Skip to main content

The Life and Art of Marcello Mastroianni

A legendary actor who influenced cinema across the globe, Marcello Vincenzo Domenico Mastroianni was born in 1924 in Fontana Liri, a mountainous area  of Lazio, about an hour from Rome. 

Mastroianni spent his childhood near the Eternal City experimenting with acting in stage roles at his local church. During his teenage years, he took odd jobs in Rome, including bit parts in movies. Then during World War II, he was forced by German soldiers to work at a labor camp in northern Italy. He escaped, taking refuge in Venice until 1945. During the post-war period when war-torn Italy was recovering from the devastation it had just endured, Mastroianni returned to Rome and landed a job as a clerk with a British film company. During off-hours, he would get together with local actors to hone his craft. Then in 1947, he landed his first significant acting role in Riccardo Freda’s adaptation of Victor Hugo’s novel, “Les Miserables.”

Watch this video that I recently shot on the Isola Liri, close to Mastroianni's hometown of Fontana Liri.




Within a decade of that first role, he became an international celebrity, with lead roles in some of the greatest films ever made, such as "Big Deal on Madonna Street" and in Federico Fellini’s "La Dolce Vita." Mastroianni starred in more than 100 films, many times alongside fellow cinema icons like Brigitte Bardot, Sophia Loren and Jack Lemmon.

A Scene from "La Dolce Vita"
"La Dolce Vita" set the stage for the destined partnership with Fellini that produced unforgettable roles in "8 ½" (1963), "City of Women" (1979), and "Ginger and Fred" (1985). Each role called on his exceptional ability to transform himself into virtually anyone as the characters ranged in diversity from a tabloid columnist to a film director with writer’s block to a retired tap dancer. He credited this skill to his roots in theater, explaining, "I made theater very important in the beginning of my career. Theater actors like to change character roles. They don't like to always do the same thing."

Set in Fellini’s Rome of the bizarre and misfits, "Ginger and Fred" is a tender satire about two dancers, played by Giulietta Masina and Mastroianni, who made careers imitating Rogers and Astaire and are reunited on a tacky variety show. Mastroianni and Masina absolutely shine together. Lifelong friends, it was the first time the two appeared in a film together and they were brilliant. 

Although he romanced dozens of leading ladies on the big screen, Mastroianni found his cinema soulmate in Loren, co-starring with her in a dozen beautiful, classic films. The majestic duo is such a pleasure to watch as the two share an unspoken chemistry and ease. Soon after teaming up, they became the epitome of the perfect Italian man and woman in love. A few of their masterpieces include Vittorio De Sica's "Marriage Italian Style," "Sunflower" and "Yesterday, Today and Tomorrow," Ettore Scola's "A Special Day" and Dino Risi's "The Priest's Wife." Loren spoke of Mastroianni at the 2014 Cannes Film Festival, while being honored for her extraordinary career, saying, “He was an amazing man with a great sense of humor and when we got tired, he would begin to tell jokes. It was 20 years of work and fun.”

Another of Mastroianni’s leading ladies was his daughter, Chiara Mastroianni, whose mother is the French actress Catherine Deneuve. The two starred in Raúl Ruiz's "Three Lives and Only One Death" in 1996. His performance earned him the Silver Wave Award at the Ft. Lauderdale International Film Festival. Then, the curtains were drawn with his final film, "Voyage to the Beginning of the World," which was released posthumously in 1997.

On the Red Carpet with daughter Chiara 
Life imitated art in terms of romance throughout Mastroianni’s life. He married fellow actress Flora Carabella in 1950, and stayed married to her until the day he died. However, he was known for romances with his onscreen leading ladies, including actresses Anouk Aimee, Claudia Cardinale, Lauren Hutton and Ursula Andress. He was involved in a serious relationship with Faye Dunaway, whom he met while shooting Vittorio De Sica's "A Place for Lovers" in 1968. The actress wanted to marry and build a life with him, but his Catholic faith kept him from divorcing his wife. The relationship lasted for three years until Dunaway finally gave up. Mastroianni didn’t stay single for long. Shortly after their breakup, he began seeing Deneuve. The two stayed together for about four years and during that time worked together on four films. In 1972, Deneuve gave birth to their daughter Chiara. In the late '70s, he became involved with Italian author and filmmaker, Anna Maria Tatò. They remained together until his death in 1996.

Mastroianni passed away at his home in Paris at the age of 72 from pancreatic cancer. The Eternal City paid tribute to him by turning off the Fountain of Trevi and draping it in black. The fountain was a key backdrop in Fellini’s "La Dolce Vita."

Stream these Mastroianni treasures on Amazon..


        

Comments

Popular posts from this blog

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Riccardo Scamarcio Joins Cast of "John Wick 2"

Update to our original January 18 post.. - According to the Hollywood Reporter, the follow-up to John Wick has been given an official title — John Wick, Chapter 2 — and a release date from Lionsgate: Feb. 10, 2017. It's just been reported that Keanu Reeves is in Rome shooting his new film, "John Wick 2" with Italian actors Riccardo Scamarcio and Claudia Gerini . The film is an action-thriller and sequel to "John Wick". Shooting began last October in New York City. John Wick, played by Reeves, is a hitman that comes out of retirement to seek vengeance for the theft of his vintage car and the killing of his puppy, a gift from his recently deceased wife. The scenes being shot in Italy for the sequel reportedly take his career to the international level.  Riccardo Scamarcio One of Italy's most recognizable faces, Riccardo Scamarcio has built a solid career based on the diversity in the roles he chooses and the intensity with which he plays the...

Gianfranco Rosi to premiere 'Sotto le nuvole' at Venice Film Fest, exploring Naples' history

Documentary filmmaker Gianfranco Rosi will premiere his much-anticipated latest film at the upcoming 82nd Venice International Film Festival , which runs August 27 - Sept. 6. "Sotto le nuvole" (Below the Clouds)  takes a deep dive into the rich history and culture of Naples and the area surrounding Mount Vesuvius. There has not been much information revealed but so far, we know that the film will focus on themes similar to those explored by Rosi in his previous works, such as the examination of Roman culture in "Sacro GRA" (2013) and Lampedusa's refugee crisis in "Fuocoammare" (2016).  The film's synopsis reads, “The land around Vesuvius is a vast palimpsest. On the surface, underground and even beneath the sea of the modern city of Naples and its surroundings, the memory of history is etched into tunnels, walls and fissures, the remains of women, children and men — statues, buried cities. Only thin layers separate contemporary and ancient life, an...