Film at Lincoln Center honors Monica Vitti with retrospective featuring restored classics

Photo Courtesy of Archivio Luce-Cinecittà

A retrospective dedicated to the films of Italian cinema icon Monica Vitti will be held from June 6 to June 19 at Lincoln Center in New York City.

The 14-film series, titled "Monica Vitti: La Modernista," is presented by Film at Lincoln Center and Cinecittà and marks the first North American retrospective celebrating Vitti's 35-year career.

"We are pleased to partner with Cinecittà to celebrate one of Italy's most revered actresses," said Film at Lincoln Center Vice President of Programming Florence Almozini. "It is a privilege to present decades' worth of films from Monica Vitti's illustrious and prolific career, especially with many restored versions of her legendary works."

Monica Vitti, a key figure in film history, began her career in the mid-1950s and quickly became a captivating presence on screen. Her collaboration with director Michelangelo Antonioni produced memorable films in the 1960s, including his trilogy consisting of "L'avventura" (1960), "La notte"(1961) and "L’eclisse" (1962).

In addition to her work with Antonioni, Vitti collaborated with many leading filmmakers in Italian cinema, such as Ettore Scola, Alberto Sordi, and Mario Monicelli.

"L'avventura" directed by Michelangelo Antonioni, Photo Courtesy of Cinecittà

"When we began discussing the idea of a retrospective dedicated to Monica Vitti—together with our Department for the Promotion of Classic Cinema and our longtime partner, Film at Lincoln Center—the first question we asked ourselves was which films to present to the American audience," said President of Cinecittà Chiara Sbarigia. "We curated a selection that truly showcases the remarkable and versatile talent of Monica Vitti, who effortlessly transitioned between sparkling comedies and auteur cinema."

"L'avventura" directed by Michelangelo Antonioni, Photo Courtesy of Cinecittà

Born Maria Luisa Ceciarelli in Rome in 1931, Vitti pursued acting as a teenager. She started in amateur theater before her formal training at Rome's National Academy of Dramatic Arts. Shortly after graduating in 1953, she toured Germany with an Italian acting troupe and then returned to her hometown to appear onstage. Her first major film role was in Mario Amendola's 1958 "Le dritte."

Her breakout role came just two years later in Antonioni's "L'avventura" as the beautiful and aloof Claudia. Over the course of nearly four decades, she appeared in 55 films, leaving a legacy that continues to be celebrated in Italy and around the world. She died in 2015 at the age of 90, leaving a legacy that is honored in Italy and throughout the world.

If you are not able to attend the series, some films featured in the retrospective are available to stream. The Criterion Channel in particular has a collection of her films and an interview in which she talks about her work. Click here to view the selection.

Comments

The Legend of Alberto Sordi - Rome's Eternal Son

′′They will always judge you, whether you behave well or if you behave badly. So screw it and live as you want but above all don't listen to anyone.′′ - Alberto Sordi By giving his fellow Italians something to laugh about during tumultuous times, he emerged as his generation’s King of Comedy. One of Italy’s best-loved personalities, Alberto Sordi played a pivotal role in Italian cinema from the end of World War II to the postwar economic boom of the 1950s. During those tumultuous years, he gave his countrymen a hearty laugh when they might have otherwise cried. Former Italian President Carlo Azeglio Ciampi perhaps said it best: “Alberto Sordi interpreted the feelings of Italians, especially in their most difficult and tough moments.” Born in the Trastevere neighborhood of Rome in 1920, Sordi grew up in a creative household. His mother was an elementary school teacher and his father, a professional musician for the Rome Opera House. A young Sordi joined the children’s choir o...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty. He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence. Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Luminous Legacies: Yoichi Ohira’s Murano Glass at Magazzino Italian Art

A new exhibition in Cold Spring, New York, is bringing the luminous legacy of Murano glassmaking into focus through the work of Japanese artist Yoichi Ohira. “Yoichi Ohira: Japan in Murano” is on view at Magazzino Italian Art until February 2027. The exhibit showcases the work of Ohira, who became a leading figure in the design of Venetian glassworks on the island of Murano. The exhibition features works that highlight the uniqueness of Ohira’s art across the decades of his career. Ohira’s earliest Murano works blend Venetian glass techniques with his own style. These pieces show balanced shapes, clear surfaces, and striking color combinations. His Venezia e l’Oriente (Venice and the Orient) decanters reflect Venice’s ties to the East, creating vases inspired by Marco Polo’s tales with a modern twist. The exhibition shows Ohira’s respect for Murano’s glass masters, displaying objects alongside preparatory drawings that map ideas to the final works of art. It also explores ho...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration. Nicknamed a “female Chaplin” and described by Chaplin himself as the actress who moved him most, Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times. Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

In Conversation with Talia Shire

She has immortalized two of the most memorable characters in American cinema and now she’s promoting her new film that mirrors issues facing the working class. Talia Shire became a household name in the 1970s with her role as Connie Corleone in "The Godfather" and Adrian Balboa in "Rocky"– two characters that went on to experience tremendous growth in the sequels of both films. Shire and her brother, collaborator and director Francis Ford Coppola grew up in a family that embraced the arts. Their father Carmine Coppola was a renowned flutist and composer. He often took his children on the road when he performed. So there was always that creative energy and sense of adventure present in their childhood and adolescent years. “What you have to understand is that Francis is probably the greatest writer. He and Mario (Puzo) did Shakespeare and the Greeks. So people who love "The Godfather" are really listening to literature. He went on and did what ...

Italian Cinema Today

Search This Blog