Skip to main content

Samantha Cristoforetti presents the docu-film "Astrosamantha la prima italiana nello spazio"

It's been a full week of star/studded premieres with four nights of events preceding the opening of the 10th Rome Film Fest, which will be held from Friday October 16th to Saturday 24th. The events have begun at the MAXXI - National Museum of XXI Century Arts, and the Casa del Cinema, before converging to the Auditorium Parco della Musica, which has been the heart of the festival since its very first edition.

 
The first event took place on October 12th at the MAXXI- National Museum of XXI Century Arts, when Samantha Cristoforetti, European Space Agency (ESA) astronaut, Italian Air Force Capitan, and flight engineer for the second long-term mission of the Italian Space Agency (ASI), presented the docu-film "Astrosamantha la prima italiana nello spazio", a beautiful, inspiring documentary about the first Italian woman in space. The film, directed and produced by Gianluca Cerasola, a journalist and international reporter, was made in collaboration with ESA, ASI and the Aeronautica Militare. With the narrative voice of Italian actor Giancarlo Giannini, the director follows Samantha Cristoforetti for three years, from her training to her return from space, showing us a new side of the woman who was awarded the highest Order of Merit of the Italian Republic, the title of Cavaliere di Gran Croce, upon her return from her mission.
 
 
With a backdrop of exceptional photography, director Gianluca Cerasola gives us an inside look at the personality of Cristoforetti, a woman that is often seen in the media talking about her profession but rarely about herself. The film shows us the intense training for the mission that took place on three continents along with some lighter moments with friends, including a group of women she met through NASA that call themselves the "Tank Girls." The quality of Cristoforetti's personality that I appreciate the most after watching this film is her ability to stay calm and smile under any circumstance. I'm sure that quality has helped her get to where she is today.


In person, she was gracious in posing for photos and talking with fans. She stood by Cerasola's side as he gleamed with pride at the masterpiece he and his team created. Cristoforetti took a few moments to chat with a young fan that was looking up to her with complete adoration in her eyes. It was a sweet moment and all the paparazzi gathered around to make the most of it.

Samantha Cristoforetti is well-connected with her fans on social media and is always posting interesting updates. You can follow her on Twitter at @AstroSamantha as well as American astronaut Terry Virts, who was on the same mission and featured throughout the film.


We will keep you posted on the international distribution of  "Astrosamantha la prima italiana nello spazio". In the meantime, check out the film's trailer (with English subtitles) on Vimeo.





Comments

Popular posts from this blog

Ornella Muti: Five decades of Acting and Still Going Strong

Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with “La Moglie più bella” (The Most Beautiful Wife).  Her follow-up role was in the 1971 film, “Sole nella pelle” (Sun on the Skin), in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies, with its political climate, breathtaking seaside, and the styles and cars of that time.  Much of the film is set amid the sunny Italian seaside and captures the innocence and beauty of first love.   Muti made her American film debut in 1980 with "Flash Gordon." She played the role of Princess Aura. She’s appeared in two other American films, including “Oscar,” directed by John Landis and starring Don Ameche, Chazz Palminteri, and Sylvester Stallone. In 1992, she w...

The Anthology Film Archives Presents: The Italian Connection: Poliziotteschi and Other Italo-Crime Films of the 1960s and '70's

June 19 – June 29 Influenced both by 1960s political cinema and Italian crime novels, as well as by French noir and American cop movies like "Dirty Harry" and "The French Connection," many Italian filmmakers in the late-60s and early-70s gradually moved away from the spaghetti western genre, trading lone cowboys for ‘bad’ cops and the rough frontier of the American west for the mean streets of modern Italy. Just as they had with their westerns, they reinvented the borrowed genre with their inimitable eye for style and filled their stories with the kidnappings, heists, vigilante justice, and brutal violence that suffused this turbulent moment in post-boom 1970s Italy. The undercurrent of fatalism and cynicism in these uncompromising movies is eerily reminiscent of the state of discontent in Italy today. ‘The Italian Connection’ showcases the diversity and innovation found in the genre, from the gangster noir of Fernando Di Leo’s "Caliber 9" ...

Model/Actress Anna Falchi

Anna Falchi was born Anna Kristiina Palomaki, on April 22, 1972, in Tampere, Finland. Her mother, Kaarina Palomaki Sisko, is Finnish, while her father, Benito "Tito" Falchi, is from Romagna, Italy. Growing up in Italy, Anna was a tomboy, and had a fervent imagination. She is known mostly for her prolific career in modelling. However, she tried her hand at acting and landed a role in one of my favorite Italian comedies, Nessun messaggio in segreteria . I consider it my one of my favorites because it brought together so many amazing, talented filmmakers during a time when they were all just starting out. Those filmmakers, Pierfrancesco Favino, Valerio Mastandrea, Luca Miniero and Paolo Genovese are now huge names in contemporary Italian cinema, so it's great to look back and see their work in a low-profile film completely different from the bigger-budget stardom they now know.   Watch the trailer . Anna Falchi started her career as a...

Ettore Scola explores enduring friendships and lost ideals in 'C’eravamo tanto amati'

A scene from "C'eravamo tanti amati" Mixing both tragedy and humor, Ettore Scola ’s 1974 film “C’eravamo tanto amati” (“We All Loved Each Other So Much”) follows 30 years in the lives of three men and the woman they each adore. By examining how his generation changed after the war, Scola makes a film that reflects its era. Scola explores the moral, political and emotional evolution of Italy’s postwar generation and, in doing so, creates a film that is a chronicle of its time and a love letter to cinema. The story begins in the aftermath of World War II. Three friends — Antonio ( Nino Manfredi ), Gianni (Vittorio Gassman) and Nicola (Stefano Satta Flores) — emerge from the Italian Resistance with a shared dream of justice, equality and social renewal. They are united by their hope that the sacrifices of war will lead to a better world. But the decades that follow prove to be challenging as Italy undergoes massive social changes, from the postwar economic boom to the politi...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...