Skip to main content

Elsa Martinelli 1935 - 2017


She’s been called “a kind of Audrey Hepburn with sex appeal.” Having worked in Hollywood and Europe, actress Elsa Martinelli’s pure beauty and innocent demeanor made her the perfect silver screen match for stars like Kirk Douglas, John Wayne, and Gabriele Ferzetti.

Born in the Tuscan city of Grosetto in 1935, Martinelli moved to Rome with her family and worked as a model in the early 1950s. Shortly thereafter, she began making her transformation to acting by taking small roles in films like Claude Autant-Lara's Le Rouge et le Noir. In 1955, she was noticed by Kirk Douglas’s wife who had seen Martinelli in Vogue magazine and immediately had her in mind for the role of an American Indian for her husband’s forthcoming project. An offer was made and Martinelli was cast as Onahti, the daughter of a Sioux chief in Douglas’s Technicolor Western The Indian Fighter. A year later, she won the Silver Bear for Best Actress at the 6th edition of the Berlin International Film Festival for the title role in Mario Monicelli's “Donatella.”


Martinelli divided her time between Europe and the United States and would go on to appear in films such as Raffaello Matarazzo’s 1956 The Rice Girl, Mauro Bolognini’s 1959 The Big Night adapted from Pier Paolo Pasolini’s novel, and Orson Welles’s 1962 “The Trial.” Also in 1962, she appeared in what would arguably be her most notable American role: Hatari! starring John Wayne in which she plays a headstrong, slightly stubborn photographer documenting the adventures of a group of hunters capturing wild animals in Africa. Martinelli is renowned for her enduring scenes with the baby elephants and when asked in a 2012 interview about her special affinity with the animals, she explained, “The trick is to feed them right away,” she said. “That’s how you become their ‘mother.’ So they got used to me and would follow me everywhere.” Martinelli was careful in balancing the damsel-like stereotypes in the type of “boy’s club” cast led by John Wayne, with a tough yet graceful ironic side, which of course challenged Wayne’s character to fall in love with her. 


During those years, the Hollywood starlet that she had become was reflected in her personal life when she married Count Franco Mancinelli Scotti di San Vito, with whom she had a daughter, Cristiana Mancinelli. The marriage lasted from 1957 to 1966 and was eventually annulled, according to Martinelli’s daughter. In 1968, she married photographer and designer Willy Rizzo to whom she remained married until his death in 2013. Beginning in the 1970s with Rizzo, she worked as an interior designer. She was also noted in the late 60s and early 70s for her close friendship with Aristotle Onassis. The two of them met often in Paris, which was well-documented by the European paparazzi. 

Elsa Martinelli (left) and Aristotle Onassis 

Fast forward to Eugene Levy's 1992 ensemble film, Once Upon a Crime in which Martinelli plays an aloof talent agent who leaves her client high and dry. Described as a "black comedy-mystery," the film was made on location in Italy and France and stars Richard Lewis, John Candy, James Belushi, Cybill Shepherd, Sean Young, Giancarlo Giannini, and Ornella Muti. Produced by the legendary Dino De Laurentiis, Once Upon a Crime is a remake of Mario Camerini's1960 comedy Crimen, also produced by De Laurentiis, and follows three dysfunctional couples through Italy and France as they become suspects in a murder.  Although Martinelli appears just briefly at the beginning of the film, she nevertheless brings her signature wit, irony, and grace to the scene. It’s appropriate that Martinelli’s scene follows the beautiful opening shots of Rome’s famous piazzas all photographed by the iconic cinematographer Giuseppe Rotunno.

Elsa Martinelli succumbed to cancer in July of 2017 but was active right up until the end. During the 2016 Rome Film Festival, which marked the one-hundredth anniversary of the birth of Dino Risi, Martinelli participated in a tribute to the master of Italian-style comedy during a screening of Fabrizio Corallo’s documentary film, Dino Risi Forever. Following the screening, several filmmakers including Elsa Martinelli and Andrea Occhipinti shared their memories of Risi. I spoke with her briefly after the event. She was just as graceful as I had imagined. She was low-key, not at all a diva, and patient in posing for pictures with her fans.


Elsa Martinelli left behind a wonderful collection of classic movies for future generations to enjoy. Many clips and complete films are easily available to watch on YouTube. Hatari! and Once Upon a Crime are available through Amazon.

Comments

Popular posts from this blog

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn...

Review: Emma Dante's 'The Macaluso Sisters'

In a moving story that spans several decades, “The Macaluso Sisters” follows five orphaned sisters born and raised in an apartment on Palermo’s outskirts. They support themselves by renting out pigeons for events, a unique and symbolic business that reflects their resourcefulness and the transient nature of their lives. Directed by Emma Dante, who adapted the script from her 2014 play of the same name, the film boasts an all-female cast that brings a unique power to the story. It unfolds in three chapters that show how the tragic events of one day haunt the sisters through childhood, adulthood and old age.   The first chapter reveals the tragedy of the youngest sister, Antonella, who dies during a beach outing. She remains a permanent presence in the household, never aging. The film returns again and again to the beauty of the day at the beach when tragedy struck. The apartment is a central character, housing the memories and rage each sister carries inside her. This exploration of...

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew t...

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legend...

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La...