Skip to main content

Margherita Buy: A Road Traveled

Margherita Buy (L) and Sabrina Ferilli at the 2015 Rome premiere of Io e Lei
She has been a fixture in Italian cinema for decades with an impressive range that has landed her in all kinds of zany predicaments. Whether she's discovering the secret life of her deceased husband, dealing with a coming-of-age-daughter or struggling with the effects of a depressed economy, Margherita Buy's strong presence and command of her roles makes her a spell-binding leading lady.

Born on January 15, 1962 in the Eternal City, Buy studied her craft at Rome's Academy of Dramatic Arts Silvio D'Amico. That's where she met her future husband and lifelong collaborator, Sergio Rubini. The two made a number of successful films together, including Tutto l'amore che c'e, L'amore ritorna and L'uomo nero. Although their marriage didn't work out, the two have remained close friends and continue to work together.
  
Buy has been making movies since the mid-80's but her international breakthrough came in 2001 with Ferzan Ozpetek's drama, La fate ignorante (His Secret Life). Buy takes on the role of Antonia whose husband is killed suddenly in an automobile accident. Shortly after his death, she discovers a painting that was given to him. Upon further investigation, she learns the painting was a gift from her husband’s lover. Only then does she learn about the other life he led. It's a complicated role that called upon Buy's ability to express her emotions through her gaze, which is a trademark quality in Ozpetek's direction, as well as acting out her feelings in her emotionally-charged scenes. 


In 2003, Buy showed us a lighter, more comical side in Paolo Verzi's coming of age film, Caterina va in città (Caterina in the Big City). Buy is the mother of Caterina, a teenager who moves from a small town to big time Roma and is faced with the huge task of assimilating. Buy's character also has to put up with her politically passionate, basket case husband, hilariously played by Sergio Castellitto. The two Italian cinema veterans present us with a funny, touching portrait about the trials and tribulations of one family just trying to evolve with the times.


2007 proved to be a busy year for the actress. She starred in two international blockbusters; Ferzan Ozpetek's 2007 hit ensemble film, Saturno Contro (Saturn in Opposition) and Silvio Soldini's Giorni e Nuvole (Days and Clouds). Saturn in Opposition focuses on a group of contemporary 30 and 40 - somethings and their struggles with coming to terms with the reality of dreams that didn't always come true. Buy's character deals with infidelity and the challenges facing a couple trying to hold onto their marriage. She dealt with a similar subject matter in Soldini's Days and Clouds, which is the story of a middle-aged couple that seems to have everything; a beautiful home, lots of friends, a great social life; but when Michele, portrayed by Antonio Albanese, loses his partner's confidence, he finds himself at square one looking for a job. Margherita Buy pulls no punches in playing the part of Elsa, Michele's wife who is faced with the task of downsizing her whole life. She succeeds in communicating the deep frustration she feels and her desire in finding an outlet for that frustration that will ultimately save her marriage.

Buy's performance in Nanni Moretti's 2011 reflective comedy, Habemus Papam (We Have a Pope)  combined her talents for comedy and drama with role of a renowned psychiatrist who guides a newly elected Pope to look back on his life and figure out why he really doesn't want the job. Buy shares the screen with another beloved Italian filmmaker, this time Nanni Moretti, and the two created a beautiful and sometimes funny retrospective on life.

In Ferzan Ozpetek's 2012 masterpiece, Magnifica Presenza (Magnificent Presence), Buy plays an elegant and charming actress from a 1940's acting troupe that comes back from the dead, articulately and beautifully dressed from head to toe, to help solve the murder of her friend and fellow actress. The story line is a little over the top and you can tell that she genuinely had some fun with this role. The musical score mixed with the costumes and sumptuous design give this film an air of decadence and fantasy.


Her latest film, Io e lei is a love story about two women. Right now, it's the most popular film in Italy and just opened to rave reviews. Read my review here. Buy's character, Federica finds herself in love with a woman for the first time in her life and she is dealing with a whole host of emotions, shame being one of them. The beautiful aspect of her character is the innocence reflected by her genuine feelings of love. She doesn't see herself as a lesbian, just a woman in love. That innate ability to be a humble character with flaws is what makes Buy so special and her performances so convincing.

Margherita Buy works continuously creating character-driven performances that mirror the modern woman. She currently has four projects in production.

Comments

Popular posts from this blog

New faces of Italian cinema

Angelo Iannelli With the 2012 film festivals just about wrapped up, we saw a big emphasis this year on newly emerging and independent filmmakers. This was most notable in the Venice Film Festival's Horizon's program, which gave these filmmakers an unprecedented amount of visibility as the program reached out to people all over the world via the internet.  To mark this current trend, I recently caught up with two independent filmmakers in Rome: Angelo Iannelli and Vito Napolitano. Each filmmaker has experience on both sides of the camera. Their origins are based in the south of Italy but they are now living in Rome. Angelo Iannelli was born in Benevento in the region of Campania, while Vito Napolitano is from Lecce in Puglia. What I enjoyed the most about our conversation is the passion with which the two young filmmakers speak about cinema. They are so enthusiastic and about their craft, they reel you right into their dreams. The three of us recently met up at the Li

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew that I would have to find out mor

Review: Francesco Rosi's 1967 'More Than a Miracle' starring Sophia Loren and Omar Sharif

Sophia Loren and Omar Sharif give extraordinary performances during the prime of their careers in Francesco Rosi’s “C’era una volta” (“More than a Miracle”). A delightful, whimsical film that transports you to another time, this enchanting 1967 period piece tells the tale of Rodrigo (Sharif), a Spanish prince initially opposed to marriage, and Isabella (Loren), the beautiful, defiant peasant girl who wins his heart. The film opens with Rodrigo attempting to tame a wild horse as his mother chides him for not taming a wife instead. When she relays orders from the king of Spain for him to marry, he mounts his unruly steed and gallops away, proudly displaying his independent spirit. Horse and supposed master run free through the countryside for a stretch, but the equally rebellious animal throws Rodrigo and abandons in a field, leaving him to fend for himself.  While searching for help, he finds himself in a remote monastery where he meets a flying monk (Yes, the monk actually flies.) who

Ornella Muti: Four decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with La Moglie più bella (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, Sole nella pelle (Sun on the Skin) in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies with the political climate, the breathtaking seaside as well as the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and succeeds in capturing the innocence and beauty of first love.   Muti made her American film debut in 1980 with Flash Gordon . She played the role of Princess Aura.  She’s appeared in two other American films, including, Oscar , which was directed by John Landis and featured Don Ameche, Chaz Palminteri, and Sylvester Stallone

Nicoletta Braschi and Roberto Benigni.. What cinema dreams are made of

The Toronto International Film Festival is wrapping up its retrospective of the cinematic collaboration of husband and wife team, Nicoletta Braschi and Roberto Benigni. Over the last few days, the couple have participated in discussions, Q & A sessions and have introduced several of their films. Today, I attended a screening of "La voce della luna" (The voice of the moon). It was  Federico Fellini's last film and is a wonderful tribute to the director's signature poetic madness. The film gave Benigni the opportunity to team up with fellow beloved comic, Paolo Villaggio, and the two created a truly unforgettable adventure. Today's screening began with an introduction by Benigni. The moments leading up to his introduction were noticeably serious and somewhat tense. Benigni's publicist and TIFF security staunchly guarded his privacy. There was no interaction and no photos were allowed. Guided by his entourage, he walked quickly from the Green Room to th