Skip to main content

'Salvatore Giuliano' blends documentary realism with dramatic storytelling

"Salvatore Giuliano" is a 1962 Italian crime drama directed by Francesco Rosi that dramatizes the real-life events surrounding the life and death of the legendary Sicilian bandit and folk hero.

Giuliano rose to notoriety after the liberation of Sicily from fascist control in 1943, when he formed a gang that joined a separatist army. When the army dissolved, he and his gang intensified their outlaw activities. One of their most significant crimes was the Portella della Ginestra incident, during which dozens of men, women, and children were killed or wounded. This act prompted the authorities to launch an all-out war against Giuliano. His defenses slowly crumbled, and on July 5, 1959, his body was discovered in the courtyard of a house in Castelvetrano. That moment serves as the starting point for Rosi's film.

Giuliano's fame is tied to his involvement in the Sicilian independence movement and his battles against both the Italian government and the Mafia in the 1940s and early 1950s. His life was fraught with controversy, with some viewing him as a symbol of resistance and others considering him a criminal.

Starring Pietro Cammarata in the title role, Rosi's film was shot in Giuliano's birthplace of Montelepre, Sicily, and tracks his political activities, which he perceived as social activism, and the violence that accompanied that mission. The film is a blend of documentary-style narration with a dramatized retelling of Giuliano's life, focusing on the social and political context of Sicily during and after World War II.

The story is told from multiple perspectives, including those of Sicilian peasants, the Mafia and the government, offering a complex view of the events surrounding Giuliano's rise and eventual death. Rosi effectively conveys the extreme violence of the time and the pain experienced by the victims' relatives, who are left to pick up the pieces. It's difficult to watch elderly women pleading for the lives of their family members. The execution scenes are filmed in a way that creates a sense of watching real-time events, making the film unsuitable for the faint of heart. 

Nevertheless, it is a masterpiece that impacted future directors around the world. When the film was released, Mario Soldati, a film critic for Il Giorno, wrote, "In my opinion, no director has ever succeeded in re-creating reality with such accuracy, with such power." He described the film as "a historic and critical film, which is lyric in the force of its images."

A film that solidified Rosi's reputation, "Salvatore Giuliano" is above all a documentary-style portrayal. Its highly dramatic narrative was nevertheless built on a solid foundation of facts, including reports by the Italian police, accounts from special correspondents of major newspapers, and court records. According to the esteemed cinema journalist Gian Luigi Rondi, personal interpretations were kept to a minimum, with Rosi preferring to adhere to reports on actual events. This departure from conventional storytelling methods, Rondi believed, lent the film an atmosphere of concrete reality so convincing that viewers might forget its fictional elements, believing it to be an actual documentary.

"Salvatore Giuliano" is available to stream on the Criterion Channel, which also features in-depth commentary about the film and its real-life inspiration, an Italian film news clip about the crimes, and interviews with Rosi discussing his creative decisions regarding how to depict Giuliano.

- Written by Jeannine Guilyard for Fra Noi magazine. Click here to subscribe.

Comments

Popular posts from this blog

Luminous Legacies: Yoichi Ohira’s Murano Glass at Magazzino Italian Art

A new exhibition in Cold Spring, New York, is bringing the luminous legacy of Murano glassmaking into focus through the work of Japanese artist Yoichi Ohira. “Yoichi Ohira: Japan in Murano” is on view at  Magazzino Italian Art  until February 2027. The exhibit showcases the work of Ohira, who became a leading figure in the design of Venetian glassworks on the island of Murano. The exhibition features works that highlight the uniqueness of Ohira’s art across the decades of his career. Ohira’s earliest Murano works blend Venetian glass techniques with his own style. These pieces show balanced shapes, clear surfaces, and striking color combinations. His Venezia e l’Oriente (Venice and the Orient) decanters reflect Venice’s ties to the East, creating vases inspired by Marco Polo’s tales with a modern twist. The exhibition shows Ohira’s respect for Murano’s glass masters, displaying objects alongside preparatory drawings that map ideas to the final works of art. It also explores ho...

The Legend of Alberto Sordi - Rome's Eternal Son

′′They will always judge you, whether you behave well or if you behave badly. So screw it and live as you want but above all don't listen to anyone.′′  - Alberto Sordi By giving his fellow Italians something to laugh about during tumultuous times, he emerged as his generation’s King of Comedy. One of Italy’s best-loved personalities, Alberto Sordi played a pivotal role in Italian cinema from the end of World War II to the postwar economic boom of the 1950s. During those tumultuous years, he gave his countrymen a hearty laugh when they might have otherwise cried. Former Italian President Carlo Azeglio Ciampi perhaps said it best: “Alberto Sordi interpreted the feelings of Italians, especially in their most difficult and tough moments.” Born in the Trastevere neighborhood of Rome in 1920, Sordi grew up in a creative household. His mother was an elementary school teacher and his father, a professional musician for the Rome Opera House. A young Sordi joined the children’s choir o...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Netflix's 'Il Gattopardo" — A classic reborn

Netflix photo A new Netflix series adaptation of “The Leopard,” based on Giuseppe Tomasi di Lampedusa’s seminal novel, is captivating audiences worldwide. Directed by British filmmaker Tom Shankland, the series revisits the iconic tale first brought to the screen by Luchino Visconti in 1963. Set against the backdrop of 1860s Sicily during the Risorgimento, the film follows Prince Fabrizio Salina (Kim Rossi Stuart), an aging aristocrat witnessing the decline of the Sicilian nobility and the rise of a new social order. As Garibaldi’s forces land in Sicily, the prince reflects on the now-fleeting aristocratic way of life. His nephew Tancredi (Saul Nanni) embraces the changes and aligns himself with the new order, famously stating, “If we want things to stay as they are, things will have to change.” Prince Fabrizio, once the epitome of male, moneyed privilege, finds himself grappling with a changing world where his way of life is becoming obsolete. He comes to realize that the aristocracy ...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...