Skip to main content

Inaugurazione della 31° Biennale di Arte Grafica di Lubiana


OVER YOU/YOU è il titolo della trentunesima Biennale di Arti Grafiche a cura di Nicola Lees. Il titolo è tratto da una breve nota posta nell’angolo di un disegno di Martin Kippenberger. Sembra un’irrisolta equazione o supposizione che sta ad indicare l’instabilità dell’immagine che può esser riprodotta. La Biennale esplora il modo in cui le tecniche di riproduzione sono usate dagli artisti visivi per le strategie di comunicazione e circolazione. Allo stesso tempo essa esamina il potenziale di ciò che può essere infinitamente copiato, focalizzandosi sugli innumerevoli possibili modi di concepire il concetto di riproduzione. La Biennale si concentra sull’artista che si oppone alla completezza e all’unicità dell’opera d’arte con “anti-singolarità”. Questo risultato è ottenuto dalle pratiche contemporanee che fanno riferimento alla storia della dispersione estrema. L’immagine in movimento è un concetto fondamentale per la nostra contemporanea economia dell’informazione. Ponendo l’immagine in movimento come si scontra con la struttura fissa della superficie stampata, si stabilisce un delicato equilibrio di forze tra le opere d’arte. Questa instabilità si riflette nel concetto della mostra che cerca di resistere alla linearità e alla conclusione, riflettendo invece il processo creativo degli artisti partecipanti tramite l’enfatizzazione del non-logico e dell’associativo.
Enej Gala, giovane artista sloveno che ha terminato da poco gli studi presso l'Accademia di Belle Arti di Venezia, è stato selezionato dalla curatrice inglese Nicola Lees alla Biennale Internazionale di Grafica di Lubiana. Nicola Lees, oltre a curare la sezione dedicata ai progetti speciali di Freeze a Londra è stata per anni una collaboratrice della Serpentine Gallery di Londra.
Ricordiamo che Enej Gala è in mostra nella galleria A plus A di Venezia con un progetto ideato e pensato esclusivamente per lo spazio dal titolo The Stable a cura di Aurora Fonda e Sandro Pignotti.

Testo critico della mostra.        

 
ENEJ GALA è nato a Lubiana nel 1990 e lavora a Venezia. Nel 2013 consegue la laurea triennale presso l’Accademia di Belle Arti di Venezia, specializzandosi in Pittura. Trascorre un periodo di studi all’estero presso la Williem De Kooning Academy of Fine Arts a Rotterdam. Nel 2015 si laurea al biennio presso la stessa Accademia di Venezia, sempre in Pittura. Partecipa a diverse mostre collettive e personali in Slovenia, Italia, Montenegro, Croazia, Albania, Senegal, Paesi Bassi e Portogallo. Dal 2010 partecipa ai workshop di Disegno e Pittura Atelier F a cura di Carlo di Raco, a Forte Marghera. Nel 2012 vince la borsa di studio della 96a collettiva giovani artisti della Fondazione Bevilacqua la Masa. Membro del collettivo Fondazione Malutta. Nel corso della 56° Biennale d’arte è invitato a partecipare al Rob Pruitt’s Flea Market in Venice.

A plus A Gallery
info@aplusa.it
00 39 041 277 04 66
www.aplusa.it

Comments

Popular posts from this blog

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew t...

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

Film at Lincoln Center honors Monica Vitti with retrospective featuring restored classics

Photo Courtesy of Archivio Luce-Cinecitt à A retrospective dedicated to the films of Italian cinema icon Monica Vitti will be held from June 6 to June 19 at Lincoln Center in New York City.  The 14-film series, titled "Monica Vitti: La Modernista," is presented by Film at Lincoln Center and Cinecittà and marks the first North American retrospective celebrating Vitti's 35-year career. "We are pleased to partner with Cinecittà to celebrate one of Italy's most revered actresses," said Film at Lincoln Center Vice President of Programming Florence Almozini. "It is a privilege to present decades' worth of films from Monica Vitti's illustrious and prolific career, especially with many restored versions of her legendary works." Monica Vitti, a key figure in film history, began her career in the mid-1950s and quickly became a captivating presence on screen. Her collaboration with director Michelangelo Antonioni produced memorable films in the 196...

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...