Actor/Writer/Director Giulio Base on 'Il Banchiere Anarchico'

Among the diverse selections of the 75th Venice Film Festival is an adaptation of a short fiction by Portuguese poet Fernando Pessoa. Il Banchiere Anarchico (The Anarchist Banker) is the story of a banker who engages in a revealing conversation about why he considers himself an anarchist even though he doesn't possess the obvious traits.

Published in 1922 and set in a Lisbon café, the conversation takes place between a wealthy banker and his friend as the two have a friendly but passionate exchange about the qualities of a true anarchist. The wealthy banker stands by his claim that he is the only true anarchist left and makes a compelling and at times surprising argument to back his belief.

I spoke with the creator of the film, Giulio Base for some insight into this story and why a piece of literature written nearly a century ago is still very relevant today.

Let's just start at the beginning. Why did you want to adapt this story for the screen?

I love Pessoa. More than that: I adore him, I venerate him. And this literature is more or less my ‘life statement’.

With all the political turmoil these days, the story of an anarchist is certainly relevant. How do you feel it applies to contemporary life in 2018?

The tale was written in 1922, but as all the masterpieces, it is timeless. What is impressive is how important bankers are today. They are on the front pages of every newspaper. So, the mind of this poet was visionary.

Is the story a complete fiction or was Fernando Pessoa writing about himself?

Totally fiction, but Pessoa always put a bit of himself in his works (who doesn’t?).

I read that you have also portrayed this character on stage. In interpreting the primary role of the banker, what qualities in him did you identify with?

As the tale’s banker, I love to wake up early, go to bed early. Work without pause, keeping in mind that fame is not important. Freedom is.

Do you feel that people should read the story before seeing the movie, or can someone walk into the theater and follow the movie without knowing the story?

I tried to make a movie as a cultural message. I read the book for the viewer, I represent it as if it was real life. For the joy of literature I suggest to read it but it’s not necessary to get into the movie.

Base will present his film in the Sconfini program on September 7 at 9:00am. Click here to read The Anarchist Banker. Click here for more information about the screening in Venice. The film will be released in Italy following its premiere at the festival.

- Jeannine Guilyard

Comments

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration. Nicknamed a “female Chaplin” and described by Chaplin himself as the actress who moved him most, Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times. Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife). Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time. Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love. Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

A Conversation with Documentary Filmmaker Luigi Di Gianni

His documentary films have given voice to a people who would have otherwise been forgotten while preserving rituals and traditions no longer practiced. Visually stunning and emotionally moving, they reflect an Italy we’re not used to seeing in cinema. Born in Naples in 1926, Luigi Di Gianni captured a dimension of Italy that people outside the South didn’t even know existed. He began his career working in the region of Basilicata, which back then was referred to as Lucania. He first visited the region with his parents when he was a boy. His father, being from the Lucanian village of Pescopagano, wanted to show his son his homeland. That trip made an impression on the 9-year-old and created a deep affection that would one day inspire him to return. “I always remained very emotional about returning to this part of my homeland of Lucania,” he says. “It seemed like a different planet compared to Rome, where I lived. The tiring journey, the unpaved roads, the difficulti...

The Life and Work of Monica Bellucci

Monica Bellucci as Malèna Born in Umbria in 1964, Monica Bellucci is one of the most recognizable faces of international cinema. But she didn't always have her sights set on the spotlight. She went to college to study law and modeled to pay her tuition. Her success in the fashion world coupled with the offers that were pouring in to appear on the big screen eventually took over, changing her fate. Bellucci made her on-screen debut in the 1990 television movie, " Vita coi figli." Just two years later, she scored her first American role in Francis Ford Coppola's "Dracula." In addition to her native language, she speaks fluent English and French, which has made for a smooth transition from Italian to international cinema. Stateside, she has acted in blockbusters such as "The Matrix-Reloaded," " The Passion of the Christ" and " The Sorcerer's Apprentice." She has also appeared in several French films, a...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty. He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence. Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Italian Cinema Today

Search This Blog