Skip to main content

Not your average love story- but maybe it is



Update May 23, 2016

Io e lei is headed to two North American film festivals and will be shown on the following dates:

Open Roads: New Italian Cinema at Lincoln Center
Thursday, June 2 at 6:00 followed by Q&A with director Maria Sole Tognazzi
Tuesday, June 7 at 1:30
Buy Tickets

Canada's Italian Contemporary Film Festival
June 10 @ 9:30pm TIFF - Toronto
June 14 @ 7:00pm Cinematheque Quebecois - Montreal
June 14 @ 5:00pm Cinema Cartier - Quebec City
Buy Tickets

With three high-profile Italian releases, Maria Sole Tognazzi's latest film, Io e lei took top spot at Italy's box office over the weekend, grossing a whopping 700,000 euros.

Io e lei is the story of two women in a relationship together, a relationship that is tumultuous at times and carefree at others. Margherita Buy and Sabrina Ferilli portray lovers, Federica and Marina in a way that puts love first and the fact that it's a same-sex relationship second. The two actresses have made the rounds all over Italian television answering questions relating to gay and lesbian relationships. But when I saw the film, that element was clearly secondary to the love and affection the two feel for each other. Perhaps Ferilli's description in an interview with Italian media best sums it-  a story about sentimentality rather than homosexuality.

Federica and Marina experience the myriad of emotions anyone feels while in a relationship and after it's over. Although they are happy together, they face the same challenges and obstacles that everyone faces whether they are heterosexual or homosexual- insecurity, fear of abandonment, envy.. that whole dark side that comes with loving someone.

Although the film is being called a comedy, I really didn't feel at all like I was watching a comedy. Perhaps something was lost in translation for me, but I really felt sadness for the characters- sadness for Buy's character trying to overcome her shame of being in a relationship with a woman, as it was her first time, and sadness for Ferilli's character in dealing with the consequences of that shame. The film seemed more like a drama with comedy relief because while the characters were riding a rollarcoaster of emotions, the writers definitely managed to slip in some hilarious moments, taking full advantage of actor Ennio Fantastichini's limitless talent for comedy.

Director Tognazzi with her stars Buy and Ferilli at the Rome premiere
The casting for Io e lei was impeccable. Each character, whether supporting or leading fit perfectly into their role. I enjoyed the closing scene which showed some shameless male bonding and one last laugh for the road. This film will undoubedtly cross Italian borders and I imagine it will do great in the United States. Maria Sole Tognazzi along with her team of talented writers struck the right chord in balancing a serious, relevant social topic with a simple love story that really has nothing to do with gender. For me, that is the aspect I appreciate most about this film.

Watch the trailer..


Comments

Popular posts from this blog

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Model/Actress Anna Falchi

Anna Falchi was born Anna Kristiina Palomaki, on April 22, 1972, in Tampere, Finland. Her mother, Kaarina Palomaki Sisko, is Finnish, while her father, Benito "Tito" Falchi, is from Romagna, Italy. Growing up in Italy, Anna was a tomboy, and had a fervent imagination. She is known mostly for her prolific career in modelling. However, she tried her hand at acting and landed a role in one of my favorite Italian comedies, Nessun messaggio in segreteria . I consider it my one of my favorites because it brought together so many amazing, talented filmmakers during a time when they were all just starting out. Those filmmakers, Pierfrancesco Favino, Valerio Mastandrea, Luca Miniero and Paolo Genovese are now huge names in contemporary Italian cinema, so it's great to look back and see their work in a low-profile film completely different from the bigger-budget stardom they now know.   Watch the trailer . Anna Falchi started her career as a...

Ettore Scola explores enduring friendships and lost ideals in 'C’eravamo tanto amati'

A scene from "C'eravamo tanti amati" Mixing both tragedy and humor, Ettore Scola ’s 1974 film “C’eravamo tanto amati” (“We All Loved Each Other So Much”) follows 30 years in the lives of three men and the woman they each adore. By examining how his generation changed after the war, Scola makes a film that reflects its era. Scola explores the moral, political and emotional evolution of Italy’s postwar generation and, in doing so, creates a film that is a chronicle of its time and a love letter to cinema. The story begins in the aftermath of World War II. Three friends — Antonio ( Nino Manfredi ), Gianni (Vittorio Gassman) and Nicola (Stefano Satta Flores) — emerge from the Italian Resistance with a shared dream of justice, equality and social renewal. They are united by their hope that the sacrifices of war will lead to a better world. But the decades that follow prove to be challenging as Italy undergoes massive social changes, from the postwar economic boom to the politi...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...