Born in Florence in 1981 to an Italian mother and German Father, Rohrwacher attended Torino University, where she graduated with a degree in Classic Literature. Her first jobs after college included writing for theater and playing music.
She entered the film industry as an editor of documentary films before directing her first feature, "Corpo Celeste" (Heavenly Body), the tale of a teenage girl painfully assimilating into the culture of southern Italy and the Roman Catholic Church. The film premiered at Cannes Film Festival's Directors' Fortnight in 2011 and won several international film festivals before being released in the United States.
Rohrwacher's second feature, "Le meraviglie" (The Wonders), follows a family of beekeepers living in isolation in the Tuscan countryside. The dynamic of their overcrowded household is disrupted by the arrival of a troubled teenage boy taken in as a farmhand. At the same time, a reality TV show (featuring a host played by Monica Bellucci) is intent on profiling the family. Both intrusions capture the attention of the eldest daughter, Gelsomina, who struggles to find her purpose in the world. Rohrwacher gracefully conveys the girl's adolescent sense of curiosity and confusion. The film won the Grand Jury Prize at the 2014 Cannes Film Festival, where it premiered and features her sister, Alba Rohrwacher.
In 2015 she directed "The Djess," a short film commissioned by Prada as part of its label Miu Miu. The ninth installment of the "Miu Miu Women's Tales," the film was shown in the Venice Days section of the Venice Film Festival. Also starring her sister, "The Djess" features a stunning designer dress with crystal beads, which practically comes alive with emotion. The dialogue is presented as made-up language and pokes some fun at the world of high fashion with its temperamental models and hysteric paparazzi.
Watch "The Djess" on YouTube..
The trait that Rohrwacher's films share is their sense of fantasy. Perhaps it's the atmospheric lighting or the long, complicated silences between her characters. Whatever the process, she consistently succeeds in achieving a surreal atmosphere; this is her work's trademark and signature style. She also tends to tell stories from the point-of-view of innocence, whether a child or teenager.
"I can't imagine a better gift than to spend time in New York, take part in the events at the New York Film Festival, and to have the time to research in local archives and libraries for my next film," said Rohrwacher upon being named the Film Society of Lincoln Center's Artist in Residence. The program was launched in 2013 by Jaeger-LeCoultre and the Film Society of Lincoln Center as an annual initiative designed to support filmmakers early in the creative process against the backdrop of New York City and the New York Film Festival.
In addition to filmmaking, Rohrwacher directed her first opera, a new version of La Traviata for Teatri di Reggio Emilia, that premiered in 2016.
Photo by Rossella Vetrano On Day 6 of our series, 7 Days - 7 Women, in which we are profiling seven strong, talented women working as filmmakers, writers or visual artists, we talk with actress Sabrina Impacciatore about the diversity of her roles. Whether she's playing a devoted mother trying to protect her child, Jesus Christ's "Veronica" in Mel Gibson's controversial film, "Passion of the Christ" or a young woman coming of age, Impacciatore escapes into the life and mind of each character she takes on, sometimes so deeply that she believes she is actually them. It's a fine line between reality and fiction, but she treads it carefully and anyone watching her performance benefits from her emotional connection to the character that she becomes. I spoke with Impacciatore at the 2010 Open Roads: New Italian Film series in New York City. We talked about her lifelong dream of becoming an actress. She also gave me some insight into the diff
A new platform has recently been launched that promotes the work of Italian Americans in film and television. The brains behind the initiative is a young, passionate woman who is taking the support that she received early on in her journey and paying it forward. With origins in Basilicata and Campania , Taylor Taglianetti is a proud Italian American from Brooklyn, New York. She is currently a senior at NYU Tisch School of the Arts, graduating in January 2020. She is majoring in Film and Television and minoring in the Business of Entertainment, Media and Technology. Taglianetti aspires to be a feature film producer and bring great stories to the big screen. In addition to running NOIAFT, she is currently a Development Intern with Silver Pictures, the production company that produced the Lethal Weapon and The Matrix series. Last summer, she was a development intern with Maven Pictures, the Academy-Award winning production company behind Still Alice and The Kids Are All Right .
There have been countless cinematic interpretations of the books of the Bible, but few have stood the test of time. One that qualifies as a classic is Pier Paolo Pasolini’s 1964 “Il Vangolo secondo Matteo” (The Gospel According to St. Matthew). Considered by the Vatican to be among the best film adaptations of one of the Gospels, Pasolini’s 1964 film was shot in the regions of Calabria, Puglia and Basilicata. In an interview with RAI television while on location in Matera, Pasolini talked about the reasons for shooting there. “I chose two or three places in Basilicata. One is Barile, a town of Albanians. I needed a place for Bethlehem. Another location is Matera because it reminded me of Jerusalem,” he explained. Pasolini’s interpretation of St. Matthews’s Gospel is pure, with no added commentary. He said that he followed the Gospel word for word without adding a single syllable. He explained in the interview that his idea to make the film happened by coincidence. “In October of 19
When a team of speleologists descended 700 meters into the Bifurto Abyss in Cosenza, Calabria, in 1961, they discovered that the underground caverns were the third deepest in the world and the deepest in Europe. Italian filmmaker Michelangelo Frammartino retraces that mission six decades later with a cast of locals and their livestock in his latest documentary, “Il buco” (“The Hole”). Inspiration for the film came while he was on location shooting his 2007 documentary, “Le quattro volte” (“Four Times”). Officials in the Pollino mountains, which stretch between Calabria and Basilicata, showed him what appeared to be just another sinkhole. Frammartino failed to understand their enthusiasm until they tossed a large stone into the void. It disappeared without making a sound. He was so overcome by the experience and the eerie landscape, he was haunted for years, compelling him to make his current film, one of many rooted in nature. “I was born in Milan, but my family is from Calabria. My pa
One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn
Comments
Post a Comment