Italian Cinema Today

The 2016 documentary, “Water and Sugar: Carlo Di Palma, The Colours of Life” is a portrait of an artist told through memory, sincere admiration, and respect. Directed by Kurdish-Iranian filmmaker Fariborz Kamkari, the film pays homage to Carlo Di Palma , one of Italy’s most influential and beloved cinematographers, whose work helped define photography in both European art cinema and American independent filmmaking. The documentary is deeply moving and thought provoking because rather than following a traditional style of biography, the story unfolds gently, almost conversationally, the viewer hears from the collaborators, friends and family that shaped Di Palma’s life and work. Kamkari structures the film around interviews with those who knew Di Palma best: directors, collaborators, friends, journalists, and, most poignantly, his wife, Adriana Chiesa Di Palma, who travels the world revisiting the landscapes of his career. Her conversations are unhurried, allowing reflections to emerge ...

Photo Courtesy of Archivio Luce-Cinecitt à A retrospective dedicated to the films of Italian cinema icon Monica Vitti will be held from June 6 to June 19 at Lincoln Center in New York City.  The 14-film series, titled "Monica Vitti: La Modernista," is presented by Film at Lincoln Center and Cinecittà and marks the first North American retrospective celebrating Vitti's 35-year career. "We are pleased to partner with Cinecittà to celebrate one of Italy's most revered actresses," said Film at Lincoln Center Vice President of Programming Florence Almozini. "It is a privilege to present decades' worth of films from Monica Vitti's illustrious and prolific career, especially with many restored versions of her legendary works." Monica Vitti, a key figure in film history, began her career in the mid-1950s and quickly became a captivating presence on screen. Her collaboration with director Michelangelo Antonioni produced memorable films in the 196...

Antonio Cifariello in a scene from Fellini's "Agenzia Matrimoniale" “This reaction — this viewing of the film as monstrous — underlines the fear we feel when called to look at the truth.” Screenwriter and director Cesare Zavattini was truly ahead of his time. I am so fascinated with this 1953 film compilation put together by Zavattini. “L’amore in città” (Love in the City) is a collection of six short film essays directed by Zavattini, Dino Risi, Michelangelo Antonioni , Carlo Lizzani, Federico Fellini and Alberto Lattuada. The New York Times did a beautiful article on the collection in 2014 referring to Zavattini as “a pioneer of documentary fiction (sometimes called “hybrid cinema”), in which nonactors essentially play themselves, dramatizing their particular situations.” With the exception of Fellini’s short, in which he narrates something that happened to him but uses actors to demonstrate it, this collection is exactly this type of “hybrid cinema”… the situat...

L'Avventura Today kicks off the first complete retrospective in New York in more than a decade dedicated to the work of filmmaker Michelangelo Antonioni. Presented with Luce Cinecittà, Rome, and featuring nearly 40 35mm prints and digital preservations, the lineup includes the renowned trilogy of L’Avventura , L’Eclisse and La Notte  starring Monica Vitti as well as a diverse collection of films spanning his varied four-decade career. Antonioni made a career out of mesmerizing audiences with his films of complicated relationships that raise questions but leave many of the answers to the viewer. In a 1969 interview with American film critic Roger Ebert, Antonioni described his shooting as a constant departure from the script. “I may film scenes I had no intention of filming; things suggest themselves on location, and we improvise. I try not to think about it too much. Then, in the cutting room, I take the film and start to put it together, and only then do I begin to get a...

Nothing is what it seems.   If one had to describe the films of Michelangelo Antonioni with one phrase, that would do it. Antonioni made a career out of mesmerizing audiences with his films of complicated relationships that raise questions, but leave many of the answers to the viewer. In a 1969 interview with American film critic Roger Ebert, Antonioni described his shooting as a constant departure from the script. “I may film scenes I had no intention of filming; things suggest themselves on location, and we improvise. I try not to think about it too much. Then, in the cutting room, I take the film and start to put it together, and only then do I begin to get an idea of what it is about.” Michelangelo Antonioni was born in 1912 in Ferrara, located in the region of Emilia Romagna.   He attended college in nearby Bologna during the 1930s where he became involved in theater and painting. After graduation, he freelanced as a film critic for a local newspaper. Shortly ...

Update February 5, 2022: Italian cinema lost one of its most iconic stars. On February 2, Monica Vitti passed away at the age of 90. She suffered from dementia and hadn’t made a public appearance in nearly 20 years. Born Maria Luisa Ceciarelli in Rome on November 3, 1931, Monica Vitti pursued acting as a teenager. She started in amateur theater before her formal training at Rome's National Academy of Dramatic Arts. Shortly after graduating in 1953, she toured Germany with an Italian acting troupe and then returned to her hometown to appear onstage in a production of Niccolò Machiavelli's "La Mandragola." Her first major film role was in Mario Amendola's 1958 "Le dritte."  Her breakout role came just two years later in Michelangelo Antonioni's "L'Avventura" as the beautiful and aloof Claudia. She and the director were involved romantically, so she invested much of herself in the project, accompanying Antonioni on his difficult locatio...

The cinematic world of Italian maestro Marco Bellocchio is one that encompasses a multitude of layers. His films speak about complex topics, including political movements, Italian history, and family relations. They do so in a way that combines the artistry of filmmaking with music and dialogue rendering his films iconic works that document the history and generations of his country. He communicates the messages of his films in a universal style that translates clearly to international audiences. The Museum of Modern Art (MOMA) in New York recently honored the distinguished career of Bellocchio in a retrospective that included 18 of the director's films. The works spanned from the very beginning of his career right up until today, demonstrating his ability to evolve with the changing times, while maintaining his signature elements of rebellion, psychoanalysis, mystery, and fascination. On the occasion of the retrospective, a press conference was held at the Italian Cultural Ins...