to marriage, and Isabella (Loren), the beautiful, defiant peasant girl who wins his heart. The film opens with Rodrigo attempting to tame a wild horse as his mother chides him for not taming a wife instead. When she relays orders from the king of Spain for him to marry, he mounts his unruly steed and gallops away, proudly displaying his independent spirit. Horse and supposed master run free through the countryside for a stretch, but the equally rebellious animal throws Rodrigo and abandons in a field, leaving him to fend for himself.  While searching for help, he finds himself in a remote monastery where he meets a flying monk (Yes, the monk actually flies.) who

Ornella Muti: Four decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with La Moglie più bella (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, Sole nella pelle (Sun on the Skin) in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies with the political climate, the breathtaking seaside as well as the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and succeeds in capturing the innocence and beauty of first love.   Muti made her American film debut in 1980 with Flash Gordon . She played the role of Princess Aura.  She’s appeared in two other American films, including, Oscar , which was directed by John Landis and featured Don Ameche, Chaz Palminteri, and Sylvester Stallone

Nicoletta Braschi and Roberto Benigni.. What cinema dreams are made of

The Toronto International Film Festival is wrapping up its retrospective of the cinematic collaboration of husband and wife team, Nicoletta Braschi and Roberto Benigni. Over the last few days, the couple have participated in discussions, Q & A sessions and have introduced several of their films. Today, I attended a screening of "La voce della luna" (The voice of the moon). It was  Federico Fellini's last film and is a wonderful tribute to the director's signature poetic madness. The film gave Benigni the opportunity to team up with fellow beloved comic, Paolo Villaggio, and the two created a truly unforgettable adventure. Today's screening began with an introduction by Benigni. The moments leading up to his introduction were noticeably serious and somewhat tense. Benigni's publicist and TIFF security staunchly guarded his privacy. There was no interaction and no photos were allowed. Guided by his entourage, he walked quickly from the Green Room to th