Skip to main content

Pugliese Teacher Makes Middle Age Art Discovery in Basilicata


The region of Basilicata is one of the least explored places in Italy, and that is exactly why it is full of undiscovered treasures and natural beauty. From the rich soil of Rionero in Vulture, which produces renowned olive oil and Aglianico red wine to the ruins of the 11th century Castle of Melfi to the stunning beauty of the seaside coast of Maratea, Basilicata is home to countless sources of beauty. 


Nicola Tricarico (right) with church pastor
Writer and scholar, Nicola Tricarico, is from the neighboring region of Puglia. Born and raised in the beautiful seaside town of Manfredonia, Tricarico is an aficionado of Italian art and culture. In the early 1970's when he was working on his college thesis about art history, he made a huge discovery. While doing research at an ancient church in Basilicata, La chiesa di San Donato in the town of Ripacandida, in the provence of Potenza, he was literally touching and poking about the walls when he realized something was underneath the primer. Further inspection led to the discovery of paintings which could date back to the 13th century, with the painter most likely having a connection to St. Francis of Assisi. The images which adorn the walls of the church are colorful, detailed scenes inspired by the Old and New Testament. There is not much information documented on the church, but it's almost certain that it was founded by the Benedictine Friars in 1152. 

Exterior of San Donato
Tricarico's discovery led to a documentary film produced by RAI television, which explored the history of the church and its hidden paintings. The sanctuary in which the paintings are located was recognized by UNESCO in 2010 as a monument to peace and profound spiritual values. Tricarico, now a teacher of nearly 40 years in Manfredonia, continues to visit and study the church. He recently published a beautifully illustrated book which recounts the history of the church and these mystery paintings. He believes there are more paintings within the church walls just waiting to be discovered.  

For more information about the church of San Donato, please visit the church's website at www.sandonatoripacandida.net

- Jeannine Guilyard


Comments

Popular posts from this blog

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

Ettore Scola explores enduring friendships and lost ideals in 'C’eravamo tanto amati'

A scene from "C'eravamo tanti amati" Mixing both tragedy and humor, Ettore Scola ’s 1974 film “C’eravamo tanto amati” (“We All Loved Each Other So Much”) follows 30 years in the lives of three men and the woman they each adore. By examining how his generation changed after the war, Scola makes a film that reflects its era. Scola explores the moral, political and emotional evolution of Italy’s postwar generation and, in doing so, creates a film that is a chronicle of its time and a love letter to cinema. The story begins in the aftermath of World War II. Three friends — Antonio ( Nino Manfredi ), Gianni (Vittorio Gassman) and Nicola (Stefano Satta Flores) — emerge from the Italian Resistance with a shared dream of justice, equality and social renewal. They are united by their hope that the sacrifices of war will lead to a better world. But the decades that follow prove to be challenging as Italy undergoes massive social changes, from the postwar economic boom to the politi...

Iconic scenes from 'Totò, Peppino e la malafemmina' highlight Italy's North-South divide

If you’re in the mood for a quintessential old-school Italian comedy, look no further than “Totò, Peppino e la malafemmina.” Directed in the mid-1950s by Camillo Mastrocinque, the film has stood the test of time. Starring two of Italy’s most beloved comic actors, Totò (Antonio De Curtis) and Peppino De Filippo, it is widely regarded as one of the country’s most iconic comedies, showcasing mid-century Neapolitan humor. The film also features a young Nino Manfredi at the beginning of his prolific six-decade career. “Totò, Peppino e la malafemmina” is the story of two simple, old-fashioned brothers from Naples, Antonio and Peppino Caponi (Totò and De Filippo respectively), who embark on a trip up north to check on their young nephew Gianni. Gianni has moved to Milan and fallen for a seductive nightclub dancer named Marisa (Maria Luisa Mangini, aka Dorian Gray), whom they refer to as a “malafemmina,” meaning a “bad woman” or femme fatale. Believing she is corrupting him, Totò and Peppino ...