Skip to main content

The Ancient Heart of Basilicata Post-Covid

Sergio Ragone in Matera
"In the ancient heart of Basilicata, there is the future of Italy after Covid 19" - By Sergio Ragone

CinecittĆ  Studios announced today that a new chapter of the infamous Rome film school, Centro Sperimentale di Cinematografia, will open in the ancient stone city of Matera, located in the region of Basilicata. So I thought this would be a good time to share a thoughtful commentary by journalist and author Sergio Ragone whose work we have featured often throughout the years. He writes about the coronavirus pandemic and how it impacted his region and what must be done to continue the progress the Lucani have made in the past decade to build and promote Basilicata.

There is an Italy that the narrative of this pandemic has cut out, useless to deny it. It is the Italy of small villages, of provincial cities, far from the red areas and from Milan that has lived, lives and suffers because of the Coronavirus. It is the Italy of small communities, of often forgotten places, which does not enjoy highly innovative services, roads and where the human element is the main element of resistance. Resistance to all the negative things that globalization has produced and that has cut this Italy out of the world. And there is an Italy in the South which, despite its excellent performance, is not told as a model for managing the emergency. We are talking about Basilicata, one of the first regions that recorded 0 in the number of infections and which, thanks above all to the adoption of healthy and respectful behavior by its inhabitants, is showing patience and intelligence in the fight against the invisible enemy. This Basilicata was the land of the 2019 European Capital of Culture, Matera, and is today the ideal place to build a safe and necessary restart to restart the engine of the national economy. Of course, mistakes have also been made in Basilicata and unfortunately many families mourn the death of women and men torn away too early by the virus' fury; just as the economic crisis that threatens to wipe out the legitimate ambitions of many people, companies, innovators and young people who had laid the foundations for a life project to be built in this piece of the South, but photography is making itself felt Lucana of these days bodes well for a passing of Phase 2 and a return, albeit slow, to a much desired normality. The Lucanians are well aware that the game is not over yet, but they have decided to manage the game and not allow the opponent to take too much field. It's not easy, but they don't give up on it.


Maratea
Why isn't there a story about this positivity that doesn't hurt? Why, as always, the beauty and goodness of the Italian province is never presented to the world with all its strength and brightness? On the day when we still read terrible news of deaths and the number of infected is not so low as to let us breathe a sigh of relief, what is happening in Basilicata instead can be an example, a model to export and replicate in the Italian regions . The land of the Sassi of Matera and the boundless beauty of the sea that bathes Maratea and the Ionian coast, great cinema and successful television fiction has shown, once again, that it is only by adopting healthy, respectful behaviors and overcoming all selfishness that the most difficult challenges can be faced. It is not the first time this has happened, although this is the first time that we have all faced the risks and dangers of a pandemic; the Lucanians have already been able to demonstrate responsibility, tenacity and resilience on many other occasions in history, even the most recent.

In the region of the two names and the two seas, everything still has a genuine flavor, each word has a weight, each community has been able to preserve its memory and has treasured it. The green and yellow of its fields are authentic, just as they should be: all this not thanks to fortuitous coincidences but because the result of constant, daily work, the effort of the hands and the sweat of the forehead of those who live on the edge of dreams and it never gives up. These virtues deserve a stronger light, a bigger stage, an unprecedented visibility. This story deserves a story that goes beyond the stereotypes of shame that becomes a world heritage site and goes beyond that idea of peasant civilization, of which you are not ashamed, but talk about the progress, the innovations practiced, the talents that have blossomed here and have written important pages.

Italy today needs the ancient heart of Basilicata, it needs its virtues and its people to rebuild, regenerate, start again. There is a possible future that is being born in the South, let's not let it fade once again.

Click here to watch my 2018 documentary, "Return to Lucania," which offers a look into the socioeconomic evolution of Basilicata through the cinema made there.

Comments

Popular posts from this blog

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

The Extraordinary Career and Legacy of Dino De Laurentiis

Producer Dino De Laurentiis was one of the most prolific filmmakers ever, having produced or co-produced more than 600 films during a career that spanned seven decades. His legacy continues not only through the work of his children and grandchildren but also through a new generation of filmmakers in his Italian hometown. De Laurentiis was born in the shadow of Mount Vesuvius on Aug. 8, 1919, in the city of Torre Annunziata, located just minutes from the ruins of Pompeii. As a child, he worked at a local pasta factory owned and operated by his father. That experience had a profound effect on him, shaping a lifelong passion for food and an appreciation for business. At the age of 17, he decided to leave home for the big city. He arrived in Rome and enrolled in the prestigious film school, Centro Sperimentale di Cinematografia. After attending the school for about a year, he managed to produce one film in 1940, The Last Combat , before having to leave Rome temporarily for m...

Isabella Ferrari- the Damsel and the Thinker

Isabella Ferrari is a versatile actress whose trademark pouty lips and intense, melancholy eyes have been gracing Italian screens for more than three decades. Born in Piacenza on March 31, 1964, Ferrari has perfected the art of playing contrasting roles like the damsel in distress and the complicated, intellectual. Influenced by Italian auteur cinema, which encompasses the neo-realistic approach to filmmaking, she delivers powerful performances with each role she tackles. Ferrari's small screen debut goes back to 1981 in Gianni Boncompagni's television program, "Under the Stars." Two years later, she made her big screen debut in the summer comedy, "Il ras del quartiere." Diego Abatantuono, the star of the Oscar winning film, "Mediterraneo," co-wrote and starred in the film, which put Isabella Ferrari on the map and she hasn't stopped working since. Open Roads 2005: Isabella Ferrari, Antonio Monda and Renato De Maria With doz...