Skip to main content

7 Days - 7 Women: Vicki Vasilopoulos


On Day 4 of our week-long series, 7 Days - 7 Women, in which we will profile seven strong, talented women working as filmmakers, writers or visual artists, we spotlight the passion and determination of documentary filmmaker, Vicki Vasilopoulos.

She's not actually Italian, but we're going to make an exception for Vicki Vasilopoulos because she devoted more than a decade of her life raising funds to tell the stories of three Italian master tailors who made their passion their life. When I interviewed her a few years ago while she was tirelessly fundraising for the film, she told me that her goal was to honor the legacy of these master tailors for a younger generation.


For 11 years, Greek-American filmmaker and journalist, Vicki Vasilopoulos labored over a documentary recounting the travails of three master tailors of Italian origin. All those years of hard work and dedication finally paid off. Vasilopoulos completed "Men of the Cloth" and it won a coveted spot at DOC NYC, the largest documentary film festival In America.

According to Vasilopoulos, are three main characters in the documentary:  two of them are Italian-American and one of them is Italian. She met the first, Checchino Fonticoli, when she traveled to Italy on a reporting trip during her tenure as a fashion editor for the men's newsmagazine, DNR. Checchino was the head designer and master tailor at Brioni when she toured the factory and tailoring school in Penne, Italy. That encounter sowed the seeds of the film.

About a year later, she scouted the tailoring terrain in the United States, finding Nino Corvato in New York City and Joe Centofanti in Ardmore, Pennsylvania. Both are considered masters of their trade. Incredibly compelling and sympathetic, their magnetic personalities are what led Vasilopoulos to add them to the documentary. In addition to being superior tailors, they have great personal stories and an amazing passion for their craft. They are also articulate, a quality Vasilopoulos finds crucial in communicating their message to the audience.

Men of the Cloth is a human story, and that's what makes it universal. The film demystifies their complex artistry, showing how they craft a garment so that it moves and breathes with the person who is wearing it. The film highlights the experiences of these master tailors as immigrant artisans in the United States, and the challenges they face in the twilight of their career. Vasilopoulos was driven to make the film by a desire to honor their legacy and preserve it for future generations of tailors. 

Men of the Cloth presents a portrait of these artisans over the course of several years. The film has a poetic, nostalgic tone. All of their journeys begin in Italy, where they were born and learned their trade. Their passion and pride is akin to a religion, and thoroughly Italian. 

For more information about the film, visit its website at  http://menoftheclothfilm.com.

Click here to read my interview with Vicki Vasilopoulos. 

Comments

Popular posts from this blog

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

Cineuropa's Interview with Michele Placido

It was announced this week that Michele Placido's new film, "7 minuti" will be shown at this year's Rome Film Festival. 11 amazing actresses women star in "7 minuti" by Michele Placido , a drama co-produced by Italy, France, Spain and Switzerland and being distributed by German company Koch Media. The cast features Cristiana Capotondi , Ambra Angiolini , Fiorella Mannoia , Maria Nazionale , Ottavia Piccolo , Violante Placido , Sabine Timoteo , Anne Consigny , Mimma Lovoi and Clémence Poésy . The film is based on the play of the same name by Stefano Massini, who wrote the screenplay with Placido, and is the story of 11 women, a mixture of manual labourers and office workers, who are called to the negotiation table when the owners of the textiles company they work for sell the majority of their shares to a multinational. In a short space of time they must decide, for themselves and on the behalf of their fellow colleagues, whether to accept the...