Skip to main content

Verona's Fondazione Aida Introducing Italian Maestros to a New Generation

Pasolini on the set of his 1961 film Accattone in the
Gordiani zone of Rome

To mark the 96th anniversary of Pier Paolo Pasolini's birth, we're revisiting our interview with members of Fondazione Aida, an organization bridging Italy with the world and educating new generations about the maestros of Italian cinema and beyond. 

Based in Verona, Italy, home of Romeo and Juliet, Fondazione at introduces the great Italian authors and illustrators to youngsters in a way that is both entertaining and informative. Aida`s hands-on approach directly involves children by bringing theatre productions right into schools. The members of Aida also reach beyond the borders of Italy and take their productions on the road.

Members of Aida participated in a New York City tribute to Pier Paolo Pasolini by bringing their production of Trash to the Big Apple. I sat down with Roberto Terribile, one of the foundation’s artistic directors and Cecilia Cinelli, the former head of international relations. They told me what Fondazione Aida is all about at how its homage to the great Pasolini keeps his spirit alive and his work relevant.

What is the mission of Fondazione Aida?
Our foundation is a professional theatre company for young audiences. It's been around for more than 20 years. Its mission is to promote, among the new generation, the classic writers and masters of Italy, to keep alive the importance of the masters' personalities and work. They weren't just filmmakers or poets, but intellectuals, complete artists.

Tell me about Trash.
Every year, we have at least five or six new productions. A performance of Trash was orginally performed in Italy a couple of years ago when we organized an exhibition dedicated to Pasolini. There was a theatre performance that was presented to university students but it was just with one actor. So this performance in New York is not only with English text, but there are two actors; Rhonda Moore, who is an American actress and Lorenzo Bassotto, an Italian actor and director. 

Where did the name, Trash, come from?
The performance is made up of several poems by Pasolini. The poems were written about the lives of young people living in the rough suburbs of the big cities. He had a very special eye for the most humble people. He compared those neighborhoods to trash because of the violence and poverty that was taking place. It wasn't just a chronicle that he made of society. His way was always poetic with his gentle eye towards these poor people. So this performance highlighted the way he expressed what he saw.

How do children find out about your foundation?
Our headquarters is in Verona. We are known for our weekly performances, which students attend and on Sunday afternoons. We have a special family day in which students come with their families. We organize workshops and we tour Italy, performing at schools, theatres and festivals. Our company has also toured Mexico and Guatemala, participating in the Festival International Cervantino. We travel all over the world and have done many productions in the United States with different authors and illustrators.

Is your foundation open to American children?
Yes, we are always looking for co-productions where we can work with American actors and dancers like we're doing with this Trash performance. So, we're very open to meeting people, meeting actors. 

Can you tell me about other interesting projects?
Well, we're working on many projects, but one of our most important is an exhibition on Gianni Rodari, a famous children's author in Italy. He's also very well known all over the world. He died in 1980. He just loved children and had a great relationship with them. He knew how to relate to them. The exhibition consists of videos of him interacting with children and a performance of one of his novels, Grammatica della Fantasia (The Fantasy of Grammar).  


For more information about Fondazione Aida, visit them online at www.fondazioneaida.it.

- Jeannine Guilyard

Comments

Popular posts from this blog

New faces of Italian cinema

Angelo Iannelli With the 2012 film festivals just about wrapped up, we saw a big emphasis this year on newly emerging and independent filmmakers. This was most notable in the Venice Film Festival's Horizon's program, which gave these filmmakers an unprecedented amount of visibility as the program reached out to people all over the world via the internet.  To mark this current trend, I recently caught up with two independent filmmakers in Rome: Angelo Iannelli and Vito Napolitano. Each filmmaker has experience on both sides of the camera. Their origins are based in the south of Italy but they are now living in Rome. Angelo Iannelli was born in Benevento in the region of Campania, while Vito Napolitano is from Lecce in Puglia. What I enjoyed the most about our conversation is the passion with which the two young filmmakers speak about cinema. They are so enthusiastic and about their craft, they reel you right into their dreams. The three of us recently met up at the Li

