Skip to main content

What dreams are made of.. Director Gianfranco Cabiddu's stunning homage to Eduardo De Filippo



The tempestuous weather in the Eternal City Wednesday appropriately set the tone for La stoffa dei song (The Stuff of Dreams), the new film by Gianfranco Cabiddu, one of the most significant auteurs of Italian cinema. 

La stoffa dei sogni tells the story of a modest theatre company (to say the least) that is shipwrecked with a group of dangerous organized crime mobsters on the coast of Asinara, the location of an island-prison in the middle of the Tyrrhenian Sea. The story explores the role of art in our lives, bringing to light the universal themes of guilt, revenge, redemption, and pardon.

Director Gianfranco Cabiddu and Sergio Rubini
Vincenzo Carpineta's stunning cinematography sets the stage for what at first seems like a drama but quickly turns into a comedy at the hands of veteran actor/director Sergio Rubini. Adapted from The Tempest by William Shakespeare and L’arte della com media by Eduardo De Filippo, the dialogue between the characters is clever and perfectly timed by outstanding performances. In the opening credits, the film was dedicated to the master, De Filippo.

With Gianfranco Cabiddu at the Rome premiere of "La stoffa dei sogni"
Rubini's character, Oreste Campese is the lead actor of a troupe that includes his wife, daughter and perhaps a random family member. The four board an ill-fated ferry headed for the desolate island of Asinara, the home of a famous prison. The ferry gets caught in the middle of a storm and all inmates along with the unlucky acting troupe are shipwrecked, but on different parts of the shore. Eventually, all their fates meet and Campese is forced to tell the head general of the prison, De Caro, played superbly by Ennio Fantastichini (whose recent performance in Io e lei I very much enjoyed) that three of the criminals originally headed to the prison are actually part of his troupe. De Caro is not buying the story, and challenges the so-called actors to stage Shakespeare's The Tempest - and gives them less than a week to prepare. After a round of hilarious rehearsals and rewrites.. throw in the general's beautiful, rebellious daughter and a creepy island inhabitant that only speaks in Sardinian dialect.. and you have all the ingredients for one brilliant comedy with an endearing ending and life lesson for us all. Of course, each viewer's interpretation is his or her own. However, I walked away with the validation of art's profound importance in our lives- in the way we free our minds and souls, escaping through the interpretations and dreams we find in art, whether the art form is visual or literary.

A quick pose with Sergio Rubini after the film
I have a feeling this one will soon be heading to America. We'll keep you posted on its international distribution. In the meantime, you can catch Sergio Rubini at the Rome Film Festival in "Dobbiamo parlare", a tale of the dialogue between couples. The ensemble cast includes Fabrizio Bentivoglio, Maria Pia Calzone and Isabella Ragonese along with Rubini. The film is one of the festival's headliners and will be shown October 21-23. Check the festival's website for details.



Comments

Popular posts from this blog

The Legend of Alberto Sordi - Rome's Eternal Son

′′They will always judge you, whether you behave well or if you behave badly. So screw it and live as you want but above all don't listen to anyone.′′  - Alberto Sordi By giving his fellow Italians something to laugh about during tumultuous times, he emerged as his generation’s King of Comedy. One of Italy’s best-loved personalities, Alberto Sordi played a pivotal role in Italian cinema from the end of World War II to the postwar economic boom of the 1950s. During those tumultuous years, he gave his countrymen a hearty laugh when they might have otherwise cried. Former Italian President Carlo Azeglio Ciampi perhaps said it best: “Alberto Sordi interpreted the feelings of Italians, especially in their most difficult and tough moments.” Born in the Trastevere neighborhood of Rome in 1920, Sordi grew up in a creative household. His mother was an elementary school teacher and his father, a professional musician for the Rome Opera House. A young Sordi joined the children’s choir o...

Alessandro Gassmann: Born to Act

Alessandro Gassmannin his directorial debut "Razzabastarda" Alessandro Gassmann is the son of the iconic Italian actor/director Vittorio Gassman and French actress Juliette Mayniel. He was born in 1965 and grew up around cinema royalty.  He made his cinema debut in 1982 at the age of 17 in his father's autobiographical film, "Di padre in figlio." He went on to study his craft under his father's direction at the Theatre Workshop of Florence.  Vittorio Gassman was very active in theater and seemed just as comfortable on stage as he did in front of the camera. Known for his powerful interpretations of Dante's "Inferno" and "Paradiso," it is no surprise that he nurtured his son's acting aspirations on stage before he launched his career in television and film. One of Gassmann's strong qualities, which he undoubtedly inherited from his father is his incredible range and ease in going from genre to genre. He can play ...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...

The Timeless Vision of Pier Paolo Pasolini

Pondering his films and poetry, I wonder if the uniqueness of Pier Paolo Pasolini's films was rooted in his unconventional childhood. Born in Bologna in 1922, Pasolini's father was a lieutenant in the army, and his family was always moving. He grew up in various small towns in Northern Italy. After his parents separated, he spent most of his time in his mother's hometown of Casarsa, in the region of Friuli Venezia Giulia. There, he grew to respect the area's peasant culture and began to write poetry in the region's dialect. He studied literature and art history at the University of Bologna and was drafted into the army during World War II. The war proved to be especially tragic for his family as his younger brother was executed by Communist partisans. Following the war, he returned to Casarsa where he worked as a teacher and ironically became a leading member of the Communist party there. Pasolini was later expelled from the party due to allegations of homo...

Federico Fellini: A Look into the Life and Career of an Icon

A Fellini family portrait  “The term became a common word to describe something on the surface you can say is bizarre or strange, but actually is really like a painter working on a film,” said Martin Scorsese when asked to define “Felliniesque,” an adjective inspired by one of the greatest filmmakers of all time. The oldest of three children, Federico Fellini was born in the seaside town of Rimini in 1920. His father was a traveling salesman, so his mother was left to do the bulk of raising the children. One can argue that Fellini was born for his destiny. “You could tell that even as a child, he was different and unique. He was very intelligent, well above average. He was always the one to organize things, direct the others, make up games. He could control the other kids with just a look, said Fellini’s sister, Maddalena, in an interview with journalist Gideon Bachmann.  Not only was Fellini directing the children, but he was also putting on shows and charging ...