Italian Cinema Today

A scene from "C'eravamo tanti amati" Mixing both tragedy and humor, Ettore Scola ’s 1974 film “C’eravamo tanto amati” (“We All Loved Each Other So Much”) follows 30 years in the lives of three men and the woman they each adore. By examining how his generation changed after the war, Scola makes a film that reflects its era. Scola explores the moral, political and emotional evolution of Italy’s postwar generation and, in doing so, creates a film that is a chronicle of its time and a love letter to cinema. The story begins in the aftermath of World War II. Three friends — Antonio ( Nino Manfredi ), Gianni (Vittorio Gassman) and Nicola (Stefano Satta Flores) — emerge from the Italian Resistance with a shared dream of justice, equality and social renewal. They are united by their hope that the sacrifices of war will lead to a better world. But the decades that follow prove to be challenging as Italy undergoes massive social changes, from the postwar economic boom to the politi...

Claudia Cardinale in a scene from   “Il magnifico cornuto” The world said goodbye to one of the last greats of Italy’s Golden Age of cinema and the commedia all’italiana genre when legendary actress Claudia Cardinale passed away in September at 87. She appeared in dozens of films throughout her career, which spanned six decades, and she worked with the likes of Federico Fellini , Luchino Visconti and Sergio Leone on iconic projects that have stood the test of time.  One of her greatest talents was comedy, and one of her best comedic performances was in Antonio Pietrangeli’s 1964 film “Il magnifico cornuto” (“The Magnificent Cuckold”), in which she plays a beautiful young wife married to a wildly jealous older man. The story centers on Andrea (played by Ugo Tognazzi ), a charming but often foolish man who unwittingly becomes tangled in a web of romantic and social misunderstandings created by his own deceit.   The couple is happily married until one evening, when And...

A scene from "Vermiglio" (Photo:  Cinecittà) Inspired by childhood nostalgia and memories of her father, Maura Delpero’s “Vermiglio” is a heartfelt story of one family’s experience during the final days of World War II. Awarded the Silver Lion Grand Jury Prize at the 2024 Venice Film Festival where it premiered, the film is set in the picturesque Alpine mountain village of Vermiglio during the mid-1940s. It follows a schoolmaster’s family of 10 as they navigate life on the bare essentials while grappling with the consequences after a Sicilian soldier, played by Giuseppe De Domenico, deserts the army and seeks refuge with them. The soldier’s romance with the family’s eldest daughter, Lucia, portrayed by Martina Scrinzi, unfolds against the backdrop of a provincial family caught in the traditions of a fading era.   The film begins with an intimate portrayal of the Graziadei family as they wake up to the cold light of the wintertime sun. The scene opens with three sisters sleepi...

If you’re in the mood for a quintessential old-school Italian comedy, look no further than “Totò, Peppino e la malafemmina.” Directed in the mid-1950s by Camillo Mastrocinque, the film has stood the test of time. Starring two of Italy’s most beloved comic actors, Totò (Antonio De Curtis) and Peppino De Filippo, it is widely regarded as one of the country’s most iconic comedies, showcasing mid-century Neapolitan humor. The film also features a young Nino Manfredi at the beginning of his prolific six-decade career. “Totò, Peppino e la malafemmina” is the story of two simple, old-fashioned brothers from Naples, Antonio and Peppino Caponi (Totò and De Filippo respectively), who embark on a trip up north to check on their young nephew Gianni. Gianni has moved to Milan and fallen for a seductive nightclub dancer named Marisa (Maria Luisa Mangini, aka Dorian Gray), whom they refer to as a “malafemmina,” meaning a “bad woman” or femme fatale. Believing she is corrupting him, Totò and Peppino ...

Documentary filmmaker Gianfranco Rosi will premiere his much-anticipated latest film at the upcoming 82nd Venice International Film Festival , which runs August 27 - Sept. 6. "Sotto le nuvole" (Below the Clouds)  takes a deep dive into the rich history and culture of Naples and the area surrounding Mount Vesuvius. There has not been much information revealed but so far, we know that the film will focus on themes similar to those explored by Rosi in his previous works, such as the examination of Roman culture in "Sacro GRA" (2013) and Lampedusa's refugee crisis in "Fuocoammare" (2016).  The film's synopsis reads, “The land around Vesuvius is a vast palimpsest. On the surface, underground and even beneath the sea of the modern city of Naples and its surroundings, the memory of history is etched into tunnels, walls and fissures, the remains of women, children and men — statues, buried cities. Only thin layers separate contemporary and ancient life, an...

Giancarlo Zarfati and Alberto Sordi in a scene from "Bravissimo" An early film in the commedia all’italiana genre, "Bravissimo" (1955) is a classic Italian comedy directed by Luigi Filippo D'Amico, starring Alberto Sordi . The film blends satire with heartfelt moments, offering a critique of the entertainment industry and the exploitation of child prodigies.  Ubaldo Impallato (Sordi) is a substitute elementary teacher who supplements his income by running tutoring program. Among his students is six-year-old Gigetto, who possesses an extraordinary baritone voice. When Ubaldo overhears Gigetto singing The Barber of Seville, he recognizes the child's rare talent and decides to guide him toward a career in music. Gigetto becomes famous for his performances, but his relatives try to take advantage of him. Ubaldo must find a way to keep Gigetto safe while also chasing his own dreams. Alberto Sordi in scene from "Bravissimo" Set in a residential neighborh...