Skip to main content

Buongiorno Blinky: Cantieri Culturali alla Zisa - Palermo, Sicily


BUONGIORNO BLINKY
Cantieri Culturali alla Zisa, Palermo



2-10 febbraio 2013
Apertura: sabato 2 febbraio, alle 18.30
Cantieri Culturali alla Zisa – via Paolo Gili, 4

Nato da una proposta di Emmanuel Van der Meulen, il progetto  degli artisti residenti a Villa Medici "Buongiorno Blinky" è organizzato dall’Institut français di Palermo insieme con l’Accademia di Francia a Roma – Villa Medici e il Comune della città di Palermo.
Philippe Adam
Katinka Bock
Bérangère Chargé
Clément Cogitore
Fanette Mellier
Laurent Montaron
Camila Oliveira Fairclough
Manon Recordon
Olivier Vadrot
Emmanuel Van der Meulen

"Buongiorno Blinky" nasce dall’incontro tra alcuni borsisti di Villa Medici e la città di Palermo. Grazie all’aiuto dell’Institut français di Palermo, infatti, essi hanno potuto scoprire un luogo particolare: i Cantieri Culturali alla Zisa, individuandone la geografia fluttuante, le intercapedini, le frontiere e intervenendo artisticamente in un paesaggio così complesso, cercando di entrare in relazione con esso. 
Lo ZAC (Zisa Arti Contemporanee) ha poi invitato i borsisti a realizzare installazioni e opere all’interno dei suoi immensi spazi, inaugurati lo scorso dicembre.
Questo “buongiorno” è dunque davvero un risveglio e comunica il desiderio di alcuni artisti francesi di lavorare nell’Italia di oggi.
Il nume tutelare di questo progetto palermitano è l’artista tedesco Blinky Palermo. Fu uno studente dell’Accademia di Düsseldorf, che un giorno ribattezzò Peter Heisterkamp – nato Peter Schwarze – con il nome di un malavitoso, noto nel mondo della boxe. Un soprannome che lui, poi, adottò e mantenne per tutta la vita. Per questo, oggi, è conosciuto come Blinky Palermo, pittore tedesco. scelto non tanto per via dell’omonimia di circostanza, quanto per mettere in pratica una certa concezione dell’arte.
La figura, oggi leggendaria di Blinky Palermo sembra infatti essere in linea con lo spirito del luogo, i Cantieri, un luogo in costruzione – o, meglio, in ricostruzione.
I dieci artisti di Villa Medici partecipanti, hanno scelto di intervenire su questi non-luoghi, tra vuoto e pieno, tra aratura e semina, tra centro e periferia, mediante un percorso che attraversa i Cantieri.
Un lavoro che vuol essere principalmente un'esperienza condivisa, un incontro con la città e i suoi abitanti, con gli studenti dell’Accademia di Belle Arti, quelli della Scuola di Cinema e con il luogo stesso.
Dopo la serata inaugurale del 2 febbraio, alcune delle opere realizzate in situ rimarranno esposte e visibili, altre andranno a far parte della collezione dello ZAC insieme ai lavori degli altri artisti siciliani.


Emmanuel Van der Meulen è nato a Parigi nel 1972. Diplomato alla Ecole Nationale Supérieure des Beaux-Arts di Parigi nel 2001, espone regolarmente in Francia e all’estero. Gabriel Orozco lo ha proposto per il BlueOrange Support Prize nel 2006. Il suo primo saggio critico,L’imagination et le suspens du regard selon Simone Weil, è stato pubblicato nel catalogo della mostra La pesanteur et la grâce, a Villa Medici, nel 2010. Nel suo lavoro si occupa di pittura e di tecnica legata alla pittura: la copertura, il colore, l’incidenza, la definizione di una superficie. Così elaborato, lo spazio pittorico autonomo può entrare in relazione con lo spazio espositivo o con l’architettura. Ogni dipinto è l’occasione per un nuovo inizio.
  

Comments

Popular posts from this blog

Luminous Legacies: Yoichi Ohira’s Murano Glass at Magazzino Italian Art

A new exhibition in Cold Spring, New York, is bringing the luminous legacy of Murano glassmaking into focus through the work of Japanese artist Yoichi Ohira. “Yoichi Ohira: Japan in Murano” is on view at  Magazzino Italian Art  until February 2027. The exhibit showcases the work of Ohira, who became a leading figure in the design of Venetian glassworks on the island of Murano. The exhibition features works that highlight the uniqueness of Ohira’s art across the decades of his career. Ohira’s earliest Murano works blend Venetian glass techniques with his own style. These pieces show balanced shapes, clear surfaces, and striking color combinations. His Venezia e l’Oriente (Venice and the Orient) decanters reflect Venice’s ties to the East, creating vases inspired by Marco Polo’s tales with a modern twist. The exhibition shows Ohira’s respect for Murano’s glass masters, displaying objects alongside preparatory drawings that map ideas to the final works of art. It also explores ho...

The Legend of Alberto Sordi - Rome's Eternal Son

′′They will always judge you, whether you behave well or if you behave badly. So screw it and live as you want but above all don't listen to anyone.′′  - Alberto Sordi By giving his fellow Italians something to laugh about during tumultuous times, he emerged as his generation’s King of Comedy. One of Italy’s best-loved personalities, Alberto Sordi played a pivotal role in Italian cinema from the end of World War II to the postwar economic boom of the 1950s. During those tumultuous years, he gave his countrymen a hearty laugh when they might have otherwise cried. Former Italian President Carlo Azeglio Ciampi perhaps said it best: “Alberto Sordi interpreted the feelings of Italians, especially in their most difficult and tough moments.” Born in the Trastevere neighborhood of Rome in 1920, Sordi grew up in a creative household. His mother was an elementary school teacher and his father, a professional musician for the Rome Opera House. A young Sordi joined the children’s choir o...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Netflix's 'Il Gattopardo" — A classic reborn

Netflix photo A new Netflix series adaptation of “The Leopard,” based on Giuseppe Tomasi di Lampedusa’s seminal novel, is captivating audiences worldwide. Directed by British filmmaker Tom Shankland, the series revisits the iconic tale first brought to the screen by Luchino Visconti in 1963. Set against the backdrop of 1860s Sicily during the Risorgimento, the film follows Prince Fabrizio Salina (Kim Rossi Stuart), an aging aristocrat witnessing the decline of the Sicilian nobility and the rise of a new social order. As Garibaldi’s forces land in Sicily, the prince reflects on the now-fleeting aristocratic way of life. His nephew Tancredi (Saul Nanni) embraces the changes and aligns himself with the new order, famously stating, “If we want things to stay as they are, things will have to change.” Prince Fabrizio, once the epitome of male, moneyed privilege, finds himself grappling with a changing world where his way of life is becoming obsolete. He comes to realize that the aristocracy ...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...