The Timeless Talent of Stefania Sandrelli

On screen since the tender age of 14, she has captivated audiences for more than 50 years with a compelling combination of strength and vulnerability. She achieved stardom at just 14 years old playing the angelic cousin of a love-struck Marcello Mastroianni in Pietro Germi’s “Divorce Italian Style.” More than half a century later, she is still going strong and remains one of Italy’s most esteemed actors. Stefania Sandrelli was born on June 5, 1946, in Viareggio in the province of Lucca in northern Italy. As a child, she studied music and dance. Then in 1960, she won a beauty pageant and was featured on the cover of Le Ore magazine. Her purity captivated the country and shortly thereafter, movie offers began pouring in. Just one year later, she made her cinema debut in three feature films: Mario Sequi’s Gioventù di notte , Luciano Salce’s The Fascist, and Pietro Germi’s Divorce Italian Style . She instantly became a star and before long was a key figure in Italy’s legendary

Anna Foglietta: Actress and Activist with Old School Elegance

One look at actress Anna Foglietta in her any of her roles, and the Golden Age of Italian cinema comes to mind. Among Italy’s most sought-after actresses today, Foglietta brings to the table a classic eloquence of yesterday while representing Italy’s modern woman. Born in Rome in 1979, Foglietta began her career in 2005 with a role in the RAI television series La squadra . Her character Agent Anna De Luca had a two-year run on the series as she was transitioning to cinema with Paolo Virzì’s 2006 ensemble project 4-4-2- Il gioco più bello del mondo . Since then, she has become one of Italy’s most diverse actresses, transforming herself into interesting, layered characters for comedies and dramas alike. Aside from a small part in Anton Corbijn’s 2010 film The American starring George Clooney, Foglietta’s work began reaching mainstream American audiences in 2015. As Elisa in Edoardo Leo’s 2015 comedy Noi e la Giulia , Foglietta showed her funny side playing a goofball pregn

A Conversation with Actor Mirko Frezza of David di Donatello Winner "Il più grande sogno"

The 2017 David di Donatello award show, which took place on Monday, was an exciting event that celebrated many great contemporary talents of Italian cinema.  I was fortunate to have seen most of the nominees.  Among my personal favorites  is Michele Vannucci's  Il più grande sogno  simply because it is based on one of the most inspiring, beautiful stories I've ever  heard, and the person behind that story is as authentic and down-to-earth as they come. The film won the 3 Future Award, which is determined by the public. With Director Michele Vannucci and Actor Mirko Frezza I first saw  Il più grande sogno last September when it premiered at the Venice Film Festival. I didn't make it to Venice, but thanks to a great online platform called Festival Scope , which offers a handful of premieres to be screened on the web, I felt like I was there. The film itself blew me away, and then when I realized it was based on a true story, I knew that I would have to find out mor

The Sweetness and Genius of Giulietta Masina

Fellini and Masina on the set of "La Strada" As open-hearted and sunny as Federico Fellini was dark and complex, they were perfect counterpoints during a half-century of marriage and professional collaboration.  Nicknamed a  “female Chaplin” and described by Chaplin himself as  the actress who moved him most,  Giulietta Masina confronted the tragedy of her characters with an eternal innocence and enthusiasm that gave Italians hope in the most challenging of times.  Born in 1921 in San Giorgio di Piano, a commune north of Bologna, Masina was the oldest of four children born to a father who was a music professor and violinist and a mother who was a grade-school teacher. Her parents sent her as a child to live in Rome with her widowed aunt while she attended school there. As Masina took an early interest in gymnastics, her aunt saw in her a passion for performing and encouraged her to pursue acting. So after high school, Masina attended Rome’s La Sapienza Universit