Skip to main content

The Mesmerizing Cinema of Ferzan Ozpetek

"Cinema is about the gaze, about where someone is looking. I love to make movies where a character is thinking the line but not speaking the line.”

One of Italy’s most prolific and visionary filmmakers, Ferzan Ozpetek, draws inspiration from situations in everyday life and adds his unique point-of-view to turn the ordinary into the extraordinary. 

Born in Turkey in 1959, Ozpetek moved to Rome two decades later to work in theater and assist various film directors.  In 1997, he made his directorial debut with the critically acclaimed Hamam Turkish Bath, which went on to win two Golden Globes for Best New Director and Best Soundtrack. Since then, Ozpetek has directed some of the most beautiful and profound films of contemporary Italian cinema. He calls upon his own life experiences when deciding on a film project. He then builds upon that experience with his writing partner and close friend of more than 30 years, Gianni Romoli. Together, they transform an idea into a masterpiece with the perfect combination of drama and comedy relief.

In an Ozpetek film, there is so much that remains unsaid but is revealed through the characters' eyes. "During the shooting of La Finestra di Fronte (Facing Windows), I told Giovanna Mezzogiorno several times, ‘Don't speak the line. Just think the line and gaze,’" recalled Ozpetek. Fifteen years later, the pair teamed up again for Napoli Velata (Naples in Veils), the story of a woman overwhelmed by sudden love and loss. Ozpetek created a crypic world of light and shadows showcased by cinematography that will endear you to its spell-binding natural set. Clearly infatuated with the city of Naples, Ozpetek’s eye for its streets, architecture and shore renders it one of the protagonists. Combined with the explosive dramatic performances of the film’s stars, Mezzogiorno and Alessandro Borghi, the film is a feast for the eyes and soul. And speaking of feasts, food is always a part of his films, and Naples in Veils is no different. Eccentric family and friends sitting around impeccably-made tables eating decadent food is a welcomed reoccurrence in any number of his films. 

Known to provoke emotionally-charged performances, another recent example is the 2014 Allacciate le cinture (Fasten Your Seatbelts). Starring the stunningly gorgeous Kasia Smutniak and Francesco Arca as Elena and Antonio, your quintessential archetype of opposites that attract, the two could not be any different and never mind that Antonio is engaged to Elena's best friend. Once again, Ozpetek manages to evoke extreme emotions such as bliss, fear, anger and guilt while capturing the rich backdrops and continuous playbook of life happening in the background. He brings contemporary issues into classic scenarios. 

Rewind to 2007 and his ensemble hit Saturno Contro (Saturn in Opposition). The film follows a group of contemporary 30- and 40- somethings as they struggle to come to grips with youthful dreams that didn't come true. Ambra Angiolini plays the role of Roberta, a girl-next-door type whose unyielding support, light-heartedness and loyalty endears her character to the audience. It is a subtle but memorable performance that gives testament to Ozpetek’s delicate way of motivating his actors to give life to his screenplay.


I talked with him while he was in New York last year presenting Naples in Veils at Lincoln Center’s Open Roads: New Italian Cinema. I asked him to give insight into this affinity he has with his cast. “I choose my actors without auditioning them. I choose them from instinct. Instinctively, I say this person can be perfect for the part and that’s it. Then I fall in love with them, but not in the sense of real love or in a sexual way. But in a way that I want the best for them, I want them to do well.” He went on to say, “My rapport with the actors is the best part of my cinema.”

Watch a clip from our interview..


Having been born into one culture and living in another, Ferzan Ozpetek combines the best of both worlds in terms of culture, traditions and relationships. People are people wherever you go. We have the same problems, concerns, fears and desires. Ozpetek’s films mirror life and the struggles people go through. He appreciates physical beauty but also the beauty and purity of an honest, vulnerable soul. His films are visual art and his actors are lucky to be in his hands.

