Skip to main content

Countdown to April 10th U.S. Release of "Black Souls" - Day 5


Africo, Calabria through the eyes of cast member and native, Stefano Priolo



(Interview published in English and Italian)

When many of us Italian-Americans imagine our families back in Italy, we have visions of beautiful, welcoming people filled with warmth and enthusiasm. Since all of my great-grandparents came from the regions of Basilicata, Calabria and Sicily, I have a special affection for the south. My paternal great grandfather came from Calabria, so I naturally consider all Calabrese warm and full of love and compassion like him and his children; my grandfather and great aunts. Well that is exactly what I found when I contacted Anime nere (Black Souls) cast member, Stefano Priolo for an interview about his beloved town, Africo, the town in which the film was made. He spent hours telling me about Africo, and even went to the sea to take pictures for me. It was an overcast day but as you will see in the photos, the Ionian Sea and its landscapes are beautiful in any light whether it be sun or shadows.

Although you’d never know it by watching his performance, Priolo is not a trained actor. He’s a longtime friend of Gioacchino Criaco, the author of the novel, Anime nere from which the film was adapted. “I was walking with some friends in the square where our Catholic church is located,” explained Priolo. “There, I saw my friend with a man I didn’t know, who ended up being the director, Francesco Munzi. He was fascinated by my face and gestures while I was talking with friends, and he asked me to audition for the part. He loved my audition, so I got a part in this film the whole world has come to appreciate.” Priolo owns a restaurant in Africo, called La Ginestra. There, he serves traditional culinary dishes, such as boiled goat meat with red onion, which was handed down by the ancient shepherds. If you’re vegetarian like me, he'll make you a pasta dish made with wild fennel, "light as a feather” according to Priolo.
Located in the commune of Reggio Calabria at the tip of southern Italy, Africo consists of two divisions; Africo Vecchio (Old Africo) and Africo Nuovo (New Africo). The film was shot in the Aspromonte area of Africo Vecchio,  a mountain massif overlooking the Strait of Messina. If you take the ferry from Reggio Calabria to Messina, you will pass through this area. When I attended the Taormina Film festival in 2013, I traveled through this area and I can attest to its natural wonder.
The history of Africo goes all the way back to the 9th century. The region has certainly seen its share of destruction and natural disasters, including devastating earthquakes in the late 1800’s and early 1900’s, and then floods in the 1950’s. During those desperate times, the town was often the subject of novels and articles, whose authors wrote about the famine, poverty and desolation of the locale. These days, the region has modernized but now writers, such as Gioacchino Criaco are inspired for different reasons, including the 'Ndrangheta, an international crime organization based in Africo… but also for the stunning natural beauty of the Ionion Coast, which attracts tourists from all over the world. Priolo talked with me about both the beauty and the corruption, and how the people of Africo search to live and raise their children with morality, dignity and integrity.
There were many Italian immigrants that came to America from Calabria, including my paternal great-grandfather. Tell me about this part of Calabria; the culture, the food and the natural beauty of the sea.
The origin of Africo was born in the Aspromonte mountains of Calabria. Unfortunately, a big flood in 1951 caused the destruction of the countryside and resulted in several deaths among the population. Inevitably, the Italian government had to rebuild for the people of Africo. This time, however, the new development was built on the beautiful coastline of the Ionian Sea, lying next to a beautiful cliff overlooking the crystal waters. Our traditional music generally consists of the tarantella folk songs with a lyric often speaking of love. A great culinary tradition is our bread made with wheat flour that women, especially the older generations, make at home.


