Skip to main content

The Bertolucci Brothers

With a career that spans over six decades, Bernardo Bertolucci never seems to run out of stories to tell or innovative ways to shoot them. Born in the northern Italian city of Parma in 1940, Bertolucci grew up surrounded by arts and literature. His father was a writer, film critic, and art history professor. He encouraged his son's creativity and interest in films and frequently took him to film screenings. By the age of 15, Bernardo Bertolucci had made 2 short films and was becoming a respected writer. His first book, "In Cerca del Mistero" (In Search of Mystery), won the Premio Viareggio, one of the top literary awards in Italy.  

Bertolucci originally set out to be a writer and poet like his father. In 1958, at the age of 18, he enrolled in the University of Rome and attended the Faculty of Modern Literature. Shortly thereafter, he started working under the guidance of Pier Paolo Pasolini. Bertolucci's father had helped Pasolini publish his first novel, and Pasolini paid back that favor by hiring Bertolucci as a first assistant on his 1961 film "Accattone," and that is when Bertolucci's passion for cinema took over. Following his work on that film, he quit school and embarked on his own independent study of film. 

In 1962, Bertolucci made his first feature film, which was written by his mentor, Pasolini. The film titled "La commare secca" (The Grim Reaper) is a murder mystery in which the homicide of a prostitute is investigated through a series of flashbacks by the person who actually committed the crime. The film was not a big commercial success but earned him some recognition among critics. Then, just two years later, he made another film, "Prima della rivoluzione" (Before the Revolution). Not a big commercial success either, it did win him some more acclaim as it was shown at the Cannes Film Festival in 1964. That second film prompted Bertolucci to leave the wings of Pasolini to follow his own vision. The result has been a career of character-driven films with complicated subject matter that is sometimes scandalous in nature. The scandalous element of his work has been noted several times throughout his career, especially in his representation of women.

The most high-profile scandal surrounding his work was with the 1972 film, "Last Tango in Paris." The scene that brought so much attention and criticism to the film was an anal sex scene involving Maria Schneider's character, Jeane. Critics also took offense to the fact that her character was naked through much of the film while her male counterpart, played by Marlon Brando, was usually fully clothed. The sex scene had life-changing repercussions for those involved. Actress Maria Schneider was just 20 years old at the time and claimed she did not know about the scene until just moments before filming it and that she was crying real tears because she felt humiliated and violated by both Bertolucci and Brando. Although the onscreen couple did not actually have sex in the scene, the fact that she was not told how the scene would go down caused her emotional distress. The experience prompted her to become a women's rights advocate, particularly fighting for more female directors in Hollywood. Schneider passed away in 2011, never having forgiven Bertolucci for the emotional trauma caused by her involvement in that film. Marlon Brando also felt deceived by the director. He said publicly that after seeing the final cut of the film, he was horrified and traumatized by the way in which that scene was shot and edited. The film actually prompted criminal proceedings to be brought against Bertolucci in Italy for the scene, and the film was pulled from distribution by the censorship commission. An Italian court revoked Bertolucci's rights and ended up giving him a four-month suspended prison sentence. Years later, after the censorship commission was done away with, a slightly censored version of the film found its way back to public distribution. For as much criticism as the film received, it is also credited for changing the way eroticism was seen in Hollywood and opening the doors for this type of subject matter in general-release films.

Bertolucci made a number of films in the 70's and 80's; some successful, some not.  However, his relevance as a filmmaker seemed to become stronger with each film he made, regardless of the film's commercial success. His 1976 film, "Novecento" (1900), featured an international cast that brought together A-listers from Italy, France, and America. The film stars Robert De Niro and France's beloved Gerard Depardieu and follows the lives of two men during the political unsettling that took place in Italy during the first half of the 20th century.  Bertolucci's next epic film, which won a whopping 9 Oscars at the 60th Academy Awards, was "The Last Emperor." The biographical film tells the story of Aisin-Gioro Puyi, the last Emperor of China. It was the first feature film cleared by the government of the People's Republic of China to be filmed in the Forbidden City, the Chinese imperial palace that lasted from the Ming Dynasty to the end of the Qing Dynasty.   

In the last couple of decades, Bernardo Bertolucci has continued with his style of poetically shot movies with complicated characters and political unrest. Stealing Beauty, starring Liv Tyler in 1996, and The Dreamers in 2003 were his biggest box office hits in recent years.  His most recent film was released in 2012. Titled Io e te (Me and You), the story follows Lorenzo, an introverted 14-year-old who spends a week hidden in the basement of his house, and his rebellious step-sister, Olivia, who appears on the scene to disturb his solitude. The film was screened out of competition at the Cannes Film Festival and had a limited U.S. release. Bertolucci's films are widely popular to this day, and many are still available through websites like Amazon.

 Giuseppe Bertolucci

“I owe everything to Giuseppe Bertolucci. He was my first friend, my first director, my first author. He was the one to teach me how to read poetry, to move, to walk in this world, to look at the sky, to understand where beauty comes from, and to recognize it.” Those words came from Roberto Benigni upon the passing of Italian filmmaker Giuseppe Bertolucci, the younger brother of renowned director Bernardo Bertolucci.

Giuseppe Bertolucci got his start in cinema in the 1970s by working on his older brother’s films. He directed his first feature film in 1977, "Berlinguer ti voglio bene" (Berlinguer, I love you), which stars a very young Roberto Benigni. The film tells the story of Italian society in the 1970s when the major protests were over, and Italians were enjoying an economic boom. The film is set in the Tuscan town of Prato, where Benigni grew up, and features the language dialect of Dante.

Throughout his entire career, Bertolucci went back and forth as screenwriter and director, co-writing some of the most beautiful films in Italian cinema, including the classic comedy "Non ci resta che piangere" with Roberto Benigni and Massimo Troisi. The film takes the comedy duo on a trip through time. Released in 1984, the film was a huge success in Italy and was recently restored and made available on DVD.

Giuseppe Bertolucci is known in Italy for his work at Bologna’s Cineteca, a film archive that houses more than 18,000 films. The center is internationally recognized for its excellence in film preservation and restoration.

In recent years, Bertolucci focused his energies on making documentaries, creating two films about Pier Paolo Pasolini. Perhaps he was inspired to tell the filmmaker’s story by his work at Cineteca, which has an extensive archive on Pasolini that includes photographs, films, magazines, catalogs, press clippings, theses, speeches, and radio programs.

After battling a two-year illness, Giuseppe Bertolucci passed away on June 16, 2012, in the Pugliese city of Lecce. He was 65 years old.

Comments

Popular posts from this blog

New faces of Italian cinema

Angelo Iannelli With the 2012 film festivals just about wrapped up, we saw a big emphasis this year on newly emerging and independent filmmakers. This was most notable in the Venice Film Festival's Horizon's program, which gave these filmmakers an unprecedented amount of visibility as the program reached out to people all over the world via the internet.  To mark this current trend, I recently caught up with two independent filmmakers in Rome: Angelo Iannelli and Vito Napolitano. Each filmmaker has experience on both sides of the camera. Their origins are based in the south of Italy but they are now living in Rome. Angelo Iannelli was born in Benevento in the region of Campania, while Vito Napolitano is from Lecce in Puglia. What I enjoyed the most about our conversation is the passion with which the two young filmmakers speak about cinema. They are so enthusiastic and about their craft, they reel you right into their dreams. The three of us recently met up at the Li

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legendary

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew that I would have to find out mor

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La Sapienza Universit