Skip to main content

'Salvatore Giuliano' blends documentary realism with dramatic storytelling

"Salvatore Giuliano" is a 1962 Italian crime drama directed by Francesco Rosi that dramatizes the real-life events surrounding the life and death of the legendary Sicilian bandit and folk hero.

Giuliano rose to notoriety after the liberation of Sicily from fascist control in 1943, when he formed a gang that joined a separatist army. When the army dissolved, he and his gang intensified their outlaw activities. One of their most significant crimes was the Portella della Ginestra incident, during which dozens of men, women, and children were killed or wounded. This act prompted the authorities to launch an all-out war against Giuliano. His defenses slowly crumbled, and on July 5, 1959, his body was discovered in the courtyard of a house in Castelvetrano. That moment serves as the starting point for Rosi's film.

Giuliano's fame is tied to his involvement in the Sicilian independence movement and his battles against both the Italian government and the Mafia in the 1940s and early 1950s. His life was fraught with controversy, with some viewing him as a symbol of resistance and others considering him a criminal.

Starring Pietro Cammarata in the title role, Rosi's film was shot in Giuliano's birthplace of Montelepre, Sicily, and tracks his political activities, which he perceived as social activism, and the violence that accompanied that mission. The film is a blend of documentary-style narration with a dramatized retelling of Giuliano's life, focusing on the social and political context of Sicily during and after World War II.

The story is told from multiple perspectives, including those of Sicilian peasants, the Mafia and the government, offering a complex view of the events surrounding Giuliano's rise and eventual death. Rosi effectively conveys the extreme violence of the time and the pain experienced by the victims' relatives, who are left to pick up the pieces. It's difficult to watch elderly women pleading for the lives of their family members. The execution scenes are filmed in a way that creates a sense of watching real-time events, making the film unsuitable for the faint of heart. 

Nevertheless, it is a masterpiece that impacted future directors around the world. When the film was released, Mario Soldati, a film critic for Il Giorno, wrote, "In my opinion, no director has ever succeeded in re-creating reality with such accuracy, with such power." He described the film as "a historic and critical film, which is lyric in the force of its images."

A film that solidified Rosi's reputation, "Salvatore Giuliano" is above all a documentary-style portrayal. Its highly dramatic narrative was nevertheless built on a solid foundation of facts, including reports by the Italian police, accounts from special correspondents of major newspapers, and court records. According to the esteemed cinema journalist Gian Luigi Rondi, personal interpretations were kept to a minimum, with Rosi preferring to adhere to reports on actual events. This departure from conventional storytelling methods, Rondi believed, lent the film an atmosphere of concrete reality so convincing that viewers might forget its fictional elements, believing it to be an actual documentary.

"Salvatore Giuliano" is available to stream on the Criterion Channel, which also features in-depth commentary about the film and its real-life inspiration, an Italian film news clip about the crimes, and interviews with Rosi discussing his creative decisions regarding how to depict Giuliano.

- Written by Jeannine Guilyard for Fra Noi magazine. Click here to subscribe.

Comments

Popular posts from this blog

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

A Conversation with Documentary Filmmaker Luigi Di Gianni

His documentary films have given voice to a people who would have otherwise been forgotten while preserving rituals and traditions no longer practiced. Visually stunning and emotionally moving, they reflect an Italy we’re not used to seeing in cinema.   Born in Naples in 1926, Luigi Di Gianni captured a dimension of Italy that people outside the South didn’t even know existed. He began his career working in the region of Basilicata, which back then was referred to as Lucania. He first visited the region with his parents when he was a boy. His father, being from the Lucanian village of Pescopagano, wanted to show his son his homeland.    That trip made an impression on the 9-year-old and created a deep affection that would one day inspire him to return. “I always remained very emotional about returning to this part of my homeland of Lucania,” he says. “It seemed like a different planet compared to Rome, where I lived. The tiring journey, the unpaved roads, the difficulti...

The Timeless Vision of Pier Paolo Pasolini

Pondering his films and poetry, I wonder if the uniqueness of Pier Paolo Pasolini's films was rooted in his unconventional childhood. Born in Bologna in 1922, Pasolini's father was a lieutenant in the army, and his family was always moving. He grew up in various small towns in Northern Italy. After his parents separated, he spent most of his time in his mother's hometown of Casarsa, in the region of Friuli Venezia Giulia. There, he grew to respect the area's peasant culture and began to write poetry in the region's dialect. He studied literature and art history at the University of Bologna and was drafted into the army during World War II. The war proved to be especially tragic for his family as his younger brother was executed by Communist partisans. Following the war, he returned to Casarsa where he worked as a teacher and ironically became a leading member of the Communist party there. Pasolini was later expelled from the party due to allegations of homo...