Skip to main content

Actor/Writer/Director Giulio Base on 'Il Banchiere Anarchico'

Among the diverse selections of the 75th Venice Film Festival is an adaptation of a short fiction by Portuguese poet Fernando Pessoa. Il Banchiere Anarchico (The Anarchist Banker) is the story of a banker who engages in a revealing conversation about why he considers himself an anarchist even though he doesn't possess the obvious traits.

Published in 1922 and set in a Lisbon café, the conversation takes place between a wealthy banker and his friend as the two have a friendly but passionate exchange about the qualities of a true anarchist. The wealthy banker stands by his claim that he is the only true anarchist left and makes a compelling and at times surprising argument to back his belief.

I spoke with the creator of the film, Giulio Base for some insight into this story and why a piece of literature written nearly a century ago is still very relevant today.

Let's just start at the beginning. Why did you want to adapt this story for the screen?
I love Pessoa. More than that: I adore him, I venerate him. And this literature is more or less my ‘life statement’.

With all the political turmoil these days, the story of an anarchist is certainly relevant. How do you feel it applies to contemporary life in 2018?
The tale was written in 1922, but as all the masterpieces, it is timeless. What is impressive is how important bankers are today. They are on the front pages of every newspaper. So, the mind of this poet was visionary.

Is the story a complete fiction or was Fernando Pessoa writing about himself?
Totally fiction, but Pessoa always put a bit of himself in his works (who doesn’t?).

I read that you have also portrayed this character on stage. In interpreting the primary role of the banker, what qualities in him did you identify with?
As the tale’s banker, I love to wake up early, go to bed early. Work without pause, keeping in mind that fame is not important. Freedom is. 

Do you feel that people should read the story before seeing the movie, or can someone walk into the theater and follow the movie without knowing the story?
I tried to make a movie as a cultural message. I read the book for the viewer, I represent it as if it was real life. For the joy of literature I suggest to read it but it’s not necessary to get into the movie.

Base will present his film in the Sconfini program on September 7 at 9:00am. Click here to read The Anarchist BankerClick here for more information about the screening in Venice. The film will be released in Italy following its premiere at the festival. 

- Jeannine Guilyard

Comments

Popular posts from this blog

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew t...

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...

Film at Lincoln Center honors Monica Vitti with retrospective featuring restored classics

Photo Courtesy of Archivio Luce-Cinecitt à A retrospective dedicated to the films of Italian cinema icon Monica Vitti will be held from June 6 to June 19 at Lincoln Center in New York City.  The 14-film series, titled "Monica Vitti: La Modernista," is presented by Film at Lincoln Center and Cinecittà and marks the first North American retrospective celebrating Vitti's 35-year career. "We are pleased to partner with Cinecittà to celebrate one of Italy's most revered actresses," said Film at Lincoln Center Vice President of Programming Florence Almozini. "It is a privilege to present decades' worth of films from Monica Vitti's illustrious and prolific career, especially with many restored versions of her legendary works." Monica Vitti, a key figure in film history, began her career in the mid-1950s and quickly became a captivating presence on screen. Her collaboration with director Michelangelo Antonioni produced memorable films in the 196...

Golden Age Masterpiece: Luchino Visconti’s 1957 “White Nights”

Photo Credit: Archivio Luce Cinecittà Luchino Visconti’s 1957 film, “White Nights” (“Le notti bianche”), offers a thoughtful and poignant exploration of themes such as loneliness, desire and emotional vulnerability. Based on Fyodor Dostoevsky’s novella of the same name, it transports the tale from 19th-century St. Petersburg to a dreamy mid-20th-century Italian setting. While Visconti remains largely faithful to Dostoevsky’s narrative, his characteristic style infuses the film with emotional depth, striking visuals, and a focus on class and societal constraints.   The story follows a young man named Matteo, played by Marcello Mastroianni, who lives a solitary life in a small Italian town. One evening, he encounters a beautiful young woman named Natalia, portrayed by Austrian-Swiss actress Maria Schell, who is also feeling isolated. Although she is initially reluctant, Natalia eventually confides in Matteo about her love for a man who has promised to return and marry her, but he ha...

Documentary Filmmaker Gianni Minà presents "Pope Francis, Cuba and Fidel" in Toronto

Gianni Minà and Cristiano de Florentiis Update February 2, 2017 It's recently been announced that documentary filmmaker Gianni Minà will receive an honorary Nastro d'Argento  award for career achievement. Read the full story on Ansa Italian news. The World Premiere of “Pope Francis, Cuba and Fidel,” directed by Gianni Minà and presented by ICFF and AMBI screened in Toronto in occasion of the TIFF, Toronto International Film Festival, was met with standing ovation and appreciation from Canadian critics. ICFF Artistic Director Cristiano de Florentiis awarded Gianni Minà with the ICFF Award of Excellence for addressing themes of historical, economic, social and cultural development with insight, nuance, professionalism and personal commitment. Minà’s documentary explores the recent story of Cuba and its undisputed leader, Fidel Castro, through the lens of last year’s visit of Pope Francis to the Caribbean island. Fidel appears onscreen at age 89, his body marked by hi...