Skip to main content

The Center for Italian Modern Art in NYC Now Open

Located in Soho, The Center for Italian Modern Art (CIMA) in New York City recently opened its doors and is welcoming visitors to explore its opportunities and works. The center is currently exhibiting an installation of the work of Italian artist Fortunato Depero (1892–1960). The installation coincides with the Guggenheim's exhibition, Italian Futurism, 1909–1944: Reconstructing the Universe, which runs until September 1, 2014.

The CIMA's mission is to promote scholarly research and public appreciation of modern and contemporary Italian art throughout the United States and around the world. Through research fellowships, annual exhibition installations, and cultural programming, CIMA advocates for a deeper awareness of 20th-century Italian art and its legacy today.


By bringing into dialogue the work of Italian modern artists with contemporary artists from around the world, CIMA’s installations raise awareness of the legacy and lasting influence of 20th-century Italian art and aim to spur increased institutional attention on the significant artistic movements that occurred during this time.

Presented in the foundation’s intimately scaled gallery space, the installations foster close analysis, encourage direct and durational interactions with the works of art on view, and offer opportunities for a diverse range of programming. The installations also provide the basis and core theme for CIMA’s annual fellowships.

For more information, visit CIMA's website at www.italianmodernart.org.

Comments

Popular posts from this blog

Golden Age Masterpiece: Luchino Visconti’s 1957 “White Nights”

Photo Credit: Archivio Luce Cinecittà Luchino Visconti’s 1957 film, “White Nights” (“Le notti bianche”), offers a thoughtful and poignant exploration of themes such as loneliness, desire and emotional vulnerability. Based on Fyodor Dostoevsky’s novella of the same name, it transports the tale from 19th-century St. Petersburg to a dreamy mid-20th-century Italian setting. While Visconti remains largely faithful to Dostoevsky’s narrative, his characteristic style infuses the film with emotional depth, striking visuals, and a focus on class and societal constraints.   The story follows a young man named Matteo, played by Marcello Mastroianni, who lives a solitary life in a small Italian town. One evening, he encounters a beautiful young woman named Natalia, portrayed by Austrian-Swiss actress Maria Schell, who is also feeling isolated. Although she is initially reluctant, Natalia eventually confides in Matteo about her love for a man who has promised to return and marry her, but he ha...

Toni Servillo: Master of His Craft

Named by Vogue Italy as the most versatile performer in the history of Italian cinema, Toni Servillo has earned a reputation as a masterful character actor who hauntingly transforms himself into dark, troubled protagonists indifferent to the dubious methods they employ to get what they want. Born in 1958 in Afragola, a town in the province of Naples, Servillo began his acting career on stage during the 1970s, founding Teatro Studio in Caserta and participating in a number of productions in the late ’70s and early ’80s. Influenced by Eduardo De Filippo, he interpreted several of the legendary actor and playwright’s roles and writings.   Servillo made his feature film debut in Mario Martone’s 1992 “Morte di un matematico napoletano” (Death of a Neapolitan Mathematician) and appeared in Martone’s follow-up projects: the 1993 “Rasoi,” the 1997 “I vesuviani” (The Vesuvians) and the 1998 “Teatro di guerra” (Rehearsals for War).   He was tapped by Paolo Sorrentino to play a starring...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

The Life and Work of Monica Bellucci

Monica Bellucci as Malèna Born in Umbria in 1964, Monica Bellucci is one of the most recognizable faces of international cinema. But she didn't always have her sights set on the spotlight. She went to college to study law and modeled to pay her tuition. Her success in the fashion world coupled with the offers that were pouring in to appear on the big screen eventually took over, changing her fate. Bellucci made her on-screen debut in the 1990 television movie, " Vita coi figli." Just two years later, she scored her first American role in Francis Ford Coppola's "Dracula."   In addition to her native language, she speaks fluent English and French, which has made for a smooth transition from Italian to international cinema. Stateside, she has acted in blockbusters such as "The Matrix-Reloaded,"     " The Passion of the Christ" and " The Sorcerer's Apprentice." She has also appeared in several French films, a...

A Conversation with Sergio Castellitto

Sergio Castellitto has made a profound impact on world cinema, both in front of and behind the camera. Born in Rome in 1953, Castellitto graduated from film school in 1978 and credits American cinema with pushing him toward a career in acting. His work has garnered numerous accolades, largely due to his immersive, original approach to projects in film, television and theatre. Castellitto is fluent in French and English, which has contributed mightily to his international stardom. But it's the actor's trademark brown eyes and charming everyman qualities that have lent his various characters -- even the ones that are rough around the edges -- an air of dignity that other actors might not have achieved. Sergio Castellitto and Margaret Mazzantini, 2005 Films such as "Paura e Amore," "L'uomo delle stelle," "Caterina va in città," and "Bella Martha" heralded Castellitto as a versatile artist with far-reaching abilities. But it ...