Skip to main content

72nd Venice Film Festival- Three Italian Projects up for European Gap-Financing Market

Daniele Vicari's "Bianco"
One of my favorite sections of any film festival is the Market or Industry because that is where all the undiscovered treasures can be found. Many moons ago in 2002, my short film, I presented my short film, "Gelsomina" at the Industry Office, and it was one of the best experiences of my life. This year, The Venice Film Market will present, the 2nd edition of the European Gap-Financing Market, which will take place on September 4 and 5, 2015.

The European Gap-Financing Market is a new platform intended to support the European producers to secure the final financing of their projects through one-to-one meetings with potential and appropriate international professionals.

The main criteria to participate in this original event is to have 70% of the financing in place, and the VFM is offering 15 selected projects the unique opportunity to close their international financing through selected financiers, producers, distributors, sales agents, post-production companies and film funds.

This year the European Gap-Financing Market has the invaluable support of the MEDIA program of the European Union and the 15 selected projects are:

#flora63
by Stéphane ROBELIN (France/Belgium/Germany)
Bianco by Daniele VICARI (Italy/France)
Letters from War by Ivo FERREIRA (Portugal)
Comic Sans by Nevio MARASOVIC (Croatia/ Slovenia)
Diamond Island by Davy CHOU (France/ Cambodia)
The Eremites by Ronny TROCKER (Germany)
Freaking by Julia DUCOURNAU (France/ Belgium/ Switzerland)
Children of the Night by Andrea DE SICA (Italy)
The Bank of Broken Hearts by Onur ÜNLÜ (Turkey)
The Swallows of Kabul by Zabou BREITMAN & Eléa GOBBE-MEVELLEC (France/ Luxembourg)
The Death of Carturan by Liviu SANDULESCU (Romania)
Slovenia, Australia and Tomorrow the World by Marko NABERSNIK (Slovenia)
The Whale by Andrea PALLAORO (Italy/ France/ Belgium)
When my Father Became a Bush by Nicole VAN KILSDONK (The Netherlands)
Zombillenium by Arthur DE PINS & Alexis DUCORD (France/ Belgium)
 
The Venice Film Market (3rd – 8th September 2015) of the 72nd Venice International Film Festival will partner and strengthen the Industry Office, which in turn will continue to function as it has in past years throughout the entire Venice Film Festival, offering many services to its guests.
The 2014 edition of the festival clearly showed a very positive increase in the number of professionals attending the market, with 261 key distributors and 66 key sales agents. In addition, some 1,500 professionals,  including producers, film commissions and institutions, exhibitors, film festivals etc, coming from 57 countries, attended the Venice Film Market.

 The general feedback from the industry is that this Market is the perfect place for networking, and fits seamlessly with the programming of the festival, proving that Venice is once again becoming a rendezvous to add to the professional agenda.
 

Comments

Popular posts from this blog

7 Days - 7 Women: Interview with Actress Sabrina Impacciatore

  Photo by Rossella Vetrano On Day 6 of our series, 7 Days - 7 Women, in which we are profiling seven strong, talented women working as filmmakers, writers or visual artists, we talk with actress Sabrina Impacciatore about the diversity of her roles. Whether she's playing a devoted mother trying to protect her child, Jesus Christ's "Veronica" in Mel Gibson's controversial film, "Passion of the Christ" or a young woman coming of age, Impacciatore escapes into the life and mind of each character she takes on, sometimes so deeply that she believes she is actually them.   It's a fine line between reality and fiction, but she treads it carefully and anyone watching her performance benefits from her emotional connection to the character that she becomes. I spoke with Impacciatore at the 2010 Open Roads: New Italian Film series in New York City. We talked about her lifelong dream of becoming an actress. She also gave me some insight into the diff

Michelangelo Frammartino's "Il buco" — Unearthing our past

When a team of speleologists descended 700 meters into the Bifurto Abyss in Cosenza, Calabria, in 1961, they discovered that the underground caverns were the third deepest in the world and the deepest in Europe. Italian filmmaker Michelangelo Frammartino retraces that mission six decades later with a cast of locals and their livestock in his latest documentary, “Il buco” (“The Hole”). Inspiration for the film came while he was on location shooting his 2007 documentary, “Le quattro volte” (“Four Times”). Officials in the Pollino mountains, which stretch between Calabria and Basilicata, showed him what appeared to be just another sinkhole. Frammartino failed to understand their enthusiasm until they tossed a large stone into the void. It disappeared without making a sound. He was so overcome by the experience and the eerie landscape, he was haunted for years, compelling him to make his current film, one of many rooted in nature. “I was born in Milan, but my family is from Calabria. My pa

A Conversation with Taylor Taglianetti, Founder of NOIAFT

A new platform has recently been launched that promotes the work of Italian Americans in film and television. The brains behind the initiative is a young, passionate woman who is taking the support that she received early on in her journey and paying it forward. With origins in Basilicata and  Campania , Taylor Taglianetti is a proud Italian American from Brooklyn, New York. She is currently a senior at NYU Tisch School of the Arts, graduating in January 2020. She is majoring in Film and Television and minoring in the Business of Entertainment, Media and Technology.  Taglianetti  aspires to be a feature film producer and bring great stories to the big screen. In addition to running NOIAFT, she is currently a Development Intern with Silver Pictures, the production company that produced the Lethal Weapon and The Matrix series. Last summer, she was a development intern with Maven Pictures, the Academy-Award winning production company behind Still Alice and The Kids Are All Right . 

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

A Conversation With the Man Who Played Pasolini's Christ

There have been countless cinematic interpretations of the books of the Bible, but few have stood the test of time. One that qualifies as a classic is Pier Paolo Pasolini’s 1964 “Il Vangolo secondo Matteo” (The Gospel According to St. Matthew). Considered by the Vatican to be among the best film adaptations of one of the Gospels, Pasolini’s 1964 film was shot in the regions of Calabria, Puglia and Basilicata. In an interview with RAI television while on location in Matera, Pasolini talked about the reasons for shooting there. “I chose two or three places in Basilicata. One is Barile, a town of Albanians. I needed a place for Bethlehem. Another location is Matera because it reminded me of Jerusalem,” he explained. Pasolini’s interpretation of St. Matthews’s Gospel is pure, with no added commentary. He said that he followed the Gospel word for word without adding a single syllable. He explained in the interview that his idea to make the film happened by coincidence. “In October of 19