In America c'erano molti immigrati calabresi, tra cui mio bisnonno paterno.  Mi racconti la cultura della tua cittadina, Africo .. la musica tradizionale, la cucina, la gente, i negozi, le panetterie. C'e anche il mare? Raccontami la bellezza e la poesia della tua terra.
L'origine di Africo nasce in Aspromonte la catena montuosa della Calabria orientale.purtroppo nel 1951 una grossa alluvione ha causato la distruzione del paese con diversi morti tra la popolazione che per lo più viveva di pastorizia.quindi per forza di cose il governo Italiano ha dovuto ricostruire un paese nuovo al popolo di Africo. questa volta però il paese nuovo è stato costruito nella bellissima costiera del mare Ionio, adagiato vicino ad una stupenda scogliera bagnata da un mare blu e cristallino.partirei dalla tradizione culinaria visto che sono il proprietario di un ristorante che mio ha lasciato in eredità mio padre che era un grande cuoco.uno dei piatti tipici è la carne di capra bollita con cipolla di Tropea tramandatoci dagli antichi pastori caprai dal gusto dolce e squisito.la musica in genere è la tarantella con canti popolari con toni poetici spesso d'amore.un'altra tradizione è la cultura del pane creato con farina di grano duro che le donne specie le più anziane fanno in casa.
How did the locals receive the film crews? When I spoke with director, Francesco Munzi, he described them as welcoming and helpful.
When we first started shooting in the greater part of Africo, there was an incredible curiosity. They had realized something very important for the good of all our community was happening. They were all very cordial and always available to help out. You can say the crew was made up of the entire town.
Come sono stati i locali nel ricevere la troupe cinematograficha? Quando ho parlato con Munzi, ha detto che sono stati molto accogliente e gentili.
Quando sono in cominciate le riprese la maggioranza degli Africo ti hanno avuto una curiosità incredibile.avevano capito che stava succedendo qualcosa di molto importante per il bene di tutta la nostra comunità.e tutti erano disponibili e cordiali.poi la produzione ha dato lavoro a tanti giovani . insomma è  stata una troupe grande quanto il paese.
Tell me about the Calabrese mafia from your point-of-view.
As every family needs the care of parents to help their children grow up with fundamental values ​​to reach the highest level of civilization, society also needs to be directed in an honest manner by political leaders. Unfortunately, they don't often care about the problems of families, so people are then forced to do illegal activities in order to have enough money to live a dignified life. This happens in every part of ​​the world where there is no social justice because political leaders, instead of using public funding to create jobs, put the money in their own pockets, and that's how this so-called Mafia exists. This is a real problem in Calabria. Those in command treat us as if all we need is food to stay alive and in doing so, prevent any real cultural growth so that the people can't achieve a critical consciousness to understand what actually makes up good and evil.
Parlami della presenza mafiosa a Calabria.
Come ogni famiglia ha bisogno della cura dei genitori affinché i figli possano crescere con i valori fondamentali per arrivare al più alto livello di civiltà, così è  pure una società in quanto tale ha bisogno che sia diretta in maniera onesta delle classi dirigenti che non sono altro che i politici. Purtroppo non si interessano dei problemi delle famiglie che spesso per mancanza di lavoro sono costrette a fare attività illegali per avere i soldi necessari per vivere in maniera dignitosa, e questo succede in ogni zona del mondo dove non c'e giustizia sociale perché  i dirigenti politici invece di usare i sodi pubblici per creare lavoro se li mettono in tasca, ed ecco che nascono le società del mal'affare  come la così detta Mafia. Questo è  il vero problema della Calabria. Perché  quelli che comandano ci trattano come fossimo una riserva dei poveri che ogni tanto ci danno da mangiare solamente per non morire . però così non ci sarà mai una crescita culturale affinché il popolo possa arrivare ad una coscienza critica per capire cos'è il bene ed il male. 

Photo by Stefano Priolo

What do you feel will be the legacy of this novel and film on Africo?
This movie has opened the minds of many, especially young people, and my hope is that we can finally stop defining people by certain clichés or rather by false values that block the growth of freedom of thought, not only Africo but in all the communities along the Ionica (Ionian Sea of Calabria) so that we can appear as a true civilization with dignity.

Cosa senti e come sarà l'eredità di questo film su Africo?  
Questo film un po ha aperto la mente soprattutto dei giovani e la mia speranza  è che finalmente si possa uscire definitivamente da certi luoghi comuni o per meglio dire da falsi valori che anno bloccato la crescita della libertà di pensiero affinché non solo Africo ma tutti i paesi della fascia Ionica possa affacciarsi con dignità nella vera civiltà degli esseri umani e non umanoidi.

Photo by Stefano Priolo
Do you think you'll pursue acting?
Yes, it's my desire to continue to act because it just makes me feel good.

Continuerai recitare?
Si, il mio desiderio è continuare a recitare perché mi fa stare bene.
Black Souls will open in New York on April 10th, with other cities to follow.


 
 
Watch the trailer: https://m.youtube.com/watch?v=D5gUDIIe67Y&autoplay=1

Comments

Popular posts from this blog

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew t...

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

Film at Lincoln Center honors Monica Vitti with retrospective featuring restored classics

Photo Courtesy of Archivio Luce-Cinecitt à A retrospective dedicated to the films of Italian cinema icon Monica Vitti will be held from June 6 to June 19 at Lincoln Center in New York City.  The 14-film series, titled "Monica Vitti: La Modernista," is presented by Film at Lincoln Center and Cinecittà and marks the first North American retrospective celebrating Vitti's 35-year career. "We are pleased to partner with Cinecittà to celebrate one of Italy's most revered actresses," said Film at Lincoln Center Vice President of Programming Florence Almozini. "It is a privilege to present decades' worth of films from Monica Vitti's illustrious and prolific career, especially with many restored versions of her legendary works." Monica Vitti, a key figure in film history, began her career in the mid-1950s and quickly became a captivating presence on screen. Her collaboration with director Michelangelo Antonioni produced memorable films in the 196...

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...