Skip to main content

A Conversation With the Man Who Played Pasolini's Christ

There have been countless cinematic interpretations of the books of the Bible, but few have stood the test of time. One that qualifies as a classic is Pier Paolo Pasolini’s 1964 “Il Vangolo secondo Matteo” (The Gospel According to St. Matthew).

Considered by the Vatican to be among the best film adaptations of one of the Gospels, Pasolini’s 1964 film was shot in the regions of Calabria, Puglia and Basilicata. In an interview with RAI television while on location in Matera, Pasolini talked about the reasons for shooting there. “I chose two or three places in Basilicata. One is Barile, a town of Albanians. I needed a place for Bethlehem. Another location is Matera because it reminded me of Jerusalem,” he explained.

Pasolini’s interpretation of St. Matthews’s Gospel is pure, with no added commentary. He said that he followed the Gospel word for word without adding a single syllable. He explained in the interview that his idea to make the film happened by coincidence. “In October of 1962, I was in Assisi exactly the day when Pope John XXIII arrived in Assisi. All of the events and confusion surrounding the Pope’s visit caused a traffic jam. So, I was forced to stay at home with my guests who belong to the Pro Civitate Christiana of Assisi. Held up inside with nothing to do, I picked up the Bible on the table and started reading. I began with St. Matthew because it was the first, and then came the trauma of the story. Then I read the others but the intense trauma that gave me the idea for the film came from St. Matthew. So I stayed loyal to that first feeling of inspiration.”

Spanish actor Enrique Irazoqui was cast in the role of Jesus. He was just 18 years old when he landed the part. He had been in Rome at the time of casting. Acquaintances arranged a meeting between him and Pasolini. When Pasolini saw Irazoqui, he knew right away that he had found his Christ.

I had the opportunity to interview Irazoqui just a few months before he passed away in 2019. We talked via Skype. His recollections were tender and nostalgic. He spoke with great enthusiasm and a touch of humor as he described this unforgettable, life-changing experience.

Watch our Skype interview on YouTube or read the copy below..



What stands out in your memory of working on this film and shooting in the Sassi of Matera?
Matera became Jerusalem. We spent about a week to 10 days shooting there. In the Sassi of Matera, I experienced a bit of irony on the set because when we were filming, every 10 or 15 minutes of every day, seeing that I was dressed as Christ, wearing the clothes of Christ, certain men and women, when I was talking with the apostles, asked me if I could perform a miracle for them. I didn't know how to perform miracles. I said, "I am not Christ. I am an actor that is portraying Christ." They didn’t understand anything. They didn’t understand anything because the difference between an actor and that which I was portraying didn’t exist. After dinner, I went for a walk with St. John the Evangelist and I smoked. They became angry with me and said, “Christ, didn’t smoke!" 

Irazoqui and Pasolini on set in the Sassi of Matera
Photo by Domenico Notarangelo

Do you have a special memory, something that you will always hold close to your heart?
Yes, certainly. Something exceptionally special, above all, is Elsa Morante. Elsa Morante is my first image from "The Gospel According to St. Matthew." Then there is also Pasolini, Pier Paolo Pasolini.

How did this role change your life?
It changed my life in every sense.  For example, when letters of recommendation were needed to enter a university in Minneapolis, I made a phone call to Elsa Morante and she told me that she would take care of everything. So, I had letters of recommendation by (Jean-Paul) Sartre, (Simone de) Beauvoir, (Elsa) Morante, (Alberto) Moravia, Pasolini, etc. I don't think there was another with those letters of recommendation. The University of Minnessota sent me a telegram: "Offer follows". This is an example. Making the film was an extraordinary influence on my life.


Why do you think this film from 1964 is still so popular today?
I don't know. I think that maybe, and I don’t know for sure,  it’s because of the Vatican. The Vatican said that there’s never been a Christ like mine portrayed in a film.

It's worth noting that to this day, Irazoqui is still very much adored in Basilicata for this role. The city of Matera made him an honorary citizen. "The Gospel According to St. Matthew" is available to stream on Amazon, iTunesVudu and YouTube

Check out my 2019 Holy Thursday video, which features the sacred architecture of the Sassi of Matera..


- Jeannine Guilyard

Comments

Popular posts from this blog

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

The Extraordinary Career and Legacy of Dino De Laurentiis

Producer Dino De Laurentiis was one of the most prolific filmmakers ever, having produced or co-produced more than 600 films during a career that spanned seven decades. His legacy continues not only through the work of his children and grandchildren but also through a new generation of filmmakers in his Italian hometown. De Laurentiis was born in the shadow of Mount Vesuvius on Aug. 8, 1919, in the city of Torre Annunziata, located just minutes from the ruins of Pompeii. As a child, he worked at a local pasta factory owned and operated by his father. That experience had a profound effect on him, shaping a lifelong passion for food and an appreciation for business. At the age of 17, he decided to leave home for the big city. He arrived in Rome and enrolled in the prestigious film school, Centro Sperimentale di Cinematografia. After attending the school for about a year, he managed to produce one film in 1940, The Last Combat , before having to leave Rome temporarily for m...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

Isabella Ferrari- the Damsel and the Thinker

Isabella Ferrari is a versatile actress whose trademark pouty lips and intense, melancholy eyes have been gracing Italian screens for more than three decades. Born in Piacenza on March 31, 1964, Ferrari has perfected the art of playing contrasting roles like the damsel in distress and the complicated, intellectual. Influenced by Italian auteur cinema, which encompasses the neo-realistic approach to filmmaking, she delivers powerful performances with each role she tackles. Ferrari's small screen debut goes back to 1981 in Gianni Boncompagni's television program, "Under the Stars." Two years later, she made her big screen debut in the summer comedy, "Il ras del quartiere." Diego Abatantuono, the star of the Oscar winning film, "Mediterraneo," co-wrote and starred in the film, which put Isabella Ferrari on the map and she hasn't stopped working since. Open Roads 2005: Isabella Ferrari, Antonio Monda and Renato De Maria With doz...