Springtime with the Film Society of Lincoln Center and Italian Cinema of Yesterday and Today

If you plan on being in New York for the next edition of Open Roads: New Italian Cinema, which will be held this year May 31 – June 6, you may want to book the hotel for an extra week.

Beginning June 8, the Film Society of Lincoln Center along with Istituto Luce Cinecittà will present a complete retrospective of Luchino Visconti’s feature films, including many restorations.

Stay tuned for the complete lineup of films in both series!

Open Roads: New Italian Cinema

May 31 – June 6

Open Roads: New Italian Cinema is the only screening series to offer North American audiences a diverse and extensive lineup of contemporary Italian films. Co-presented by FSLC and Istituto Luce Cinecittà, this year’s 18th edition again strikes a balance between emerging talents and esteemed veterans, commercial and independent fare, outrageous comedies, gripping dramas, and captivating documentaries, with in-person appearances by many of the filmmakers.

Visconti

June 8-21
Italian nobility, a member of the Italian Communist Party during World War II, openly gay and staunchly Catholic, Luchino Visconti inhabited a complicated, at times paradoxical, role in Italian cinema culture. A leader in the neorealism movement who also worked with international stars like Burt Lancaster, Helmut Berger, Alain Delon, and Dirk Bogarde, Visconti produced an oeuvre of modest and humane dramas as well as decadent, sprawling historical spectacles. Deftly aware of the subtle and rich means of cinematic expression, he imposed the narrative customs of opera and the novel onto film, yet remained sharply attuned to the social and political climates of the 20th century. This June, the Film Society, in collaboration with Istituto Luce Cinecittà, is pleased to present a complete retrospective of Visconti’s feature films, including many restorations.

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Federico Fellini: A Look into the Life and Career of an Icon

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Iconic scenes from 'Totò, Peppino e la malafemmina' highlight Italy's North-South divide

If you’re in the mood for a quintessential old-school Italian comedy, look no further than “Totò, Peppino e la malafemmina.” Directed in the mid-1950s by Camillo Mastrocinque, the film has stood the test of time. Starring two of Italy’s most beloved comic actors, Totò (Antonio De Curtis) and Peppino De Filippo, it is widely regarded as one of the country’s most iconic comedies, showcasing mid-century Neapolitan humor. The film also features a young Nino Manfredi at the beginning of his prolific six-decade career. “Totò, Peppino e la malafemmina” is the story of two simple, old-fashioned brothers from Naples, Antonio and Peppino Caponi (Totò and De Filippo respectively), who embark on a trip up north to check on their young nephew Gianni. Gianni has moved to Milan and fallen for a seductive nightclub dancer named Marisa (Maria Luisa Mangini, aka Dorian Gray), whom they refer to as a “malafemmina,” meaning a “bad woman” or femme fatale. Believing she is corrupting him, Totò and Peppino ...

A Conversation with Actor- Luca Calvani from Warner Bros. Upcoming Release "The Man from U.N.C.L.E."

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