Born in Florence in 1981 to an Italian mother and German Father, Rohrwacher attended Torino University, where she graduated with a degree in Classic Literature. Her first jobs after college included writing for theater and playing music.
She entered the film industry as an editor of documentary films before directing her first feature, "Corpo Celeste" (Heavenly Body), the tale of a teenage girl painfully assimilating into the culture of southern Italy and the Roman Catholic Church. The film premiered at Cannes Film Festival's Directors' Fortnight in 2011 and won several international film festivals before being released in the United States.
Rohrwacher's second feature, "Le meraviglie" (The Wonders), follows a family of beekeepers living in isolation in the Tuscan countryside. The dynamic of their overcrowded household is disrupted by the arrival of a troubled teenage boy taken in as a farmhand. At the same time, a reality TV show (featuring a host played by Monica Bellucci) is intent on profiling the family. Both intrusions capture the attention of the eldest daughter, Gelsomina, who struggles to find her purpose in the world. Rohrwacher gracefully conveys the girl's adolescent sense of curiosity and confusion. The film won the Grand Jury Prize at the 2014 Cannes Film Festival, where it premiered and features her sister, Alba Rohrwacher.
In 2015 she directed "The Djess," a short film commissioned by Prada as part of its label Miu Miu. The ninth installment of the "Miu Miu Women's Tales," the film was shown in the Venice Days section of the Venice Film Festival. Also starring her sister, "The Djess" features a stunning designer dress with crystal beads, which practically comes alive with emotion. The dialogue is presented as made-up language and pokes some fun at the world of high fashion with its temperamental models and hysteric paparazzi.
Watch "The Djess" on YouTube..
The trait that Rohrwacher's films share is their sense of fantasy. Perhaps it's the atmospheric lighting or the long, complicated silences between her characters. Whatever the process, she consistently succeeds in achieving a surreal atmosphere; this is her work's trademark and signature style. She also tends to tell stories from the point-of-view of innocence, whether a child or teenager.
"I can't imagine a better gift than to spend time in New York, take part in the events at the New York Film Festival, and to have the time to research in local archives and libraries for my next film," said Rohrwacher upon being named the Film Society of Lincoln Center's Artist in Residence. The program was launched in 2013 by Jaeger-LeCoultre and the Film Society of Lincoln Center as an annual initiative designed to support filmmakers early in the creative process against the backdrop of New York City and the New York Film Festival.
In addition to filmmaking, Rohrwacher directed her first opera, a new version of La Traviata for Teatri di Reggio Emilia, that premiered in 2016.
A Fellini family portrait “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann. Not only was Fellini directing the children, but he was also putting on shows and charging ...
"Salvatore Giuliano" is a 1962 Italian crime drama directed by Francesco Rosi that dramatizes the real-life events surrounding the life and death of the legendary Sicilian bandit and folk hero. Giuliano rose to notoriety after the liberation of Sicily from fascist control in 1943, when he formed a gang that joined a separatist army. When the army dissolved, he and his gang intensified their outlaw activities. One of their most significant crimes was the Portella della Ginestra incident, during which dozens of men, women, and children were killed or wounded. This act prompted the authorities to launch an all-out war against Giuliano. His defenses slowly crumbled, and on July 5, 1959, his body was discovered in the courtyard of a house in Castelvetrano. That moment serves as the starting point for Rosi's film. Giuliano's fame is tied to his involvement in the Sicilian independence movement and his battles against both the Italian government and the Mafia in the 1940s a...
On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...
Documentary filmmaker Gianfranco Rosi will premiere his much-anticipated latest film at the upcoming 82nd Venice International Film Festival , which runs August 27 - Sept. 6. "Sotto le nuvole" (Below the Clouds) takes a deep dive into the rich history and culture of Naples and the area surrounding Mount Vesuvius. There has not been much information revealed but so far, we know that the film will focus on themes similar to those explored by Rosi in his previous works, such as the examination of Roman culture in "Sacro GRA" (2013) and Lampedusa's refugee crisis in "Fuocoammare" (2016). The film's synopsis reads, “The land around Vesuvius is a vast palimpsest. On the surface, underground and even beneath the sea of the modern city of Naples and its surroundings, the memory of history is etched into tunnels, walls and fissures, the remains of women, children and men — statues, buried cities. Only thin layers separate contemporary and ancient life, an...
There couldn’t have been a more perfect couple than Lucia Bosè and Raf Vallone in Giuseppe De Santis’ 1952 “Roma 11:00.” A tragic story based on true events, the film follows several young women in post-WWII Rome as they answer a job listing for a typist. When 200 women are in line on one staircase over several floors, a crack leads to the collapse of the entire staircase. Dozens were injured and one was killed. The tragedy spoke to the poverty and desperation that existed for so many Italians in the early 1950s before the ‘58 industrial boom began. Cesare Zavattini was one of the screenwriters. Elio Petri was the assistant director who interviewed many of the victims and cast a few in supporting roles. In addition to Bosè and Vallone, the film stars Carla Del Poggio, Massimo Girotti, Maria Grazia Francia, Lea Padovani and Delia Scala. The film is set in Largo Circense 37, while in reality the collapse took place in via Savoia 31, in the Salario district, on J...
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