Skip to main content

Michele Vanucci's "Il più grande sogno" (I Was a Dreamer) Now in Italian Theaters

With director Michele Vanucci and lead actor Mirko Frezza
It's always great to be in Rome for Opening Day of a film. The director and casts usually make their way through a few theaters to present it or to say a few words afterwards. Such was the case for Michele Vanucci's Il più grande grande sogno, a film I originally saw back in September via the Sala Web program of the Venice Film Festival. This year, a great selection of films were made available on this internet platform for those of us who couldn't make it there in person. I was thrilled to meet the cast and director in Rome last night, and tell them how much I adored this film. Below is my original review. Not much has changed for me the second time around, except that I realized much of the humor was lost in translation. Since I saw the film in the theater closest to the neighborhood in which it was filmed, there were family and friends of the cast members, in particular Mirko Frezza. They were laughing in parts that weren't necessarily funny with English subtitles, but with lines in dialect that only Romans could really understand and see the humor. I was also able to watch the performances more closely since I wasn't reading subtitles, and I really appreciated more the performances of Ginevra De Carolis, who played Freeze's teenage daughter in the film. Her understated expressions and idiosyncrasies made her character real and vulnerable. She gave a subtle but powerful performance.

Review posted September 8, 2016

If you plan on seeing this movie, don’t read this review. The best way to see it is as I did, knowing nothing and then having your mind blown at the end with the copy that comes up. 

With that said, my mind was blown several times over again after I first realized this neighborhood, La Rustica, actually exists in Rome. Then, I read that the film was inspired by the true story of the lead actor Mirko Frezza. I was surprised again when I learned that La Rustica is located just about 10 minutes away from Cinecittà, not out in the sticks somewhere.

Il più grande song is the story of Mirko, an ex-con who wants to turn his life around. He grew up surrounded by drugs and crime with a father (Vittorio Viviani) who made his son an accomplice. There is a heart-wrenching scene in which Mirko pleads with his father to leave him alone and let him better himself. He says to his father, “Not one time have you ever said, good job.” His father insists that he will not be able to change- “A leopard never loses his spots.” However, in the end, it is his father who saves him from the brink of despair. The ending gave me the chills and then when I realized the film is based on a true story, it was that much more poignant. 



Vannucci gave us some pretty intense moments, using long-held shots to build suspense. There were also some more light-hearted scenes, which gave us the feeling that trouble was just around the corner, and in most cases, it was. All in all, the film is a feel-good story of this ex-con with a big heart trying to feed his community and improve their standard of life. Although there is conflict and temptation from other criminals and drug dealers, Mirko has a strong support system in his loving partner (Milena Mancini), stubborn but caring daughter (Ginevra De Carolis) and faithful friend played by Alessandro Borghi, who reinvents himself again for another incredible, passionate performance.

Upon researching the story behind this film, I read an interesting story by Cineuropa, which stated the director Michele Vannucci met the lead actor Mirko Frezza in 2012 while he was holding casting sessions for his short film, which was a graduation project at Rome’s Centro Sperimentale di Cinematografia. According to the article, Vanucci never forgot “the striking 40-year-old man, with his awe-inspiring physique, long hair, hipster beard, tribal tattoos and piercing eyes. He learned that he had a story to tell – his own.”

Comments

Popular posts from this blog

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Model/Actress Anna Falchi

Anna Falchi was born Anna Kristiina Palomaki, on April 22, 1972, in Tampere, Finland. Her mother, Kaarina Palomaki Sisko, is Finnish, while her father, Benito "Tito" Falchi, is from Romagna, Italy. Growing up in Italy, Anna was a tomboy, and had a fervent imagination. She is known mostly for her prolific career in modelling. However, she tried her hand at acting and landed a role in one of my favorite Italian comedies, Nessun messaggio in segreteria . I consider it my one of my favorites because it brought together so many amazing, talented filmmakers during a time when they were all just starting out. Those filmmakers, Pierfrancesco Favino, Valerio Mastandrea, Luca Miniero and Paolo Genovese are now huge names in contemporary Italian cinema, so it's great to look back and see their work in a low-profile film completely different from the bigger-budget stardom they now know.   Watch the trailer . Anna Falchi started her career as a...

Ettore Scola explores enduring friendships and lost ideals in 'C’eravamo tanto amati'

A scene from "C'eravamo tanti amati" Mixing both tragedy and humor, Ettore Scola ’s 1974 film “C’eravamo tanto amati” (“We All Loved Each Other So Much”) follows 30 years in the lives of three men and the woman they each adore. By examining how his generation changed after the war, Scola makes a film that reflects its era. Scola explores the moral, political and emotional evolution of Italy’s postwar generation and, in doing so, creates a film that is a chronicle of its time and a love letter to cinema. The story begins in the aftermath of World War II. Three friends — Antonio ( Nino Manfredi ), Gianni (Vittorio Gassman) and Nicola (Stefano Satta Flores) — emerge from the Italian Resistance with a shared dream of justice, equality and social renewal. They are united by their hope that the sacrifices of war will lead to a better world. But the decades that follow prove to be challenging as Italy undergoes massive social changes, from the postwar economic boom to the politi...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...