Skip to main content

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda"
Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty. 

He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence. 

Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play a light hearted, handsome love interest with the same conviction of playing a cunning villain. 

Gassmann began his screen career with roles in television movies and within about five years, made the transition to film. Now, he continues to work in both mediums. He's appeared in dozens of international productions and has portrayed his share of roles in English. His first major English language role was in director, John Irvin's 1995 film "A Month by the Lake" in which Gassmann portrays Vittorio Balsaria, the handsome but quirky Italian love interest. Sharing the screen with the likes of Vanessa Redgrave and Uma Thurman, the role served as the perfect opportunity for Gassmann to show his impeccable comic timing and impressive range of versatility on the world's stage.

Two years later, he worked with director Ferzan Ozpetek on "Il Bagno Turco" (Steam: The Turkish Bath). He interprets the role of Francesco, who inherits a turkish bath house in Istanbul after his aunt passes away. He makes the trip with his wife to sell the bath and there he undergoes an unexpected spiritual transformation. Gassmann's performance is subtle yet intense as we watch him discover a world he never knew existed.

Alessandro Gassman with his father
In 2009, he co-starred in another English-language film, "Single Fathers." Shot in New York City, the comedy focuses on a group a 30-something men separated from their significant others and trying to be good fathers. The group develops a friendship and supports each other through the trials of relationships and fatherhood. Co-written by Gabriele Muccino and directed by Paolo Monico, the film gives international audiences another opportunity to see both the funny side and thoughtful side of this versatile artist.

The following year, Rocco Papaleo's "Basilicata Coast to Coast" premiered to a full house in New York City during the 2010 edition of Lincoln Center's Annual film series Open Roads: New Italian Cinema. Gassmann took on the role of the debonair yet troubled Rocco Santamaria. The chemistry between Papaleo and Gassmann is strong. Their authentic friendship came through in their performances. 


In 2013, Gassmann made his directorial debut with "Razzabastarda," the story of a Romanian immigrant who came to Italy more than 30 years ago and is forced to sell drugs just to get by and provide for his son. Gassmann also starred in the film opposite the talented young actor Giovanni Anzaldo. The two gave powerful performances and made a dramatic, forceful father-son team. 



As Gassmann grew up in the spotlight, he keeps his personal life private. He married fellow actress Sabrina Knaflitz in 1998. The couple met through their mutual friend, filmmaker Gianmarco Tognazzi. They are still together and have a son, named Leo. When the Italian tabloid, Gossip Blog! asked Gassmann about his marriage to Knaflitz, he adoringly described his wife as "the mother of my son, a woman of great femininity but also masculine qualities.. she has fear in her and me gives me the opportunity to protect her, in return, she protects me. She's smart but never intrusive, and after spending 20 years with me, she should be considered for beatification." 

In a 1990 interview with RAI Uno, a young Gassmann simply described his father as "Bravo." Vittorio Gassman passed away in 2000, so he was able to see much of his son's success. 

Comments

Popular posts from this blog

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

The Legend of Alberto Sordi - Rome's Eternal Son

′′They will always judge you, whether you behave well or if you behave badly. So screw it and live as you want but above all don't listen to anyone.′′  - Alberto Sordi By giving his fellow Italians something to laugh about during tumultuous times, he emerged as his generation’s King of Comedy. One of Italy’s best-loved personalities, Alberto Sordi played a pivotal role in Italian cinema from the end of World War II to the postwar economic boom of the 1950s. During those tumultuous years, he gave his countrymen a hearty laugh when they might have otherwise cried. Former Italian President Carlo Azeglio Ciampi perhaps said it best: “Alberto Sordi interpreted the feelings of Italians, especially in their most difficult and tough moments.” Born in the Trastevere neighborhood of Rome in 1920, Sordi grew up in a creative household. His mother was an elementary school teacher and his father, a professional musician for the Rome Opera House. A young Sordi joined the children’s choir o...

Martin Scorsese's Voyage to Italy

Martin Scorsese’s deeply personal documentary “My Voyage to Italy” is an exploration of Italian cinema and the films that shaped him as a director and storyteller. Released in 1999, the documentary is both a history lesson on Italian cinema and an autobiography of Scorsese’s childhood and artistic influences. Using family movies and actual footage, Scorsese begins by explaining how important movies were during his childhood in New York’s Little Italy. Because he suffered from asthma, he could not play outside often, so he spent much of his time watching films with his family. Italian cinema became a way for him to connect with his heritage and understand the lives, emotions, and struggles of not only Italian people but also his close relatives. He notes that these films were different from Hollywood movies because they felt more realistic and emotional.  A large part of the documentary focuses on the Italian Neorealism film movement that emerged in the wake of World War II. The fil...

Iconic scenes from 'Totò, Peppino e la malafemmina' highlight Italy's North-South divide

If you’re in the mood for a quintessential old-school Italian comedy, look no further than “Totò, Peppino e la malafemmina.” Directed in the mid-1950s by Camillo Mastrocinque, the film has stood the test of time. Starring two of Italy’s most beloved comic actors, Totò (Antonio De Curtis) and Peppino De Filippo, it is widely regarded as one of the country’s most iconic comedies, showcasing mid-century Neapolitan humor. The film also features a young Nino Manfredi at the beginning of his prolific six-decade career. “Totò, Peppino e la malafemmina” is the story of two simple, old-fashioned brothers from Naples, Antonio and Peppino Caponi (Totò and De Filippo respectively), who embark on a trip up north to check on their young nephew Gianni. Gianni has moved to Milan and fallen for a seductive nightclub dancer named Marisa (Maria Luisa Mangini, aka Dorian Gray), whom they refer to as a “malafemmina,” meaning a “bad woman” or femme fatale. Believing she is corrupting him, Totò and Peppino ...