During my adventures in finding interesting subjects for my "Basilicata: Terra di Cinema" series, I'm often amazed at the reach of filmmakers from Lucania. They travel the world to make and present their films, follow their dreams and experience different cultures. They learn the language and assimilate quickly, embracing the differences in lifestyle, work and even cuisine.
Film Distributor Alessandro Masi is no different. Born and raised in Potenza, he is blazing his way through America following his passions of cinema, marketing, and business. Well-schooled in the entertainment industry, Masi has also worked as a producer. So he is familiar with being on both sides of the coin. Curious about this Lucano in America, I asked him a few questions about his American adventure and his thoughts on the highly acclaimed Italian Oscar entry, Gianfranco Rosi's documentary "Fire at Sea".
When did you move to the United States?
This is my third long trip to the United States. I came in 2008
for the first time as an exchange student from Bocconi University to NYU in New
York for one month, and SMU in Dallas for one semester. Then I was in New York
City again for six more months for an internship in television production at Zodiak Media. After beginning my career as Digital Strategist at Italia Brand
Group, a top independent Italian marketing agency, I came to the U.S. for
the second time. I was in San Francisco and Boston for three months as part
of my MBA program - which began in London - at Hult International Business
School, and New York again for three more months for training at the
Investment Banking Institute. I moved to London to work as Investment
Advisor, specialized in media & entertainment and technology at TMT
Advisors. Then I moved back to Rome to lead the business development function
and bring to profitability one of the very first VOD platforms in Europe,
named OwnAir. I also founded my startup FlexyMovies, aimed at innovation in
the entertainment industry, along with development and implementation of
sales, distribution, and cutting-edge marketing strategies. I decided then
that I wanted to move to Los Angeles, the world capital of entertainment, to
be at the core of content production and worldwide distribution. I moved to
Los Angeles in January 2015 and I have been here since.
What has the transition been like for you?
The transition has been easy because I had
already been in the United States. I speak English fluently and I also speak
Spanish, which is very important in Los Angeles. I love the American cultural
melting pot and the opportunities that this incredible country is able
to offer to those that are willing to work hard.
Tell me about your work..
I am an international film/television sales & distribution professional and a producer. I master any
business and creative aspect of the entertainment industry, particularly
market-driven film and television production, financing and marketing. I can develop
and implement complex strategies. I am good with numbers as well as with
people, creative as well as attentive to details. Having a background in
digital and startups, I can figure out cutting-edge ways to innovate and
foster the entertainment industry. I am a deal-maker, a passionate go-getter
and a flexible team-player with a strong work ethic.
What are some of your recent projects?
I have recently worked for the company - Sierra / Affinity - who financed and distributed internationally Captain Fantastic. At the latest AFM, I worked on the buying side, helped distributors - particularly from Italy - scouting great content and projects for their territories. One movie that I facilitated brokering was On The Milky Road by Kusturica with Monica Bellucci. At the moment, I am the producer for a cross-platform sci-fi concept that we are developing as a feature and series starting from a short that we will be using as proof-of-concept. It's called Phenomenon. It's in the vein of Stranger Things. It's about a kid who tries to reconnect through a supernatural world to his lost father who disappeared during the Vietnam War. It will premiere theatrically in L.A. on December 2.
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Masi with filmmaker Gianfranco Rosi |
What are your thoughts on Italy’s Oscar entry, Gianfranco Rosi’s Fire at Sea?
Regardless of the actual chances to win - which by the way should never influence the decision - documentaries are cinema to all intents and purposes. It's an extraordinary piece of filmmaking. It's incredible that is non-scripted. Most importantly, it is a unique chance to showcase an artistic and prominent point-of-view on the tragedy of refugees to all who seem to ignore it. I totally endorse it.
How do you manage to stay connected to your Lucani
origins?
I have many Italian friends here in Los Angeles, including
some from Basilicata. This place is full of people chasing dreams and
passion, that is why I like it so much. I am a frequent attendee of the
Italian Cultural Institute, especially for movie screenings and showcases of
Italian cinema. I go to Italian restaurants sometimes. Most of all, I have close relatives in the United States,
precisely in Worcester, Massachusetts, so I visit them every once in a while,
especially during the holidays, and they also visit me here in Los Angeles.
They are my second cousins, as my great uncle emigrated to the States in the
'60s. His name was Giambattista Sarli and his name is still present in the
register at Ellis Island. He and his wife Assunta had seven children.. Fun
fact: the same number as my mother's brothers and sisters, and they also look
alike. The first time I saw them, it was incredible. I was the first in my
family to reconnect with them from Italy after more than 30 years. As far as
staying connected with Lucani origins, I try to stay in touch - besides
friends and family - with professionals from Basilicata, give them
professional advice on how to crack Hollywood, and I also had the
opportunity to meet Francis Ford Coppola recently and briefly talk about the
great beauty of our land, which he also loves.
You can watch Masi's Italian Golden Globe winning documentary "Suicide Italy" via the website Own Air. Masi worked with the company also as a producer and distributor of original documentaries on social issues. "Suicide Italy" describes the Italian recession in its cruel evolution from the point-of-view of the younger generations - embodied within the actress Eugenia Costantini - forced to come to terms with the seriousness of the Italian recession. The film features a cameo by the late Dario Fo, the actor-playwright, intellectual, activist for the working class, and recipient of the 1997 Nobel Prize in Literature.
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