Naples in Veils is still being shown at film festivals throughout the world. Hamam Turkish BathFacing WindowsFasten Your Seatbelts Saturn in Opposition and Loose Cannons are available through Amazon. Click on the links below to purchase or stream. 


Comments

Popular posts from this blog

7 Days - 7 Women: Interview with Actress Sabrina Impacciatore

  Photo by Rossella Vetrano On Day 6 of our series, 7 Days - 7 Women, in which we are profiling seven strong, talented women working as filmmakers, writers or visual artists, we talk with actress Sabrina Impacciatore about the diversity of her roles. Whether she's playing a devoted mother trying to protect her child, Jesus Christ's "Veronica" in Mel Gibson's controversial film, "Passion of the Christ" or a young woman coming of age, Impacciatore escapes into the life and mind of each character she takes on, sometimes so deeply that she believes she is actually them.   It's a fine line between reality and fiction, but she treads it carefully and anyone watching her performance benefits from her emotional connection to the character that she becomes. I spoke with Impacciatore at the 2010 Open Roads: New Italian Film series in New York City. We talked about her lifelong dream of becoming an actress. She also gave me some insight into the diff

A Conversation With the Man Who Played Pasolini's Christ

There have been countless cinematic interpretations of the books of the Bible, but few have stood the test of time. One that qualifies as a classic is Pier Paolo Pasolini’s 1964 “Il Vangolo secondo Matteo” (The Gospel According to St. Matthew). Considered by the Vatican to be among the best film adaptations of one of the Gospels, Pasolini’s 1964 film was shot in the regions of Calabria, Puglia and Basilicata. In an interview with RAI television while on location in Matera, Pasolini talked about the reasons for shooting there. “I chose two or three places in Basilicata. One is Barile, a town of Albanians. I needed a place for Bethlehem. Another location is Matera because it reminded me of Jerusalem,” he explained. Pasolini’s interpretation of St. Matthews’s Gospel is pure, with no added commentary. He said that he followed the Gospel word for word without adding a single syllable. He explained in the interview that his idea to make the film happened by coincidence. “In October of 19

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

Michelangelo Frammartino's "Il buco" — Unearthing our past

When a team of speleologists descended 700 meters into the Bifurto Abyss in Cosenza, Calabria, in 1961, they discovered that the underground caverns were the third deepest in the world and the deepest in Europe. Italian filmmaker Michelangelo Frammartino retraces that mission six decades later with a cast of locals and their livestock in his latest documentary, “Il buco” (“The Hole”). Inspiration for the film came while he was on location shooting his 2007 documentary, “Le quattro volte” (“Four Times”). Officials in the Pollino mountains, which stretch between Calabria and Basilicata, showed him what appeared to be just another sinkhole. Frammartino failed to understand their enthusiasm until they tossed a large stone into the void. It disappeared without making a sound. He was so overcome by the experience and the eerie landscape, he was haunted for years, compelling him to make his current film, one of many rooted in nature. “I was born in Milan, but my family is from Calabria. My pa

The Rochester Global Short Film Series

Now in its fourth year, the Rochester Global Short Film Series is a celebration of world cinema. The first edition was held in Rochester, New York in March of 2020 just before the world paused for the global pandemic.  We pride ourselves in providing a platform for the voices and perspectives of independent filmmakers. Home of Eastman Kodak and nicknamed "The World's Image Center", Rochester has a long history of supporting the performing arts. It is the birthplace of numerous renowned artists including Oscar-winning actor Phillip Seymour Hoffman, Oscar-nominated actor John Lithgow, Oscar-nominated actor Robert Forster, actress Kristen Wiig and soprano Renée Fleming.  Silent film star Louise Brooks spent the last years of her life in Rochester writing her memoir, “Lulu in Hollywood.” Known for her independent spirit and displeasure with pretentiousness, she is one of the influences behind the event. The other influence is Susan B. Anthony, a women's rights activist wh