Skip to main content

A Conversation with Actor- Luca Calvani from Warner Bros. Upcoming Release "The Man from U.N.C.L.E."

The cast and filmmakers of The Man from U.N.C.L.E. in Rome 
A few years ago, I interviewed actor, Luca Calvani on the occasion of his U.S. release, When in Rome. Today, we are revisiting our conversation as he is promoting his much anticipated spy thriller, The Man from U.N.C.L.E. Directed by Guy Ritchie, the all-star cast includes Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, and Hugh Grant. Based on the television series by Sam Rolfe, the story is set in the 1960's and follows CIA agent Napoleon Solo and KGB operative Illya Kuryakin as they participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons. The U.S. release date is set for August 14, but the cast recently did some press for the film in the Eternal City, where much of it was shot.

Luca Calvani

Born in Tuscany, Calvani has traveled the world following his career. He began working as a model in the 1990's before studying acting. That chapter of his career has lead him to both the big and small screen. He's worked with many top Italian directors including  Davide Marengo, Riccardo Milani and Ferzan Ozpetek, and even appeared on the hit HBO show, Sex & the City and the CBS soap opera, As the World Turns.  During our interview, we talked about the early days of his career in New York City, his experience working on both sides of the Atlantic and his role in Disney's When in Rome.

How did you get into acting?
When I first moved to New York in the 90s, I worked in the textile business and I also modeled. After four years, a friend of mine, Justin Chambers, who went on to Grey’s Anatomy, suggested that I take an acting class. I was already curious about acting. The town I come from in Italy doesn’t offer much in terms of acting, but I did work a bit in theater and I was in school plays. I never thought that I could make a career out of acting, though.

You played the role of Dante Grimaldi on the soap opera, As the World Turns. Tell me about that experience. Did you enjoy working on a soap opera?                                                                  
It was a great experience to work on a daily basis!  I thought, ‘Wow I can actually do this for a living.’ I was also doing some guest appearances on Sex & The City around that time. On As the World Turns, I played a villain, which meant that I had to observe other actors because there is a certain way of playing this kind of role. There are tricks of the trade that you have to learn. I worked on the show from May – September of 2001. Then I moved to Los Angeles for a while.

What was it like to work with Ferzan Ozpetek on his 2001 film, Le fate ignoranti?         
Ozpetek is a great director, a genius. It was an intense experience for me because I was just starting out. It was my first movie and I was working with this big ensemble cast of very established actors, so at times I felt a little lost and a little lonesome.

How does the experience of working on an Italian film differ from that of working on an American film?                                                                                        
Well now I’ve been working for a while in Italy, so people know me there and they have an opinion about me. I am not so known to American audiences, so I find it liberating not to be recognizable. The environment when working on an American film is much more relaxed and professional. There’s also such a wide range of characters to play in America, so many different genres of films. I do my audition tapes in Italy and send them via internet, so when I go to the studio, my camera guys are excited to see what kind of audition we’ll be doing that day. When I auditioned for the movie, Surrogate, I was thinking how I could be robotic. During the When in Rome shoot, we just had so much fun. I worked with some big caliber actors on that film, and they always made feel comfortable. It seemed like I had always worked with them. We went out to dinner every night together and just laughed and had such a great time. When we were shooting the Italy scenes, it was like a big road trip. American productions are like a big machine, very hands on at every level from production to publicity. In Italy, people tend to keep to themselves.

Which brings me to my next question about When in Rome. Tell me about your character in that film.                                                                                                
I play an Italian guy that moved to America and fell in love with an American girl. We get engaged and decide to get married in Rome, so we take our friends and family there for the wedding. When I sent my audition tape, I actually prepared two types of characters, one who was more like me, just an average guy, and the other, who was more of the stereotypical Italian "Guido".

Speaking of that “Guido” character, there has recently been some controversy with an MTV show here in the United States with their portrayal of Italian Americans. How do you feel about the stereotype that many Mafia films and television shows in the U.S. portray?                                  
I think that The Sopranos crystallized the portrayal of Italian Americans in the U.S. and people should take distance. MTV is trying to sell commercials, and in Reality TV, nothing sells better than a good fight. It’s a bad judgment call made by the producers, the studios and the kids on the show. Those types of shows  send a wrong message and should be taken with a grain of salt.

When In Rome is your second American release in a year. Now that you’re working more and more outside of Italy, are there any directors that you’d like to work with in the future?                                                                                        
Oh, there are so many. I really like Sam Mendez. He is a brilliant director. I loved his film, Away We Go. It was beautiful and delicate. I’d also like to work with Wes Anderson. He’s one of my favorite directors. He belongs to that independent school of filmmaking. There are many others, too. So, I’m really looking forward to seeing how it all plays out.


The Man from U.N.C.L.E. is scheduled for release on August 14. In the meantime, check out the trailer-

Comments

Popular posts from this blog

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

Ornella Muti: Four decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with La Moglie più bella (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, Sole nella pelle (Sun on the Skin) in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies with the political climate, the breathtaking seaside as well as the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and succeeds in capturing the innocence and beauty of first love.   Muti made her American film debut in 1980 with Flash Gordon . She played the role of Princess Aura.  She’s appeared in two other American films, including, Oscar , which was directed by John Landis and featured Don Ameche, Chaz Palminteri, and...

Iconic scenes from 'Totò, Peppino e la malafemmina' highlight Italy's North-South divide

If you’re in the mood for a quintessential old-school Italian comedy, look no further than “Totò, Peppino e la malafemmina.” Directed in the mid-1950s by Camillo Mastrocinque, the film has stood the test of time. Starring two of Italy’s most beloved comic actors, Totò (Antonio De Curtis) and Peppino De Filippo, it is widely regarded as one of the country’s most iconic comedies, showcasing mid-century Neapolitan humor. The film also features a young Nino Manfredi at the beginning of his prolific six-decade career. “Totò, Peppino e la malafemmina” is the story of two simple, old-fashioned brothers from Naples, Antonio and Peppino Caponi (Totò and De Filippo respectively), who embark on a trip up north to check on their young nephew Gianni. Gianni has moved to Milan and fallen for a seductive nightclub dancer named Marisa (Maria Luisa Mangini, aka Dorian Gray), whom they refer to as a “malafemmina,” meaning a “bad woman” or femme fatale. Believing she is corrupting him, Totò and Peppino ...

Cineuropa's Interview with Michele Placido

It was announced this week that Michele Placido's new film, "7 minuti" will be shown at this year's Rome Film Festival. 11 amazing actresses women star in "7 minuti" by Michele Placido , a drama co-produced by Italy, France, Spain and Switzerland and being distributed by German company Koch Media. The cast features Cristiana Capotondi , Ambra Angiolini , Fiorella Mannoia , Maria Nazionale , Ottavia Piccolo , Violante Placido , Sabine Timoteo , Anne Consigny , Mimma Lovoi and Clémence Poésy . The film is based on the play of the same name by Stefano Massini, who wrote the screenplay with Placido, and is the story of 11 women, a mixture of manual labourers and office workers, who are called to the negotiation table when the owners of the textiles company they work for sell the majority of their shares to a multinational. In a short space of time they must decide, for themselves and on the behalf of their fellow colleagues, whether to accept the...