Sergio Castellitto has made a profound impact on world
cinema, both in front of and behind the camera.
Castellitto made his film debut in 1981, and just two
years later found himself working alongside Marcello Mastroianni and
French actress Anouk Aimée in "Il generale dell'armata morte." Films such as "Paura e Amore," "L'uomo delle stelle," "Caterina va in città" and "Bella Martha" heralded Castellitto as a versatile artist with
far-reaching abilities. But it was the success of his 2004 film, "Non ti
muovere," which he co-wrote, directed and starred in, that catapulted his
career to the next level. The screenplay was adapted from a novel written by
his wife, Margaret Mazzantini, and earned raves from audiences and critics
around the world. The film is heavy and deeply emotional on many levels. It explores adultery, representing many
points of view including the husband, wife and mistress. It touches on the relationships between a
father and daughter, between a mother and daughter, uncovering the differences. It is a story of humanity; the inner
struggles with right and wrong, the ability and inability to make peace with
our mistakes, the challenge of being honest and proceeding through life with
respect and dignity. It’s about living
and dying. It’s about love, anger,
passion, choices and consequences.
In 2008, he worked with fellow actor, Pierfrancesco Favino on the American action/adventure film, "The Chronicles of Narnia: Prince Caspian." The role offered a great opportunity for Castellitto to reveal a lighter, more adventurous side, which is a departure from his more traditional heavier Italian roles.
I caught up with Castellitto at the Walter Reade Theatre
in New York City where he was being honored for his distinguished career.
How did this latest project come about?
How was Penelope Cruz cast for the part of Italia?
How do you balance a career of writing, acting and directing with being a husband and father?
Born in Rome in 1953, Castellitto graduated from film
school in 1978 and credits American cinema with pushing him toward a career in
acting. His work has garnered numerous accolades, mostly because of his
immersive, original approach to projects in film, television and theatre.
Castellitto is fluent in French and English, which have contributed mightily to
his international stardom. But it's the actor's trademark brown eyes and
charming everyman qualities that have lent his various characters -- even the ones
that are rough around the edges-- an air of dignity other actors might not have
achieved.
Sergio Castellitto and Margaret Mazzantini, 2005 |
In 2008, he worked with fellow actor, Pierfrancesco Favino on the American action/adventure film, "The Chronicles of Narnia: Prince Caspian." The role offered a great opportunity for Castellitto to reveal a lighter, more adventurous side, which is a departure from his more traditional heavier Italian roles.
Then in 2012, Castellitto teamed up again with actress
Penelope Cruz for "Venuto al mondo" (Twice Born). Adapted from Mazzantini's novel, the film is set in Sarajevo and retraces the story
of Gemma and Diego, a couple whose relationship was torn apart because of war.
Gemma returns to the city after escaping years earlier with her son, played by
Pietro Castellitto, the son of Castellitto and Mazzantini. The
two are forced to face the toll that war took on their lives and they
experience the power of love as it helps to redeem what was lost. The film
premiered at the 2012 Toronto International Film Festival.
With Sergio Castellitto after our interview in NYC, 2005 |
What was it like working with so many icons in the early
years of your career, and how have those experiences influenced you as a
filmmaker?
In my career, I’ve had the privilege of working with the
great directors of the past and some great actors like Marcello Mastroianni,
Vittorio Gassman and Manfredi. I’ve also
had the chance to work with some directors of my generation, so I’ve had both
experiences. Working with the masters
has helped me to understand many things about my work. I think that I grew up in an incredible
culture because Italian cinema is one of the most important in the world.
The film was inspired by a book written by my wife. When I started to read the book, I started to
imagine the images behind the words and then I started to write the first draft
of the script alone. Margaret didn’t
want to write the first draft with me because she thought that I had to be
alone to choose the direction of the movie. I think that first of all, it is a love story. You know, a love story is a real stereotype
of cinema but there is something that makes this story original. Timoteo at the beginning of the movie is
violent, but I think Timoteo is a victim of himself and when he is in Italia’s
house for the first time, he recognizes the hole he has in his soul. In a love story, there is always a
conflict. The stronger and tougher the
love story, the bigger the conflict.
How was Penelope Cruz cast for the part of Italia?
There was an opportunity to do a co-production with
Spain, but I was worried about Penelope when I met her for the first time in
Paris. I told her that I was scared
about her beauty, her glamour. I thought
that it was not correct for the character, but I think she was amazing. She
loved the character of the story and she was so generous and so available in
every way, in every scene, also the more difficult scenes, like the scene at
the beginning of the movie. It was not
so easy to act at the same time as being the director.
How do you balance a career of writing, acting and directing with being a husband and father?
For me, my work is very, very important but it is not the
most important thing. The most important things are my private world and my
relationships. The point of reference
for my work is life. It is important in
life to understand things. If you understand something in your life, you can
put your experience in your work. So,
there is no difference for me when I talk about a movie or a script with
Margaret. We never divide the experience. For me, Don’t Move is not only a
movie, but an experience from my life because I think Timoteo, the main
character, is an incredible portrait of a contemporary male, a man of
today. So, I used Timoteo. I used the movie also to understand something
of myself. I am not like Timoteo, but I
feel that a dark side is in everybody. A
time arrives in your life when you have to deal with it, confront it. You can’t live all of your life without
seeing the truth.
In July of 2017, Castellitto hosted a Master Class at the Southern Italian film festival, Le Giornate del Cinema Lucano. He talked a lot about his collaboration with his writing partner/wife Margaret Mazzantini. He called their relationship more than just a love story. He said it was destiny. Considering all the beautiful works they've created together over the years, one can't argue.
Sergio Castellitto is passionate and aggressive in his approach to his work. Whether he is working in television or film, in front of the camera or in the director's chair, he takes his Golden Age experience and applies it to his modern stories, creating timeless, classic films.
At the Giornate del Cinema Lucano in Maratea, Italy |
Sergio Castellitto is passionate and aggressive in his approach to his work. Whether he is working in television or film, in front of the camera or in the director's chair, he takes his Golden Age experience and applies it to his modern stories, creating timeless, classic films.
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