Skip to main content

Revisiting my conversation with screenwriter Stefano Rulli about his film on Italian hero Giorgio Perlasca

The made for TV docu-drama is a popular genre of filmmaking that has immortalized some of the most influential people in Italian history. Most of these made-for- TV movies are shown throughout Italy on Rai Uno. However, some do reach beyond the border through Rai Italia, Italy's International network, to provide us with a fascinating look into Italian history. 

Stefano Rulli (far right) at the Festa del Cinema di Roma, 2016
With that said, enter Giorgio Perlasca, Stefano Rulli and Sandro Petraglia. Giorgio Perlasca has been described as a fascist who saved Jews. Stefano Rulli and Sandro Petraglia are the filmmakers who told his story. During the fall of Mussolini in 1943, Giorgio Perlasca was working for an Italian importer in Budapest, Hungary. When Italians residing in the country were urged home, Perlasca refused, on the grounds that he did not want to live under German occupation in Italy. He stayed in Budapest and found work at the Spanish envoy, Angel Sanz-Briz. He, along with other members of the diplomatic community, issued protective passes to Budapest Jews. In late 1944, Sanz-Briz left the country…but Perlasca stayed. He appointed himself in charge, changed his name from the Italian “Giorgio” to the Spanish “Jorge” and continued issuing protective passes. Between November 1944 and January 1945, Perlasca worked with officials from Sweden, the International Red Cross and the Vatican. Together, they saved about 3,500 Hungarian Jews.

In the spring of 2002, RAI Uno aired Perlasca - Un eroe italiano (Perlasca - An Italian Hero) a movie written by Stefano Rulli and Sandro Petraglia, which documented the extraordinary life of Giorgio Perlasca. I spoke with Stefano Rulli in New York during the 2005 edition of Open Roads: New Italian Cinema. He said that for 50 years, Perlasca’s heroism was virtually forgotten, perhaps because he doesn’t fit into the stereotype of a typical war hero. Perlasca could not accept that churches were burned and could not believe that people were killed only because they had different religious beliefs. He did what came natural to him, and saved people from what he believed to be senseless killings. Rulli stressed the importance of Perlasca’s role in Italian history and feels that he could be of great interest to Italian-Americans simply because he was a very likeable, brave person. His legacy offers a different perspective into one’s Italian origins.

Luca Zingaretti as Giorgio Prenasca in Perlasca: An Italian hero

Information about Perlasca can be found in books such as, L’impostore and El Schindler Italiano. In researching, Stefano Rulli found a biography written by Enrico Deaglio, a famous Italian journalist, who rediscovered Perlasca a few years before the film was made. The book is called The Banality of Goodness and is available in English. There is also an official website for Perlasca- www.giorgioperlasca.it. Another interesting article, The Story of Giorgio Perlasca (in Italian) can be found Rai.it

Click here to watch Perlasca: An Italian hero on Rai Play. Unfortunately, there are not English subtitles but I recommend giving it a try. The performances by Luca Zingaretti, Marco Bonini and Elena Arvigo in particular combined with Ennio Morricone's soundtrack make it a beautiful, moving film. 

Comments

Popular posts from this blog

In Conversation with Talia Shire

She has immortalized two of the most memorable characters in American cinema and now she’s promoting her new film that mirrors issues facing the working class. Talia Shire became a household name in the 1970s with her role as Connie Corleone in "The Godfather" and Adrian Balboa in "Rocky"– two characters that went on to experience tremendous growth in the sequels of both films.  Shire and her brother, collaborator and director Francis Ford Coppola grew up in a family that embraced the arts. Their father Carmine Coppola was a renowned flutist and composer. He often took his children on the road when he performed. So there was always that creative energy and sense of adventure present in their childhood and adolescent years.  “What you have to understand is that Francis is probably the greatest writer. He and Mario (Puzo) did Shakespeare and the Greeks. So people who love "The Godfather" are really listening to literature. He went on and did what ...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

A Conversation with Sergio Castellitto

Sergio Castellitto has made a profound impact on world cinema, both in front of and behind the camera. Born in Rome in 1953, Castellitto graduated from film school in 1978 and credits American cinema with pushing him toward a career in acting. His work has garnered numerous accolades, largely due to his immersive, original approach to projects in film, television and theatre. Castellitto is fluent in French and English, which has contributed mightily to his international stardom. But it's the actor's trademark brown eyes and charming everyman qualities that have lent his various characters -- even the ones that are rough around the edges -- an air of dignity that other actors might not have achieved. Sergio Castellitto and Margaret Mazzantini, 2005 Films such as "Paura e Amore," "L'uomo delle stelle," "Caterina va in città," and "Bella Martha" heralded Castellitto as a versatile artist with far-reaching abilities. But it ...

The Extraordinary Career and Legacy of Dino De Laurentiis

Producer Dino De Laurentiis was one of the most prolific filmmakers ever, having produced or co-produced more than 600 films during a career that spanned seven decades. His legacy continues not only through the work of his children and grandchildren but also through a new generation of filmmakers in his Italian hometown. De Laurentiis was born in the shadow of Mount Vesuvius on Aug. 8, 1919, in the city of Torre Annunziata, located just minutes from the ruins of Pompeii. As a child, he worked at a local pasta factory owned and operated by his father. That experience had a profound effect on him, shaping a lifelong passion for food and an appreciation for business. At the age of 17, he decided to leave home for the big city. He arrived in Rome and enrolled in the prestigious film school, Centro Sperimentale di Cinematografia. After attending the school for about a year, he managed to produce one film in 1940, The Last Combat , before having to leave Rome temporarily for m...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...