Skip to main content

Rome Exhibit Pays Tribute to its Beloved Auteur


An exhibit is underway in Rome celebrating Italy's beloved director, Pier Paolo Pasolini. Although the iconic filmmaker has been gone for decades, he is still very much alive in the popular culture of Italy today. 

On exhibit at the Palazzo delle Esposizioni, "Pasolini Roma" is organized chronologically into six sections from Pasolini's arrival in Rome in 1950 until the night of his tragic death in 1975. Through this exhibit, you will travel through a quarter of a century, tracing the footsteps of Pasolini's incredible creative vitality, including the places where he lived, the backdrops for his novels, films and poetry, his friends, his passion, the persecution he experienced as well as the struggles to survive in the city he loved. The exhibit also features drawings and paintings of Pasolini and his self-portraits. Visitors to the exhibit will discover Pasolini the man and the powerful creative force behind his work. 

Pier Paolo Pasolini was first a poet and then a filmmaker. Perhaps this is why his films are so timeless. His work was profoundly personal, and truly came from the depths of his soul. The creativity and intellectualism of Pasolini was bottomless, prompting all those who admire him to interpret his work in their own personal way. 

A scene from "Mamma Roma"

Pasolini is perhaps best known for his torturous love affair with Rome. Although he was born in Bologna, he called the Eternal City his home. His early films like "Mamma Roma" and "Accattone" depicted the struggles of a war-torn city and the lengths its people had to go to make ends meet. But even in the darkest of circumstance, the poetic way in which Pasolini saw Rome when he looked through his lens gave the city hope and radiated the unconditional love and pride of its inhabitants. The passion he had for his work was only equaled by his obsession with Italy's political turmoil. Much of his work came from his deeply rooted criticism of the social and cultural contradictions of Italy. 

Pasolini was murdered in 1975 in the Roman seaside town of Ostia. To this day, the crime is still a highly debated topic, and there has always been debate as to whether the murder was provoked by his political stance or his open homosexuality. Pino Pelosi, the man convicted of the crime, claimed he acted alone after Pasolini attacked him sexually. However, in the eyes of most Italians, the murder is still a mystery and has been the subject of a vast number of conspiracy theories. In the investigative docudrama, "Who Killed Pasolini?", acclaimed director Marco Tullio Giordana suggests that it was a political assassination led by right-wing extremists. Whatever the case, one thing is certain: Italians will never forget their beloved Pasolini. 

I'll leave you with some passages from one of my favorite poems by Pasolini, "Serata Romana" (Roman Evening). It is from the book, "Roman Poems," which is available through Amazon. The book offers a collection of Roman-themed poems in their original language and dialect accompanied by English translations. 

Serata Romana 

Dove vai per le strade di Roma, sui filobus o I tram in cui la gente ritorna? In fretta, ossesso, come ti aspettasse il lavoro paziente, da cui a quest'ora gli altri rincasano? 

Nel quartiere borghese, c'ĆØ la pace, di cui ognuno dentro si contenta, anche vilmente, e di cui vorrebbe, piena ogni sera della sua esistenza. Ah , essere diverso - in un mondo che pure, ĆØ in colpa - significa non essere innocente... 

Scendo, attraverso Ponte Garibaldi, seguo la spalletta con le nocche, contro l'orlo rosicchiato della pietra, dura nel tepore che la notte, teneramente fiata, sulla volta, dei caldi platani. Lastre d'una smorta, sequenza, sull'altra sponda, empiono, il cielo di lavato, plumbei, piatti, gli attici dei caseggiati giallastri. E io guardo, camminando per i lastrici, slabbrati, d'osso, o meglio odoro, prosaico ed ebreo - punteggiato d'astri, invecchiati e di finestre sonore il grande rione familiare: la buia estate lo indora, umida, tra le sporche zaffate, che il vento piovendo dai laziali, prati spande su rotaie e facciate. 

Roman Evening 

Where are you going through the streets of Rome in busses or trolleys full of people going home? Hurried and preoccupied as if routine work were waiting for you... 

In the bourgeois quarter, there's a peace which makes everyone contented, mildly happy, a contentment everyone wants their lives to be full of, every evening. To be different in a world which is indeed guilty.. that is not at all innocent... 

I get off and cross Garibaldi bridge, keeping to the parapet with my knuckles following the worn edge of the stone, hard in the heat that the night tenderly exhales onto the arcades of warm plane trees. On the opposite bank flat, lead-colored attics of ochre buildings fill the washed-out sky like paving-stones in a row. Walking along the broken bone-like pavement, I see, or rather smell at once excited and prosaic-dotted with aged stars and loud windows-the big family neighborhood: the dark, dank summer gilds it with the foul stench that the wind raining down from the Roman meadows sheds on trolley tracks and facades. 


Pasolini Roma 
15 aprile - 20 luglio 2014
Palazzo delle Esposizioni, via Nazionale, Roma


Comments

Popular posts from this blog

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

A Conversation with Documentary Filmmaker Luigi Di Gianni

His documentary films have given voice to a people who would have otherwise been forgotten while preserving rituals and traditions no longer practiced. Visually stunning and emotionally moving, they reflect an Italy we’re not used to seeing in cinema.   Born in Naples in 1926, Luigi Di Gianni captured a dimension of Italy that people outside the South didn’t even know existed. He began his career working in the region of Basilicata, which back then was referred to as Lucania. He first visited the region with his parents when he was a boy. His father, being from the Lucanian village of Pescopagano, wanted to show his son his homeland.    That trip made an impression on the 9-year-old and created a deep affection that would one day inspire him to return. “I always remained very emotional about returning to this part of my homeland of Lucania,” he says. “It seemed like a different planet compared to Rome, where I lived. The tiring journey, the unpaved roads, the difficulti...

The Timeless Vision of Pier Paolo Pasolini

Pondering his films and poetry, I wonder if the uniqueness of Pier Paolo Pasolini's films was rooted in his unconventional childhood. Born in Bologna in 1922, Pasolini's father was a lieutenant in the army, and his family was always moving. He grew up in various small towns in Northern Italy. After his parents separated, he spent most of his time in his mother's hometown of Casarsa, in the region of Friuli Venezia Giulia. There, he grew to respect the area's peasant culture and began to write poetry in the region's dialect. He studied literature and art history at the University of Bologna and was drafted into the army during World War II. The war proved to be especially tragic for his family as his younger brother was executed by Communist partisans. Following the war, he returned to Casarsa where he worked as a teacher and ironically became a leading member of the Communist party there. Pasolini was later expelled from the party due to allegations of homo...